Yeah but I mean overall he's pretty great. I mean you could argue that Mahfood's art is terrible but in all reality it's just a very styalized form of art.
Except that commission. That shit was trash.
Yeah but I mean overall he's pretty great. I mean you could argue that Mahfood's art is terrible but in all reality it's just a very styalized form of art.
There are way too many books coming out this week.
I am so far behind on comics. i need to get an ipad again before I do something desperate like buy non digital
I have a hilarious looking Mahfood Batman sketch from when he was doing free sketches at a con signing a few years back. He was basically doodling for people, it was tightExcept that commission. That shit was trash.
We'll make a real January Comics OT and then a "floppies readers |OT| IN 2017"
I will not stand by and let floppies be a joke around here. Although there was that one time I ripped the edge of a page just by turning it...
Floppies are cool.
McKelvie is an artist that I think lacks the kind of pure drawing ability that many other top artists have but he does everything else so damn well. Might be the best planner.I will say Kev Walker's lack of backgrounds in Star Wars: Aphra is bugging me, tho. So much of sci-fi/star wars is in the backgrounds, the world as it were, and when that stuff is absent its harder to get into the story.
The unfortunate reality is that for every non-Jamie McKelvie Kieron Gillen book, I always think, "Boy, I bet Jamie McKelvie would've killed this page"
Do you still read floppies though?
Do you still read floppies though?
Floppies deserve better.All digital atm, but I do buy random floppies then and now when I go into a store
Floppies are cool.
the start of a collection of lewd things.My brother got me the Saga hardcover for X-Mas. Does one book count as a collection?
Honestly, I love the idea of floppies, but I'm all digital at this point (helps when taking screenshots for reviews).
I think the industry needs to rethink the 22-pager at some point, because I'm not seeing the need there, outside of servicing the direct market.
Is Justice League 3000/3001 good?
Hmm, what do you mean by rethinking the 22-pager? Switching to longer, quarterly titles? Shrinking the regular issue size?
I'd love to see publishers start bundling lower-performing series into stuff like the Jump magazine releases.
Sorta. It's very... Giffen. Also extremely anime, the entire first arc coulda been pulled right out of a shonen series. Gorgeous art and an overall fun tone (despite featuring some horrific stuff) keeps it on the recommend list, but it's certainly not for everybody.
Hmm, what do you mean by rethinking the 22-pager? Switching to longer, quarterly titles? Shrinking the regular issue size?
I'd love to see publishers start bundling lower-performing series into stuff like the Jump magazine releases.
I think I'm going to go for it. I'm pretty open-minded in regards to what I like. And I can get all of 3000 and 3001 for a total of $20.79 on Comixology right now, sooo....
Maybe they should sell covers and behind the covers, a digital code to download from comixology.
Marvel does this
What about variants?
Star lord was definitely interesting but can't say it was goodStar-Lord is going to be an interesting read lol.
Star lord was definitely interesting but can't say it was good
Anthology books don't happen because they sell poorly.
Star lord was definitely interesting but can't say it was good
I mean, everything sells poorly except for Spider-Man, Batman, Star Wars, and various combinations of those properties.
I argue that major publishers and the direct market are more predicated on not seeing them as a strong profit driver and so they don't really try on the format. There's nothing really preventing a collection featuring something like Sensation Comics Featuring Wonder Woman, Adventures of Superman, and Legends of the Dark Knight in the same book alongside some smaller stories. Essentially, the industry has taught a specific demographic that this is what we offer as a norm and in doing so, alienated other demos. We sold pulp magazines until we decided pulp magazines weren't the thing we were selling anymore.
It's like manga. For the longest time, manga was either not published on Western shores, or sold in odd-cut floppy format. It wasn't that a market didn't exist for translated manga in the tankobon format, it was that existing publishers and retailers didn't try hard enough to sell the different format to new or existing audiences. Once someone really dug in, the format took off. And note, it flourished outside of the direct market, where the market itself wasn't trying to force the content to fit its existing format.
