kerotan_eater
Banned
Only 1 film from 2000s in the list? What?
There's actually a few like 25th Hour, Mulholland Dr, and TDK.
Only 1 film from 2000s in the list? What?
There's actually a few like 25th Hour, Mulholland Dr, and TDK.
If we're talking Holocaust movies, the Pianist is by far and away the better movie. It's a crime its not on here.
edit: It's weird that everyone - everyone seems to recognize that Empire Strikes Back is a better movie than Star Wars, and it never shows up on these lists. It's always just Star Wars.
Pianist is not an American movie though, French/UK production. Pretty sure all of Polanski's films post Chinatown would be considered European productions.
Pianist is not an American movie though, French/UK production. Pretty sure all of Polanski's films post Chinatown would be considered European productions.
That's mighty wishful thinking on your part.It will be forgotten.
Aren't they just ranking US American studio made movies?No City of God, no list.
Aren't they just ranking US American studio made movies?
I was going to comment on the lack of Empire Strikes Back. Glad im not the only one to notice this.edit: It's weird that everyone - everyone seems to recognize that Empire Strikes Back is a better movie than Star Wars, and it never shows up on these lists. It's always just Star Wars.
Welp, guess all you can do is make your own list in comparison. I just made up a top 100 American films, with the main purpose is spreading the wealth. My main pet peeve with this list is how 10 directors own 41 spots. That's crazy. I mean fuckin' Marnie and Eyes Wide Shut, FOH. At MOST, I have guys like Scorsese and Allen with 3 each, and even then was pushing it.
73. The Shop Around the Corner (Lubitsch, 1940)
The Third Man is 100% British to me. Let them have that classic.
I could see Faraci's forehead vein pulsating the second he saw TDK on the list. Lol
I was going to comment on the lack of Empire Strikes Back. Glad im not the only one to notice this.
I feel like Ant-Man would have got on there if they hadn't made the list before it was released.
It's in the list. It used to be in the first post. OP is bad at making threads and edited his post to remove the bottom 50. Before that, he hid the list under spoiler tags.
Welp, guess all you can do is make your own list in comparison. I just made up a top 100 American films, with the main purpose is spreading the wealth. My main pet peeve with this list is how 10 directors own 41 spots. That's crazy. I mean fuckin' Marnie and Eyes Wide Shut, FOH. At MOST, I have guys like Scorsese and Allen with 3 each, and even then was pushing it.
Much, much better.Welp, guess all you can do is make your own list in comparison. I just made up a top 100 American films, with the main purpose is spreading the wealth. My main pet peeve with this list is how 10 directors own 41 spots. That's crazy. I mean fuckin' Marnie and Eyes Wide Shut, FOH. At MOST, I have guys like Scorsese and Allen with 3 each, and even then was pushing it.
0. MAD MAX: FURY ROAD (WITNESS ME HOPE IS A MISTAKE THATS MY JACKET REDEMPTION)
1. Jaws (Spielberg, 1975)
2. Casablanca (Curtiz, 1942)
3. Mulholland Dr. (Lynch, 2001)
4. Raging Bull (Scorsese, 1980)
5. The General (Keaton, 1926)
6. Sunset Blvd (Wilder, 1950)
7. Chinatown (Polanski, 1974)
8. Do the Right Thing (S. Lee, 1989)
9. Singin in the Rain (Kelly & Donen, 1952)
10. Sunrise: A Song of Two Humans (Murnau, 1927)
11. The Conversation (Coppola, 1974)
12. All About Eve (Mankiewicz, 1950)
13. The Lady Eve (P. Sturges, 1941)
14. Days of Heaven (Malick, 1978)
15. The Man Who Shot Liberty Valence (Ford, 1962)
16. Goodfellas (Scorsese, 1990)
17. Blade Runner (Scott, 1982)
18. Short Cuts (Altman, 1993)
19. His Girl Friday (Hawks, 1940)
20. Unforigiven (Eastwood, 1992)
21. Hannah and Her Sisters (Allen, 1986)
22. City Lights (Chaplin, 1931)
23. Barry Lyndon (Kubrick, 1975)
24. Strangers on a Train (Hitchcock, 1951)
25. Heat (Mann, 1995)
26. All That Jazz (Fosse, 1979)
27. The Thing (Carpenter, 1982)
28. The Sweet Smell of Success (Mackendrick, 1957)
29. Millers Crossing (Coens, 1990)
30. Eternal Sunshine of the Spotless Mind (Gondry, 2004)
31. The Thin Red Line (Malick, 1998)
32. The Adventures of Robin Hood (Curtiz, 1938)
33. Raiders of the Lost Ark (Spielberg, 1981)
34. King Kong (Cooper & Schoedsack, 1933)
35. Halloween (Carpenter, 1978)
36. Pulp Fiction (Tarantino, 1994)
37. Modern Times (Chaplin, 1936)
38. Rio Bravo (Hawks, 1959)
39. Blue Velvet (Lynch, 1984)
40. Dawn of the Dead(Romero, 1977)
41. The Godfather (Coppola, 1972)
42. Before Sunset (Linklater, 2004)
43. Alice Doesnt Live Here Anymore (Scorsese, 1974)
44. The Maltese Falcon (Huston, 1941)
45. Dead Man (Jarmusch, 1995)
46. Boogie Nights (PTA, 1997)
