Junkers Come Here is a beautiful, gentle and heartfelt film about a young girl living in a world that is suddenly changing before her very eyes. We all become content with the routine of life itself, adamant that things will never change, but the reality is that the world does change and any alteration to our lives is not only hard to adjust to but even harder to come to terms with. We cling onto those things that were most comfortable with, often satisfied with our current situations and so we try to deny those around us the chance to change too as we struggle to keep all the pieces that make up our lives together as they ultimately drift away.
Junkers Come Here is a relatable story and a film that resonates with people of all ages, both young and old alike.
Directed by
Junichi Sato and released back in the summer of
1994, this
1 hour 40 minute motion picture tells the story of a girl named
Hiromi.
Hiromis family are pretty well off and shes both peppy and energetic. From the outside youd assume that she is a very joyful and well-loved kid, with parents that coddle her and spoil her each and every day; however her relationship with her parents is a distant and complicated one. Both of her parents work, her father a director he works abroad commuting from place to place rarely finding the time to come home and her mother a businesswoman who comes home to see her daughter whenever she gets the chance, usually late in the night and usually too tired to truly interact and bond with her child. On the outside
Hiromi is a resilient and mature individual however it is clear that her detached relationship with her parents upsets her greatly. Even so she is surrounded by people who care about her, but due to her reserved nature people dont consider looking closer at her true feelings. On the outside she is a happy child, but on the inside her heart aches as she deals with this disconnected relationship that she finds herself in with the very people that should be there for her the most.
Junkers is ultimately a story about a family that is falling apart and how it affects this young girls life.
Junkers is so beautiful in its depiction that anybody who has been in the middle of a divorce will be able to relate to this film and its characters. It goes without saying that people who havent will still be able to relate to the story and the predicament young
Hiromi finds herself in.
Hiromi is young and like most young people, their fates are often left in the hands of their parents, and although parents try to understand their children it becomes tough due to the way in which we function. Were taught, indirectly or otherwise when growing up to conceal our emotions, that crying is for kids and so
Hiromi no matter how much shes hurting acts mature and grown up throughout the whole ordeal. Because of this, her parents assume that shes okay with every revelation they throw at her. She doesnt complain and tries to get on with her studies but take one glance at her declining grades and its obvious that this is affecting her and more importantly its hurting her and shes left tearing herself apart.
Her parents rarely have an honest conversation with their child and never truly get to know her feelings on the matter. In fact it seems as if her mother has already made her childs mind up for her. In order to make the film more entertaining for the younger audience,
Hiromi shares her screen time with her pet
Junkers, a miniature Schnauzer. If you know this breed, you know that theyre pretty fun to look at, however what makes
Junkers every more fun is the fact that this dog talks. This is the plot device that is used in order to get
Hiromi to open up and discuss her feelings as she converses with
Junkers.
Junkers is a fundamental element that makes up the success of this film, balancing both the comedy and drama elegantly in order to keep the audience engaged throughout. Younguns will become fascinated by the talking dog while also finding themselves relatable to
Hiromi, her loneliness and her efforts to juggle her school work, the emotional turmoil that comes with divorce and the fleeting moments of love that she finds within her heart as she matures and goes through puberty while the parents watching will also be able to resonate with these same themes while also finding themselves relating to the two parents in the film as well as finding young
Hiromis erratic behavior to mimic their own childs. The film works in order to become relatable to people of all ages as the stories here are both very human and presented delicately.
Itd be doing this film a monumental disservice to go on without mentioning the beautiful artwork and animation that makes up this film. The aesthetics remind me a lot of the
Isao Takahata directed
Only Yesterday which came out a few years prior to
Junkers.
Junkers is very pastel-like in its appearance, with everything having a warm and homely look to it. This helps foster an aesthetic that is both welcoming and appealing to the eyes. Some scenes have faded out edges, very similar to the flashback scenes in
Only Yesterday. The movie as a whole is very bright with lots of whites being used especially indoors, particularly the walls that populate the house but at the same time the backgrounds look realistic and lived-in, with rooms cluttered with random utensils and adorned with decorations. Of course this goes a long way in immersing the audience and making this house feel like a real home and not just a movie set.
Hiromi has grown up in this house and has accumulated all sorts of memories which work together in order to construct a sentimental feeling that encapsulates the whole film and rubs off onto the watching audience.
Junkers looks handmade in its visuals and approachable because of this, both warm and endearing.
Although characters are realistically proportioned, each one still stands out due to unique features and mannerisms not unlike people in the real world. This is further supported by the fact that the cast is very tightly knit together. Characters are designed here by the late and very talented
Kazuo Komatsubara. It goes without saying that the characters in
Junkers are a lot less exuberant and boisterous than the ones in his other works such as his collaborations with
Leiji Matsumoto. The character designs here yet again remind me of Only Yesterday. The characters are both charismatic in their depictions as well as in their vocals and mannerisms while still feeling grounded in reality and neither overly exaggerated nor too cartoony. Theyre not photo-realistic and remind me a lot of the characters that make up the work of the late
Yoshifumi Kondo. Their realistic nature is brought to life through their mannerisms as well as the great script. Like many of the
Takahata works,
Junkers spend time on the mundane, allowing for the world and its inhabitants to breathe freely as the film develops naturally.
While the animation is amazing, the music and audio is also well directed. The cast does a fantastic job in breathing life into each and every character and the music works in harmony with the visuals. The voice acting accompanied by the great script goes hand in hand in nurturing the correct emotional response from the viewers. Its not laugh out loud funny but charming it is.
Shinya Ohira contributed to the original character designs however again these are not as exaggerated as his other works. Both he and
Mitsuo Iso contributed to key animation and it is evident. The animation is smooth and detailed and the motions of the characters are nuanced.
Junkers boarders on the fantastical with many magical elements littered throughout, none of which I will go into detail with however it still manages to stay grounded and realistic. Although I dont want to spoil anything when it comes to this film, the last act in
Junkers Come Here blew me away from an audio and visual standpoint with a scene that reminded me of the animated short
The Snowman which may come across as a strange parallel to make, but an appropriate one nonetheless.
Junkers is unwavering in its depictions of a girl growing up in a fractured home, its a beautiful film that had me laughing at its subtle humor that relies on the mannerisms of the characters instead of slapstick and it also had me crying at the honesty of it all. Its genuine, beautiful and evokes emotions that I rarely feel from anime today. Both nostalgic and at times gut-wrenching it is a film that Id recommend to anybody no matter the age.
Junkers contains everything that I look for in an animated film; it entertains but at the same never holds back with the emotional punches. The Japanese voice track is outstanding, the music is fantastic and emotionally charged while also whimsical and the animation is sublime.
Junkers is both insightful and meaningful and a film that everybody should watch.
10/10