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Gomez' face is amazing.cacophony said:Holy shit
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Gomez' face is amazing.cacophony said:Holy shit
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cacophony said:Holy shit
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Ya, and I was into Jane...tycoonheart said:Wow Aaron Paul looks exactly like Jane there.
http://nymag.com/daily/entertainment/2011/10/giancarlo_esposito_on_breaking.htmlIts been almost a week since Breaking Bads insane season finale, and we still cant stop talking about it. We've even turned it into a craft project of sorts. So when we saw Giancarlo Esposito, whose character Gustavo Fring has quite the explosive scene in the episode, at the opening of The Mountaintop on Broadway last night, we had a few things to go over with him. Eagerly. [Spoilers ahead.]
For starters, how did he find out his character was going to get killed off? Vince came and spoke to me and said, You know, I want to kill Gus off. It was a very funny moment, actually. We were having a conversation in his office and he got up to close the door and I said, Dont close the door, and he said, No, I want to close the door. And I said, No, youre not closing the door. No, I want to close the door. No, DONT close the door! And finally I allowed him to close the door because I knew what he was going to say. And then I said, If its going to happen, its got to happen in a very fantastic way.
Fantastic it was, and not just because it involved a bomb and half of Guss face getting ripped off, but because of one subtle, post-blast detail: Zombie Gus taking a second to straighten his tie before dropping dead. [Vince] came to me and said, Okay, if we do have an explosion, maybe blow your head off or blow part of your face off, what do you think he might be doing? Would you be straightening your tie? And I said, Youve been watching me well over the weeks, because Gus always straightens his tie and buttons his buttons when he gets up out of a chair. So he says, Oh, okay great, so you approve?' And I said, I think straightening a tie would be the way to go. That would be a very unconscious thing that a gentleman would do, but Gus is very meticulous, so would it be unconscious? It would probably be very conscious. He wants to make sure he goes out in a certain way.
As for how his gruesome two-face came together, he told Vulture that it was the result of five hours in a chair in California. Casting my head … they actually made half of my face and glued it on with the craters and the makeup. Five hours in the chair to do that, after which they did some digital enhancing and then we had it.
So not quite as simple as putting on Vulture's Gus Fring Halloween mask, which we then took the opportunity to tell him about. "Are you serious? You gotta get me one!" he said, handing us his card. "My e-mails there, my phones there as well. So reach out." We already have. Because when Gus Fring gives you an order, you listen. Unless you're Walter White.
THE-Pink-Dagger said:Glad to hear it, but you are wrong, period. I will not discuss this any further.
maharg said:I could never get into The Wire for some reason, even though I forced myself to grind through almost all of it.
I found myself fairly amazed at some individual scenes/episodes, but overall it just never did it for me. I also think its realism is overblown, with almost all of that realism concentrated on the cops while the criminals are almost cartoonish and, imo, pretty shallow. Not surprising given that it was created by cops and crime journos.
I had forgot how good that ending was. I haven't seen any of the eps twice from this season. Seriously a great show.BigAT said:It's amazing to see how scared and vulnerable Walt is at the end of Box Cutter and compare it to how dominate and confidant he is with "Gus is dead." and "I won."
thekad said:Really? D'Angelo, Bodie, Marlo, STRINGER M'FIN BELL? And in comparison to the Shield... Well, there is no comparison.
maharg said:Sure, because the two shows weren't trying to achieve anywhere near the same things. A superficial similarity in name does not a valid comparison make.
The Shield obviously never put any effort into creating compelling criminals. Vic was the only criminal that mattered.
The criminals in The Wire are all of a kind. Noble criminals, often much smarter or more cultured than their cop counterparts, even as they speak in street slang. Often cleaner and more family oriented as well. There's a really strange inversion of reality to their characters that strikes me as cartoonish when I watch it. It's almost like if you took a bunch of white collar criminals and planted them in the hood to see what happens.
tycoonheart said:Wow Aaron Paul looks exactly like Jane there.
300 pages for a goddamn TV seasonCopernicus said:Guys it's almost Sunday again!
=*(
Teetris said:300 pages for a goddamn TV season
This place is crazy
edit, first season had like 6 pages
Gonna miss him. I loved how it looked like he was trying to kill everyone with just his face.Harry Potter said:
50 ppp peasantrySapiens said:300?
Copernicus said:Guys it's almost Sunday again!
=*(
ha haNoez said:
I'm really glad you got de-modded. And it was for good reason. You think you're always right, superior, insult people.Amir0x said:well i've been right about everything so far, and it seems you've been wrong, so I don't know why suddenly this would change now.
Look at these while this playsHokuten said:Best I could find for now.
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And as a bonus
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Oh Walt.
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Wow. That was totally unexpected . That explains a lot when watching the Saul Goodman ads lolcacophony said:Could Vince Gilligan get any cooler? in b4 T&E hate.
http://www.hollywoodreporter.com/news/breaking-bad-creator-vince-gilligan-246460
I'm thinking "I'm the one who knocks" for Cranston, and either "problem dog" or the scene where he had the gun on Walt in 4.12 for Paul. The fact that they'll both win is guaranteed no matter what, though.mysticwhip said:Scenes for next emmy awards? my picks
Cranston: crying scene or crawl space ending
aaron paul:go karting scene, sound system scene or AA meeting
they got a bunch to choose from.
I clicked expecting benny hill musicbangladesh said:
vatstep said:I'm thinking "I'm the one who knocks" for Cranston, and either "problem dog" or the scene where he had the gun on Walt in 4.12 for Paul. The fact that they'll both win is guaranteed no matter what, though.
cacophony said:I would actually rather Giancarlo win this year because he has no shot next year. They both deserve it though.
Cyrillus said:Man, when Jesse, I thought he was going to lose his shit, butgoes to Mexico to teach the cartel how to cook, holy shit! Just another example of how awesome this show consistently is!his confrontation with the cartel's chemist
Not sure if the spoilers are needed or not, but as someone who is just catching up on the show, I thought I'd add them.
Oh I plan on finishing it tonight. Thanks for the heads up!cacophony said:Stay the fuck off the internet until you finish the season. Seriously.
DennisK4 said:It Sunday! How many hours before the next episode airs?
What is this from? This is the second image(gif) I have seen of Walt dressing up as different characters from the show?HotHamWater said:
Cyrillus said:What is this from? This is the second image(gif) I have seen of Walt dressing up as different characters from the show?
Also, just finished the season tonight...Holy. Shit. I felt like the lily shot was not necessary, but still an amazing finale.
DennisK4 said:It Sunday! How many hours before the next episode airs?
I felt it wasn't necessary because it seemed pretty obvious from the scene on top of the parking garage. From the fact that it wasn't ricin, to the look on Walt's face when he finds out the boy is going to live, to the audible release Walt has when Jesse leaves. I mean I get that it was the proof and all, but the way it is written it seems obvious before then, and just better executed that way. I preferred the more subtle explanation I guess.Jack Scofield said:Why was it not necessary? If it wasn't for that shot we would not have known that Walt poisoned Brock. Then it would just be a theory with baseless speculation.