47. The Big Lebowski (Coens, 1998)
48. Alien (1979, Scott)
49. Pinocchio (Luske & Sharpsteen, 1940)
50. Manhattan (Allen, 1979)
51. Three Days of the Condor (Pollack, 1975)
52. The Iron Giant (Bird, 1999)
53. The Long Goodbye (Altman, 1973)
54. The Empire Strikes Back (Kershner, 1980)
55. Schlinders List (Spielberg, 1993)
56. My Dinner with Andre (Malle, 1981)
57. Back to the Future (Zemeckis, 1985)
58. Die Hard (McTiernan, 1988)
59. Zodiac (Fincher, 2007)
60. Toy Story 2 (Lasseter, 1999)
61. The Right Stuff (Kaufman, 1983)
62. Notorious (Hitchcock, 1946)
63. Brokeback Mountain (A. Lee, 2005)
64. The Last of the Mohicans (Mann, 1992)
65. The Apartment (Wilder, 1960)
66. The Road Warrior (Miller, 1981)
67. Winchester 73 (A. Mann, 1950)
68. The Graduate (Nichols, 1967)
69. Aliens (Cameron, 1986)
70. The Social Network (Fincher, 2010)
71. Out of the Past (Tourneur, 1947)
72. Touch of Evil (Welles, 1958)
73. The Shop Around the Corner (Lubitsch, 1940)
74. Imitation of Life (Sirk, 1959)
75. Out of Sight (Soderbergh, 1998)
76. You Can Count on Me (Lonergan, 2000)
77. The Terminator (Cameron, 1983)
78. Paper Moon (Bogdanovich, 1973)
79. The Grand Budapest Hotel (Wes Anderson, 2014)
80. Blow Out (DePalma, 1981)
81. Bring Me the Head of Alfredo Garcia (Peckinpah, 1974)
82. 12 Angry Men (Lumet, 1957)
83. Kill Bill (Tarantino, 2004-2005)
84. Johnny Guitar (Ray, 1954)
85. Who Framed Roger Rabbit (Zemeckis, 1988)
86. Ed Wood (Burton, 1995)
87. My Own Private Idaho (Van Sant, 1991)
88. Dangerous Liaisons (Frears, 1988)
89. The Shining (Kubrick, 1980)
90. The Lion King (Allers & Minkoff, 1994)
91. Rosemarys Baby (Polanski, 1968)
92. 12 Years a Slave (McQueen, 2013)
93. Young Frankenstein (M. Brooks, 1974)
94. Point Blank (Boorman, 1967)
95. Top Hat (Sandrich, 1935)
96. L.A. Confidential (Hanson, 1997)
97. Groundhog Day (Landis, 1993)
98. Amadeus (Forman, 1984)
99. All the Presidents Men (Pakula, 1976)
100. Evil Dead 2 (Raimi, 1987)
The Third Man is 100% British to me. Let them have that classic.
Way too many old movies on there. Old movies get way more praise than they deserve. Nostalgia is fucking powerful shit.
Then when a modern movie is on there its Dark Knight? Christ.
Not sure what's wrong with spoiler tagging it though
I like most of your list, and I am really not in the condition to make one of my own 'cause I have way too big gaps in my knowledge of american cinema, but I really wonder why you choose The Shop Around the Corner above Design for Living, Trouble in Paradise, To be or not to be or Heaven can wait ? I think I liked Ninotchka and Bluebeard's Eighth Wife too more than it and I find them more clearly "Lubitsch".
Six films from the 2000s...
99. 12 Years a Slave (Steve McQueen, 2013)
96. The Dark Knight (Christopher Nolan, 2008)
94. 25th Hour (Spike Lee, 2002)
87. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
79. The Tree of Life (Terrence Malick, 2011)
21. Mulholland Drive (David Lynch, 2001)
The only two I'd have in my top 100 would be 25th Hour and Mulholland Drive...
If I could only choose ten American films from the 2000s I'd go with:
The Assassination of Jesse James
There Will Be Blood
No Country for Old Men
The Fountain
Zodiac
The Royal Tenenbaums
Master and Commander
The Social Network
American Psycho
Memento
Welp, guess all you can do is make your own list in comparison. I just made up a top 100 American films, with the main purpose is spreading the wealth. My main pet peeve with this list is how 10 directors own 41 spots. That's crazy. I mean fuckin' Marnie and Eyes Wide Shut, FOH. At MOST, I have guys like Scorsese and Allen with 3 each, and even then was pushing it.
Honestly, its the last one I saw and I thought "shit, can't get through the list without Ernst". Design for Living/Trouble in Paradise would probably a better fit, but I absolutely do enjoy it more than Ninotchka and To Be or Not to Be.
Is not an American movie, it's a New Zealand/United Kingdom/United States co-production. Also LOL at Heaven's Gate a number below Gone with the Wind.None of the LOTR movies? Pffffft
Props for throwing The Conversation ahead of the godfather, and showin my boy Carpenter some love.
The Godfather I/II are undeniable greats, but in our quest to crown them as The Great American Movie, Chinatown and The Conversation from that time period tend to get pushed down in, uh, the conversation. When I quickly typed the list up, I just knew I needed to put them ahead.
Wait, Gold Rush, City Lights, Modern Times, where is the kid?
Birth of a Nation? Were the panelists given the same instructions as written in the OP?
Critics were encouraged to submit lists of the 10 films they feel, on an emotional level, are the greatest in American cinema not necessarily the most important, just the best.