EVA fucking sucks shit. Why is this doo-doo such a phenomenon that carried across decades... I'd rather Gurren Lagann and Madoka than this THING with no likable people and vague nonsense.
That makes it seem more sophisticated?
EVA fucking sucks shit. Why is this doo-doo such a phenomenon that carried across decades... I'd rather Gurren Lagann and Madoka than this THING with no likable people and vague nonsense.
Or how about you throw them all in the bin and watch Kill Me Baby instead. The end of all arguments and peace is restored.
I feel like the more they try to explain about Eva, the less I give a shit. Which is why everything that comes after the TV ending of the series feels like it's pulling at threads that everyone would be better off if they were left alone. "Congratulations" is the best ending to the story.
Misato's monologue in End of Eva is immensely more emotional and impressive than anything Urobuchi will ever write.
I feel like the more they try to explain about Eva, the less I give a shit. Which is why everything that comes after the TV ending of the series feels like it's pulling at threads that everyone would be better off if they were left alone. "Congratulations" is the best ending to the story.
It's the same reason why I don't want this Madoka sequel thing. The movie pulled off a miracle by not being a complete piece of shit like the Rebuild movies, and now they're on the verge of ruining it.
I feel like EoE tries to explain what happens during the ending that is handwaved away in the TV series due to budgetary reasons. So you have a mech fight and then giant floating Rei hands. Perhaps the only thing that comes out of it that's interesting is the damaged relationship between Asuka and Shinji, starting with the masturbation scene in the beginning and the choking scene at the end (I still appreciate that the actress went full method and was literally choking as she recorded that scene).EoE hardly explains anything. If anything it makes things more confusing, in stark contrast with 3.33 which suffers from the lack of exposition where people do know things but stubbornly refuse to inform Shinji for no other reason then the audience has to have some mystery to latch onto.
I can see liking the TV ending better though. EoE is a total gut punch.
Sometimes you just throw everything under the bus in an attempt to stop it.I didn't say a damn word about Eva, I call shenanigans.
I suppose in a way, both endings are not satisfying for different reasons. I just didn't really see the need to have yet another Eva fight that didn't really amount to anything given that Instrumentality was going to happen anyway.I personally liked EoE ending better than the TV ending, even if it was deeply unsatisfying in other ways, in that so little is left in the end due to the completely depressing stuff that you feel this deep emptiness in your chest. But you know what? At least it felt complete.
I still vastly prefer it to the first two movies. But ultimately, it's because it's the least garbage film rather than because it's any good.The piano part in particular is by far the best thing about 3.33 that isn't the music.
Other then that, fuck it. It's a total mess and it feels like two entire movies were skipped, plus the design of everything just went off the goddamn rails with the beast mode cat EVAs and the color pallet of the whole world. Mari still has no reason to exist as well
Y'know what no its too late to be bitching about 3.33
I suppose in a way, both endings are not satisfying for different reasons. I just didn't really see the need to have yet another Eva fight that didn't really amount to anything given that Instrumentality was going to happen anyway.
I think the cut live action ending is the secret best ending of Eva though.
I still vastly prefer it to the first two movies. But ultimately, it's because it's the least garbage film rather than because it's any good.
I just don't care about giant things pounding each other (insert sex joke here), so it didn't really do anything for me. Whereas I was riveted during Eva TV 26.That Eva 2.0 fight is one of the most brilliantly animated sequences ever so its existence is justified.
I think the stuff cut from EoE is pretty fascinating.
I just think 3.33 at least justifies the existence of Rebuild. In fact, 3.33 could be the first film in the Rebuild series and you really wouldn't lose anything.It's not like I dislike it because it diverges, I actually liked 2.22 because of that. I just don't think it is good at all.
Oh god, I think that would make for a terrible film if they tried to contextualize 3.33 in any way. I feel like their only hope is to go deeper into the hole they've dug themselves into.I still can't help to be curious to see what Eva 3.0 + 1.0 is like but the complete and utter lack of any information at all and the name change makes me think that they are pushing 4.0 back to make a movie to try and rectify 3.33 and explain shit which is a good sign*
I feel like the more they try to explain about Eva, the less I give a shit. Which is why everything that comes after the TV ending of the series feels like it's pulling at threads that everyone would be better off if they were left alone. "Congratulations" is the best ending to the story.
It's the same reason why I don't want this Madoka sequel thing. The movie pulled off a miracle by not being a complete piece of shit like the Rebuild movies, and now they're on the verge of ruining it.
Oh god, I think that would make for a terrible film if they tried to contextualize 3.33 in any way. I feel like their only hope is to go deeper into the hole they've dug themselves into.
