there needs to be more nozaki kun
Feigned ignorance. These kinds of offhanded comments are painful. Anime is a niche market as is and clearly is able to cache in on homoerotic appeal. Madoka is probably the biggest anime original property in the last few years and it plays into the undertones of that. I'm pretty sure Free! is also KyoAni's breakout original IP and it would fall under an even more overt definition of this stuff.
i think there's a definition difference between 'mainstream for anime' and 'anime positioned to appeal to mainstream television audiences'
First you give Tom Brady another ring and now this?
So, I don't watch the Monogatari series, because I don't know, I don't deserve such fine things, I deserve things like Asterisk.
But the show clearly has an eye for the finer things. (NSFW)
So, I don't watch the Monogatari series, because I don't know, I don't deserve such fine things, I deserve things like Asterisk.
But the show clearly has an eye for the finer things.
Such a bounty.(NSFW)
The "not black enough" of any sign of same sex bonding in fiction? What does any of this have to do with Hibike! Euphonium? You know it's not a show about "girls kissing" but you push that forward just to try and cast KyoAni in some weird light. It's a high school drama based around music with a story already tested and proven in novel format. For whatever point you were trying to make earlier that hosannainexcelsis laid out as clearly as possible, KyoAni's success has allowed them to shift to a format where they choose projects they seem to exercise more control over. Euph show is about as broad and approachable as it gets in terms of what KyoAni puts out.I don't want to speak for DTL or jgminto or others, but I think they would agree there's a clear difference between something like purely subtextual like Free and the more specifically explicitly gay shows like Sekai Ichi Hatsukoi where the characters are actually gay and want to be in a relationship with each other.
If KyoAni wanted to make a show about LGBT characters for and LGBT audience, then there are many titles that they can choose from. To say Euphonium or even Madoka is on the same level as Marimite or Aoi Hana does a disservice to anime that are actually about gay people who have problems that are specifically unique to someone who is gay in Japan.
What is this even supposed to mean in the context of criticizing Kyoto Animation?i think there's a definition difference between 'mainstream for anime' and 'anime positioned to appeal to mainstream television audiences'
The "not black enough" of any sign of same sex bonding in fiction? What does any of this have to do with Hibike! Euphonium? You know it's not a show about "girls kissing" but you push that forward just to try and cast KyoAni in some weird light. It's a high school drama based around music with a story already tested and proven in novel format. For whatever point you were trying to make earlier that hosannainexcelsis laid out as clearly as possible, KyoAni's success has allowed them to shift to a format where they choose projects they seem to exercise more control over. Euph show is about as broad and approachable as it gets in terms of what KyoAni puts out.
There's probably more Free! since it prints money
You are the worst.Chiyo is the worst.
Maybe he's more #TeamSeoYOU'RE the worst.
#TeamBradyYou are the worst.
Maybe he's more #TeamSeo
Sölf;187665552 said:Erina is horrible. I actually prefer the tsundere most of the time. Heck, Eri from School Rumble is mai Waifu of the forever. But Erina is just a dick. As far as the anime goes she doesn't seem to have any redeeming qualities. She is just a dick.
Any other character would be better for Soma. But Megumi is obviously best girl so the others can just go away and do their own stuff.
Paging Thoraxes... Noragami Aragoto's OST is finally out. Based Taku Iwasaki.
Kainoratan(PV music)
Noratan (Love Noragami mix)
Let's Rumble
One Shot
Meh. Far as I'm concerned shes the Onodera Kosaki of Soma.
What are you doing?! Go watch it right NOW!Sölf;187668654 said:I haven't even seen more than 1 episode of Nozaki-kun yet. :x
What are you doing?! Go watch it right NOW!
4. Big butt
Chiyo is the worst.
You see, this is a moment when I can't bully effectively because I haven't watched any of those shows with those characters...
...stop the bullying guys. Stop it.
Indeed. Would like more of her. Not that I think the story will really have any romance, but it seemed clearly setup that way. Just like Shitoge in Nisekoi.
#TeamBrady
Well, I'll admit that I was inferring intent on KyoAni's part based on the reactions in an earlier version of this thread. And I assume the people hoping that the two main characters make out with each other is a microcosm of the broader anime-tumblr-twitter-bloggo-sphere that presumably posted the various gifs I saw here and so on. As someone watching from the outside, it reminded me of the freakouts that people had when Rachel kissed Phoebe on Friends when they decided to do their token lesbian episode.
For example, Mugi (from K-On) had "yuri goggles" mostly from the pandery nature of her character from season 1 and the first couple of volumes of the manga. They tried to explain it away by saying that her only experience with homosocial relationships was strictly through yuri manga, which coloured the way she looked at the world, but by S2 of the anime they mostly excised that aspect of her character.
The characters distance is a bit different than in the novel. How did you think about that range?
Ishihara: Reina, in the early stages, would touch Kumiko, like point point, during the entire conversation.
Yamada: Additionally, we really paid attention to the imagery paying attention to that distance from the beginning when they werent close.
It feels like the composition of their distance and the growth of Kumiko is somehow weaved or linked together.
Ishihara: At the beginning, I dont think it was this deep, but as we were producing the show, perhaps it led towards this direction. Theyre different than ordinary friends. Its like youre friends with this amazing person and you want to try your best so that you can be on their level. To Kumiko, Reina is that presence.
