My inner cyberpunk/sci-fi/sci-fi noir fan is getting even more hyped than before seeing this impressions. I'm seeing it in 12 hours
Just got out of the Imax theater. You will be blown the fuck away.
My inner cyberpunk/sci-fi/sci-fi noir fan is getting even more hyped than before seeing this impressions. I'm seeing it in 12 hours
Dont understand the love for this movie. Great visuals and OST but it is extremely slow paced and the characters and plot are really boring and underdeveloped. Seems to be a case of prioritising style over substance. If the villain twirled his moustache he would have been a lot more interesting.
The villains werent good. They just werent. I loved the movie to bits but I cant find much of a defense for Luv or Wallace, though Luv had some amazing moments.
YeahCan I see it without seeing the first one?
Can I see it without seeing the first one?
Can I see it without seeing the first one?
Can I see it without seeing the first one?
Can I see it without seeing the first one?
Can I see it without seeing the first one?
I think there's some WB shenanigans going on here with Zimmer and Johan.
Dont understand the love for this movie. Great visuals and OST but it is extremely slow paced and the characters and plot are really boring and underdeveloped. Seems to be a case of prioritising style over substance. If the villain twirled his moustache he would have been a lot more interesting.
There's a ridiculous amount of depth to the plot and underlying themes contained in this film.
There's certainly no dearth of substance, regardless of the stylistic quality.
I swear these kind of blockbusters can really piss off more casual moviegoers. A couple walked out of the theater in the middle of the film () and the guy yelled "this movie sucks" as he was leaving. And then when the movie was over, I heard a few scattered comments in the realm of "that's it?" or "what a waste."right before we got to Harrison Ford
Dont understand the love for this movie. Great visuals and OST but it is extremely slow paced and the characters and plot are really boring and underdeveloped. Seems to be a case of prioritising style over substance. If the villain twirled his moustache he would have been a lot more interesting.
I swear these kind of blockbusters can really confuse more casual moviegoers. A couple walked out of the theater in the middle of the film () and the guy yelled "this movie sucks" as he was leaving. And then when the movie was over, I heard a few scattered comments in the realm of "that's it?" or "what a waste."right before we got to Harrison Ford
I heard similar things after Arrival.
In either event, what a gorgeous film. Still processing the story but visually, my God.
I swear these kind of blockbusters can really confuse more casual moviegoers. A couple walked out of the theater in the middle of the film () and the guy yelled "this movie sucks" as he was leaving. And then when the movie was over, I heard a few scattered comments in the realm of "that's it?" or "what a waste."right before we got to Harrison Ford
I heard similar things after Arrival.
In either event, what a gorgeous film. Still processing the story but visually, my God.
I loved Prisoners but I didn't dig Arrival so much.
Vulture had a great article concerning the negative reaction to misleading auteurism in Hollywood. Basically, movies where auteur films are marketed as straight-ahead genre pictures, which superficially appear like any other multiplex film, but dont meet the expectations of audiences who bought a ticket for something that satisfies genre expectations, rather than works that embrace unconventional or subversive approaches. Thats not to suggest theres any risk of 2049 receiving an F on Cinemascore, because its a very strong film, but it was apparent at my screening, some viewers left the theater disappointed they didnt get what the trailers promised: a sexy, action-packed, sci-fi, spectacle.
You can but I don't recommend it. Seeing the original just before the second one will seriously enhance your experience. There are significant connections between the two films.Can I see it without seeing the first one?
This shit is nothing but an admission of your own deficient attention span.The internet, and gaf in particular, gets carried in away in hype for a movie and can't see it on its own merits. I'm pretty much in lock step with you, looks and sounds beautiful but is unbelievably dull, needlessly long and has massive script issues.
The internet, and gaf in particular, gets carried in away in hype for a movie and can't see it on its own merits. I'm pretty much in lock step with you, looks and sounds beautiful but is unbelievably dull, needlessly long and has massive script issues.
I swear these kind of blockbusters can really piss off more casual moviegoers. A couple walked out of the theater in the middle of the film () and the guy yelled "this movie sucks" as he was leaving. And then when the movie was over, I heard a few scattered comments in the realm of "that's it?" or "what a waste."right before we got to Harrison Ford
Blade Runner isn't a mystery movie front and center. Even in the first movie we know the culprits and there motives from the beginning. The question was, if Deckard could stop them and even if he should stop them at all.Good movie but figured it all out 40minutes into the film which kinda destoryed the mystery of the movie.
You have offended my honour, sir. I challenge you to a duel.
Isn't Prisoners widely considered the superior movie anyway? It's so tense.
Isn't Prisoners widely considered the superior movie anyway? It's so tense.