is less than a billion underperforming for something like this? didn't supes do like 600+ million and bats has done 1 billion twice i think.
I think less than a billion would be underperforming especially in Warner's eyes
is less than a billion underperforming for something like this? didn't supes do like 600+ million and bats has done 1 billion twice i think.
i have a feeling this movie is gonna bomb faster than you can say jimmy crack corn!
Commercially? I doubt it.
Critically? Oh yeah, it could very easily.
As long as it sells well, WB will move forward with their plans, how good/bad it is won't hinder them too much.
The IP involved and what will no doubt be a gargantuan marketing budget should guarantee a pretty massive box office; I'd say $750M worldwide at bare minimum.
A billion, though? That's not a foregone conclusion based on those two factors, not by any means.
...and yeah, even "only' $950M would probably disappoint WB, though presumably not enough to change their DCCU plans.
i have a feeling this movie is gonna bomb faster than you can say jimmy crack corn!
Commercially? I doubt it.
Critically? Oh yeah, it could very easily.
As long as it sells well, WB will move forward with their plans, how good/bad it is won't hinder them too much.
Given they have an Oscar winner writting the script I kinda doubt it.
I doubt it will flop but anything under a billion would be disappointing. They dodged a massive competition bullet going to 2016 but not sure if that would help. Batman/Superman has enough appeal to make mega cash. But the Affleck casting was a total buzzkill with the media. If they brought back Bale we wouldn't even be having this conversation.
Alright I got my first piece today for the daily Batman V. Superman Bingo. Next I think someone will say something about Goyer writing the movie.i have a feeling this movie is gonna bomb faster than you can say jimmy crack corn!
As much as Man of Steel didn't work for me, I'm very glad DC is hiring people who don't throw stupid quips in to undercut any tension. I want entertaining superhero films, but let's leave the 'OMG IT SHOULD HAVE SILLY QUIPS' stuff to Marvel. That's their thing, I guess.
As much as Man of Steel didn't work for me, I'm very glad DC is hiring people who don't throw stupid quips in to undercut any tension. I want entertaining superhero films, but let's leave the 'OMG IT SHOULD HAVE SILLY QUIPS' stuff to Marvel. That's their thing, I guess.
As much as Man of Steel didn't work for me, I'm very glad DC is hiring people who don't throw stupid quips in to undercut any tension. I want entertaining superhero films, but let's leave the 'OMG IT SHOULD HAVE SILLY QUIPS' stuff to Marvel. That's their thing, I guess.
The problem is people always look at "light and fun" and "dark and grits" as some either/or, all or nothing thing. There's a way to be serious without being humorless, and there's a way to have fun without undercutting moments of dramatic tension or removing any sense of "weight" from scenes. I don't think either Marvel Studios or WB/DC recent output understands this all that well.
No way, that's MCU, totally keep that in there. It's part of the lightheartedness that these movies I feel require. Maybe not for the Batman obviously, it is the Batman. But, for Superman to not have a lighthearted moment when he maybe tells a joke or gets a legitimate laugh is not out of the question. I'm not surprised that some may not like that in their comic movies however. From a film stand point I can see your argument for most action films.
I'd like to see what sort of tension-breaking quips Whedon would shoe-horn in after Bruce's parents are murdered in front of him or Krypton explodes.
BRUCE: Why'd you kill my parents, in five words or less?
JOE CHILL: Went for a walk... bitch!
The problem is people always look at "light and fun" and "dark and grits" as some either/or, all or nothing thing. There's a way to be serious without being humorless, and there's a way to have fun without undercutting moments of dramatic tension or removing any sense of "weight" from scenes. I don't think either Marvel Studios or WB/DC recent output understands this all that well.
Recently X-Men Days of Future Past handled it well.
Man Of Steel is preparing...
Man Of Steel is preparing...
My point is not that Superman should be gritty.
It's that Superman should have the tone of Captain America: TWS. Where it's not quips as such, it's just a fantastically fun and exciting film with a lead who doesn't have to mope because he's got to be a hero gosh darn it.
Whereas Joss would have Superman quipping constantly, like Thor's 'he's adopted', which yeah - Gods have different morality, but really makes him look like an asshole.
I'm going to be doing a variation of this tonight with a smith machine. Why don't I look like Superman.
yes but that Captian was already an established hero who wasn't trying to find his place in the world. and also ahd the love of millions. Superman in MoS did not have that advantage.
you're using a smith machine. also, you're not Kryptonian.
Yes. Except in his first film he was also delightfully goofy.
Superman's one of my favourite superheroes. And I don't hate MOS. But it has giant flaws, and I hope Snyder and co iron those out. I want Superman in Gotham to stick out like a sore thumb, not blend in. Just be baffled that random muggers are shooting him.