Yamada: The descriptions in the novel when Kumiko sees Reina were so unbearably stimulating. Therefore, I wanted to properly depict that.
Takeda: Thank you very much.
Yamada: I planned to measure the amount of force so that I wouldnt make a mistake, but it felt like the entire detailed atmosphere that I worked so hard to gather between Kumiko and Reina was just released. (laughs) On one hand it was difficult, but it was irresistibly fun to create on the other. I wanted to convey that adolescent uproar of excitation. Kumikos the type of girl to be looking around herself constantly and sometimes her depiction of what she sees is interesting. From her point of view, she sees Reina somewhat sensually, but thats also a characteristic shared by girls too, right?
Takeda: (laughs) In almost every work, not just novels, theres so many that put romance above fellowship, arent there? I wasnt satisfied with that, so I wrote this work thinking of making fellowship above romance. Its just as Yamada-san says, Reina is a bit sensual from Kumikos point of view. Its something characteristic that a girl would sense and describe. If a man were writing it, wouldnt it be more like a lusty wolf coming out? (laughs)
Yamada: In this world, theres so much that doesnt just move because of love for loves sake.
Takeda: Shuichi is special as well, but for Kumiko, Reina is depicted as a presence that is above him. Before Kumiko met her, he may have been her special guy, but now her relationship with Reina is eternal. Its not just those two; that type of relationship is throughout this entire story. I wanted to show fellowship as this vastly important thing that gets cultivated by mankind depending on each other and working hard in that closed space of club activities.
Ishihara: Relating to that description, honestly, Yamada saved us by being present. I dont know the first thing about girl friendships or fellowships, but I can surmise from this discussion that its quite difficult. By all means the way guys look at girls may be depicted in stereotypes. While there is a portion of this work that feels like the processed view guys see, it was important to escape away from that stereotyping.
Yamada: There were some points that Ishihara-san felt he couldnt grasp. Therefore, I worked as the series director so that not only could I provide a feminine intuition for the work, but I could provide another way of thinking for portions that he was able to grasp. Listening to him is also important as well.
On top of that, they positioned Megumi as a "childhood friend" type, which means she will lose out by default even though she is definitely the wife prototype, while Erina is a one and done or weekend fling type.
Nisekoi at least humanized Chitoge to a point though... Erina was a miserable twat tsundere
What's with all the brighter than usual colors in these gifs?
But they get around this by actually having a childhood friend character who already has lost by default. Megumi still viable. ;P
What's with all the brighter than usual colors in these gifs?
True, very true... Soma could turn out to be an all-out harem if they wanted it to, but the Erina shipping hints were obvious. However, they did make a few hints at MEgumi too, so we'll see what happens... Erina will ultimately, win unfortunately..
Has anyone seen Last Exile: Silver Wing? I watched the OG series awhile ago and was looking at the OP and it's storyboarded really well. The OP has numerous screen wipes, smooth jump cuts, and a good amount of camera movement. Is the show itself any good?
Tumblr filters
Jeez, I forgot how bad School Rumble's ending is when some discussion on a board brought it up. What a depressing end for a funny show.
What is this even supposed to mean in the context of criticizing Kyoto Animation?
If Sound Euphonium is all about girls kissing, I don't know if that's aiming for the mainstream either.
Look at all this trash I missed last night while sleeping, lol.
Nothing wrong with a little extra booty. Better than those skinny asses.. Give me some curves..
At least your on the right team here. G.O.A.T #12.
After catching up on Concrete Revolutio yesterday, I started manually mapping out the timeline which they've covered so far. Turns out that was a waste of effort, because they've done an official one on the website, and it's up to date as of episode 9. Pretty cool!
http://concreterevolutio.com/special/?page=chronological
For reference, the "Shinka era" is definitely based on the Showa era in our reality, which means that Shinka 14 is 1939, Shinka 16 is 1941, Shinka 41 is 1966, Shinka 47 is 1972, etc.
One thing I really appreciate from the show is how they've done the one thing I really hoped they would do after watching the first episode - instead of being restricted to a single period of time in a year or a few months, they've managed to spread out a story that spans essentially a decade (41 to 48 so far) while using flashbacks and historical events to flesh out the decades prior as well. Pretty neat.
Nothing from Episode 9 covered "present day?"
Ok wow this looks amazing!! I can't wait!
Danganronpa 3 anime script team basically will be Gakkou Gurashi anime script team.
Not sure who think this is good idea.
I mean, the team have a writer who did Gunslinger Stratos, and a writer who did Chaos Dragon lol.
http://yaraon-blog.com/archives/74393
This thing keeps looking worse each day. Still baffled that the main thread of the whole series is being relegated to an anime. I hope it's good.Danganronpa 3 anime script team basically will be Gakkou Gurashi anime script team.
Not sure who think this is good idea.
I mean, the team have a writer who did Gunslinger Stratos, and a writer who did Chaos Dragon lol.
http://yaraon-blog.com/archives/74393
Danganronpa 3 anime script team basically will be Gakkou Gurashi anime script team.
Not sure who think this is good idea.
I mean, the team have a writer who did Gunslinger Stratos, and a writer who did Chaos Dragon lol.
http://yaraon-blog.com/archives/74393