whatsinaname
Member
http://leethomson.myzen.co.uk/Planetary_Proposal.pdf
This is great. Ellis' original proposal for Planetary.
This is great. Ellis' original proposal for Planetary.
What if, underneath all that, there was an entire classic old superhero world? What if there were huge Jack Kirby temples underground built by old gods or new, and ghostly cowboys riding the highways of the West for justice, and superspies in natty suits and 360-degree-vision shades fighting cold wars in the dark, and strange laughing killers kept in old Lovecraftian asylums... what if you had a hundred years of superhero history just slowly leaking out into this young and modern superhero world of the Wildstorm Universe?
basically, we treat each issue like a new single from a band, and so each cover will look unique in its own right.
Each cover will be put together according to its own distinct plan, which I'll write and otherwise spout on about. The logo will be moved, altered, shrunk, ghosted, warped and sometimes even removed completely, according to each cover's goals. Because each cover will speak directly to the issue's contents in a way that most covers don't. If we do an issue set in Hong Kong, the cover will look like a still from a Hong Kong movie. If we do an issue in Japan, then we'll look like the cover of a manga magazine. If we do a gothic horror issue set in England, then the cover will look like a Cocteau Twins CD. If Milan, then we'll look like Italian Vogue. You get the idea. No matter how much we change the cover design, people will still find the thing on the comics store racks, because it won't look like anything else. We will be recognisable simply by dint of
being the one superhero book that isn't following the rules about cover design. It's the one that doesn't revert to six people standing on a rock in fighting position...