I'd like to see what sort of tension-breaking quips Whedon would shoe-horn in after Bruce's parents are murdered in front of him or Krypton explodes.
Looks like fun.
Camera cut's to dying Thomas Wayne's POV. Joe Chill stands over Thomas' face and crouches repeatedly.
Looks like fun.
Yeah that's not going to happen with this Superman. This Supes knows that there are dicks in the world, he was basically brought up fearing humanity. In fact that's his trait, that despite humanity showing its worse face to him, despite his dad telling him the world would hate him simple because he exists he chooses to always save the people and even is willing to give himself up to Zod.
It's a different take than the one you're expecting, because you're looking at Reeves superman which was A) one director's take on the character B) in a different era completely C) working with a vastly different source material.
Don't go into a movie expecting what a character should be like, but look at what he is established as. You can have a horribly written source-accurate character and also an amazing character that isn't close to the source material at all. Just look at Arrow's potrayal of Green Arrow.
That's... basically what Bobby Roberts has been trying to get me to see this whole time but in a way I can take... I guess he is making a fairly courageous choice in the face of how awful he's seen humanity be in his time here...
Spiking that guy's truck on the electrical pole though, that was screwed up. And before you mention it - I also hated the fact that Reeves in Superman 2 went all the way back up to Alaska just to beat up that trucker who gave him grief while he was de-powered. Really, Superman?
See I can totally get the complaints like that despite liking the movie. I thought the narative structure worked and so did Zod but I can see why you might find them lacking.Noted.
Except, fundamentally, my issues with MOS are that it's a very badly paced film with terrible flashbacks/villain. Superman wasn't ideal, but was realised competently. So hopefully ironing out the kinks makes everything else better.
That's... basically what Bobby Roberts has been trying to get me to see this whole time but in a way I can take... I guess he is making a fairly courageous choice in the face of how awful he's seen humanity be in his time here...
Spiking that guy's truck on the electrical pole though, that was screwed up. And before you mention it - I also hated the fact that Reeves in Superman 2 went all the way back up to Alaska just to beat up that trucker who gave him grief while he was de-powered. Really, Superman?
See I can totally get the complaints like that despite liking the movie. I thought the narative structure worked and so did Zod but I can see why you might find them lacking.
I think the electrical pole is more to do with the fact he's still learning and it's the beginning of his journey. Similar to the bullying scene, it's about Superman being human I guess? Though i don't really want to look too deep into it and read something that isn't there.
Also I think that was Goyer's attempt at humor.
I absolutely agree with Scoot in that the scene of Superman completely fucking up that truck was pretty bullshit, just as bullshit as Superman getting his powers back and basically putting a redneck in the hospital while cracking a grin.
They're both big whiffs not just on the generally accepted personality of Superman in pop-culture, but the Superman IN THE MOVIE we're dealing with.
Although, then again, Superman fucking up someone's truck for a joke does, in some way, set up Superman spiking a satellite in front of a US General. But somehow, Superman telling an intrusive government to fuck off while still promising to help them as much as possible plays better than Superman ruining a dude's livelihood and wrecking some companies' equipment over an altercation in a redneck juke joint.
But I doubt Goyer thought that much about it beyond "Wouldn't it be funny if Superman was a dick right here?" Because that's how Goyer's sense of humor works. Look at his filmography - almost all of his comedy is mean-spirited in nature, and at the expense of someone else.
Man, fuck that guy.
He had it coming.
Man that Whedon quote...sums up all MCU films starting with Avengers.And that's also a problem, I believe. It's forcing something in that isn't needed. Sure the humor works sometimes but sometimes it doesn't and you can't just jam it in.
You really can't make these kind of sweeping statements because if you do and you hold onto them you're forcing yourself into a strict corridor path of expectations.
For example, The Dark Knight trilogy would never work with the narrative structure that Whedon is proposing there. And in fact it showed that you didn't have to follow up all the moments with jokes. You pick a style to suit the movie, not force a movie into your style.
That's a really naive Superman template. I don't know that I want Superman to be a country bumpkin... I have no problem with the idea that a man that can freely travel anywhere in the world might know a thing or two about it. Since the the film takes place 2 years after Superman's debut, hopefully the world also isn't so cartoonish as to pointlessly fire upon an alien known to be invulnerable.I want Superman in Gotham to stick out like a sore thumb, not blend in. Just be baffled that random muggers are shooting him.
The most common complaint about Superman as a concept? That he's too perfect, too powerful, and unrelateable. I haven't heard those tired arguments after Man of Steel and it is in part to scenes like that which show he's not perfect and struggles with the same impulses towards vengeance as we all do.Spiking that guy's truck on the electrical pole though, that was screwed up.