Since people are talking about Mechwarrior 2 on the previous pages, I thought I would link a 1997 interview with Jeehun Hwang. It's interesting to read about his story of getting on board on MW2.
Like all good job-seekers, Jeehun left a copy of his CV with his friend, in the hope that if something came up there he'd be the first to be considered. "The very next day I got a call from the producer of Mech Warrior 2, the game currently in development that was probably going to be make or break for Activision. They were looking for a production assistant, and when they found out I had a musical background they thought I'd be able to help them with finding a composer. I thought 'Why not? I can still do my music at nights.'"
"The producer had a very distinct idea of what he wanted. It was to be very classical, like an orchestral movie score. It wasn't what I thought the project needed, but that's what he wanted," Jeehun remembers. "We listened to all the tapes and there was only one composer who we thought did orchestral scores well enough, so we signed him on to the project. However, there were problems: the music didn't come over how Activision wanted it, but no-one could convey how they wanted it to change. So finally I said, 'Look, I'll put some songs together for you that I think might work and if you like them you can use them'."
"I was literally learning as they were paying me," he remembers. "It was the very first time I'd used a computer sequencer: prior to that, I didn't even know they existed! They also wanted me to score the movies -- the intro and outro -- so I got an old VCR with timecode and pretty much scored everything in real time and then went back over them. It wasn't really the conventional way of doing things and it took a long time, but I worked very hard on it."
His score was unconventional to say the least. Streets ahead of other video game music of the time, it seamlessly blended orchestral and contemporary sounds with elements of both classical music and hip hop.
"I was just trying to be experimental, and as I didn't have any experience writing for orchestra I just built the songs up with the sounds I liked, without adhering to one particular style," he says.