Hibike Euphonium. I think Hyouka is better by a small margin, but Hibike is one of the best show kyoani has to offer after Hyouka.
I echo this sentiment.
Having just watched that series, I'm suffering from similar withdrawls.
I wasn't going to necessarily post it here, because it comes across as more of a typical review (which it is), rather than the opinion posts that are more suited to this thread.
That said, if it perhaps helps in turning others onto the show, then I'll be satisfied.
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[Sound! Euphonium - Review]
Sound! Euphonium charts the journey of Kumiko, a somewhat distant and disinterested student, who, having just entered high school, seeks a clean-break. An experienced Euphonium player in her middle schools band, she left under a cloud, having inadvertently insulted her one-time friend, Reina. Despite her resistance, Kumiko is pressured into joining the school brass band, upon the insistence of her new friends, Sapphire and Haruki.
Things quickly become complicated, as former band-mate Reina also joins the school, as does a new and driven band teacher, Noboru Taki. Its not long before promises are made, alliances are forged, and their road to the national competition begins.
Not only does the series follow the progress of the band, but also our protagonist, Kumiko. She quickly identifies the bands ability is mediocre, yet is completely apathetic to their cause. Shes likeable as a character, because of how normal she is - almost terrifyingly so.
Passive to her surroundings, as well as those who around her, as she readily concedes to whatever the norm may be. This overriding dispassion is what causes the rift between her and Reina, though she struggles to understand and accept this. Choosing despondency over any sort of reconciliation is what drives her to find solace in conformity.
Imbuing the mundane with the spectacular seems to something of Kyoto Animations forte, and its through the unassuming premise, that ranges of emotions are explored.
A brass band is big, and so are the individual egos of its players. To its credit, this isnt something that is quickly glossed over - a lot of time is spent with these teenagers, as they toil with their practice, and each other. The resolutions are not always clean, as it explores some relatable ideas/questions. Can effort/intent, alone, supplant talent? Is sentiment more valuable than success? The nicest people are not necessarily those who are the most deserving of success.
Depicting the adolescent experience in a way that may surprise you, because it hits close, and it hits often. It isnt melodramatic, or maudlin in its approach. This is a somber coming-of-age story that has a real deftness in its execution.
The characters grow, but as a result of taking charge of their own destiny, which sometimes involves conceding to the harshness that often comes with it. Kumiko encapsulates all of this, beginning as an atypical teen, and gradually transitioning into someone with real conviction and drive.
Like other Kyoto Animation shows that have preceded it, Sound! Euphonium retains a familiar house-style, most closely resembling the likes of Hyouka. It retains the lavish production values that we have come to associate with their works - animation, direction, and music, altogether sumptuous. The detail, which has gone into the musical aspects, deserves special praise - it really treats it with a real reverence, something that draws you into caring about it implicitly.
That said, there is lack of bombast here, and chances are that, if youre not a fan of Kyotos particular brand, you wont find much to keep you satisfied. Its a presentation, which neither belabors, nor patronizes, but is thoughtful - and rewards its audience for coming along for the ride.
Cute without the creepy. Slice of life, minus the fantastical. Sound! Euphonium succeeds through its earnestness in showing the reality and romance associated with the world in which it inhabits.
Highly recommended.