(As a random example of setting norms in a market, see the reception to Super Mario Run. Console players enjoy the buy once share model, but avid mobile players are used to free-to-play and micros, so the $10 asking price seems high and unnecessary to them.)
All of which has little to do with the rest of my post.
I thought it was fine. Zdarsky clearly understands the character unlike certain other writers and he's putting the character in funny situations, which is what you would expect from his writing.
I would say the same is true for Captain Marvel because it shows that Stohl read Brian Reed's run and won't be running away from her flaws like KSD.
I felt like the book didn't know what direction it was heading towards. Star lord on earth should be some A one story telling but I don't feel like I am going to get thatI thought it was fine. Zdarsky clearly understands the character unlike certain other writers and he's putting the character in funny situations, which is what you would expect from his writing.
I would say the same is true for Captain Marvel because it shows that Stohl read Brian Reed's run and won't be running away from her flaws like KSD.
JL3K was a lot of fun, JL3K1 started out pretty strong but ends on a total dud.
How come? Did it get caught up in an event or was it just a cappy ending arc?
A third of the way into CoIE, by the way. VERY dense read. Taking forever. It's good so far, though.
It ended in the middle of a story arc with nothing resolved.
I like Carol better as a flawed character, and I remember ranting about that on here a while back.Best heroes are flawed, I'm glad CM and SL are off to a good start if Star Lord had too much OLM.
I felt like the book didn't know what direction it was heading towards. Star lord on earth should be some A one story telling but I don't feel like I am going to get that
What?! Unexpectedly cancelled or something?
Is there a chance we could go full digital and still release trades in the near future?
Comic store's are businesses. They're NOT meant to be your hobby, yes it's a fun job, it's the BEST job, I love it. But we have all the same concerns and constraints that any other store has, we can't and shouldn't just stock what WE like. And I feel for a long time there's a change coming to stores that are that way inclined, but you can't do that. It's 2016.
And we should be held to the same standard as any other store, if foot locker only sold Adidas and you don't like Adidas, why go there. The only way we're going to succeed is if we're able to diversify, respond to customers buying habits and be pro-active. We need to be better at what WE do as retailers and constantly try to be better, that's how we get new readers. And we ALWAYS have to try get new readers. That's how this industry will grow. And it's the only way.
When Marvel and DC are on fire, that gives me so much more money to try new titles, restock GNs, experiment with new lines. Marvel and DC's sale absolutely affect my ability to order independent comics. They're all connected. If you're coming into a store every few months to pick up one indie comic, it's unlikely to be there. I've already cut my orders back. Do I like this? Nope. But how do I know that issue is going to sell? This industry dies on deaths by 1000 paper cuts.
I am getting REALLY tired of framing concerns about retailer survival through the lens of corporate welfare for Diamond & the big 2.
I honestly think Giffen ran out of steam. Cancellation could have been part of it, but it had been spinning its wheels for a little while before.
I honestly think Giffen ran out of steam. Cancellation could have been part of it, but it had been spinning its wheels for a little while before.
Except that commission. That shit was trash.
The direct market prevents that. Most comic sales comes from comic stores, most comic stores need the weekly churn of floppies. Anytime the big publishers do anything that could hurt the direct market, comic store owners revolt and get angry because it's their goddamn livelihood. (See: The retailer backlash at the random Walmart comic bundles.)
Speaking to my earlier point about format and what sells in the direct market, here's a big rant by Big Bang Comics' John Hendrick in response to this article (which has some great points in it).
And Ryan Higgins:
And El Anderson:
Part of reaching to new readers isn't just the content. It's also the format. Trying to sell people on just DC/Marvel is rough. Trying to sell people on floppies is hard. And the current direct market punishes retailers and publishers for trying anything new.
He seemed lost after the transition to 3001.
Are there any propositions for inmorovement or reform?