I guess my feeling at the time was that, if a Madoka movie trilogy HAD to exist (because companies want to make money), doing what they did with Rebellion was the perfect way to just shatter everything and leave it completely fucking broken. When I was watching that final act - in a movie theater no less - I was just mesmerized by how little fucks were given when Homura basically having a breakdown and selfishly destroying everything.I mean Rebellion had a hell lot retconning and loosening the already flimsy limitations the Madoka world had set for it. With the rebuild movies you can at least regard it as a separate continuity or instance whereas Rebellion continues right where the series ended. A series that had a rather conclusive ending to boot.
The extreme success aside, it's no surprise that more Madoka stuiff would follow after Rebellion since that film enabled Shaft to put in whatever nonsensical story they want to tell. Everything can be explained with god power shenanigans at this point. Though I suppose people who are still interested in the characters won't let that deter them in any way.
Filling in the gaps would be horrible though. Unless they do it in the most acid-trip inducing manner. Then maybe I can get behind that.I'm not sure what would be worse, desperately trying to rectify 3.33 or doubling down and try to continue off that mess as is
Filling in the gaps would be horrible though. Unless they do it in the most acid-trip inducing manner. Then maybe I can get behind that.
I feel like those teaser things are just trolls anyway, and a legacy of the TV airings of the show. SERVISU SERVISU.The thing is they literally left a massive 14 year gap to fill. The false preview for 3.0 at the end of 2.0 is shit that happened in between and that world is just nonsense now so its begging for a bridging movie.
Although I think some of the stuff like the Curse of Eva is such a stupid-ass idea that explaining it would just make me hate it even more.
It's actually very grounded, but purposefully disorientating in terms of its place in the timeline.I still have to watch Evangelion 3.33 (that stupid pretentious numbering scheme...). The insane stuff I hear the movie has fills me with anticipation.
I guess my feeling at the time was that, if a Madoka movie trilogy HAD to exist (because companies want to make money), doing what they did with Rebellion was the perfect way to just shatter everything and leave it completely fucking broken. When I was watching that final act - in a movie theater no less - I was just mesmerized by how little fucks were given when Homura basically having a breakdown and selfishly destroying everything.
Trying to explain that, or revert that back to the status-quo, or even trying to one-up themselves again just seems like folly of the highest order.
Rebellion is an "experience". And it came out the same time as Gravity, so I'm already at the point where I'll never feel as blown away by film as I did at the end of 2013.Yeah I had the same attitude, so I just went along with it, and you know what? As long as you accept that it's not that bad. ^_^
It's actually very grounded, but purposefully disorientating in terms of its place in the timeline.
Oh yes, it is. But I feel like what makes it terrible is also it's most redeeming feature. lolI see. But I still hear it's terrible. ^_^
The Nisekoi beach epidode is the best thing SHAFT ever made.
Aside from Chitoge's mother.
I think you meant to say Hidamari Sketch.
If you are talking about the movies, Rebuild of Eva is literally season 1 of Fargo. lolmadoka is the season one of fargo, compared to its far superior season 2 (eva)
Natsu no Arashi is secret best Shaft.The Nisekoi beach epidode is the best thing SHAFT ever made.
Aside from Chitoge's mother.
https://dl.dropboxusercontent.com/u/18780843/anime/wakeupgirlszoo4.jpeg
EoE hardly explains anything. If anything it makes things more confusing, in stark contrast with 3.33 which suffers from the lack of exposition where people do know things but stubbornly refuse to inform Shinji for no other reason then the audience has to have some mystery to latch onto.
I can see liking the TV ending better though. EoE is a total gut punch.
You are now starting the best arc of all times.
It's hard to gauge where all that transpired here leaves Nanami's character at as I've no clue what
Honestly, WUG Zoo is too good for this thread. I'd almost argue mentioning it is going off-topic because, honestly, the truth is it ascends the medium; it is next-level anime.
Honestly, WUG Zoo is too good for this thread. I'd almost argue mentioning it is going off-topic because, honestly, the truth is it ascends the medium; it is next-level anime.
Is this WUG thing just WUG Zoo or the WUG franchise in general. I still remember how most people ignored it as just "that Yamakan anime" a year or so ago when it came out.
EoE hardly explains anything. If anything it makes things more confusing, in stark contrast with 3.33 which suffers from the lack of exposition where people do know things but stubbornly refuse to inform Shinji for no other reason then the audience has to have some mystery to latch onto.
I can see liking the TV ending better though. EoE is a total gut punch.