Best art. Least story.
Dialogue maybe. The story was plenty there.
Best art. Least story.
That one panel of Moon Knight kicking in the door to bust in on that creepy sleep-rapist is fucking brilliant.
So last months Batman really set the bar high, it was exciting, heart-racing and just overall a work of art. Which is probably why I can't help but feel Batman #32 was more or less a let down. Sure, it was pretty to look at, but it didn't quite keep the pace for me this time
Dialogue maybe. The story was plenty there.
Kotobukiya said:We are pleased to offer a very limited quantity of both the Classic X-Men Era Psylocke Bishoujo statue and the First Appearance Batman by Bob Kane ARTFX+ statue to our fans not attending this years San Diego Comic-Con. Pre-orders will open up at 10AM on Friday, June 27th PST at store.kotous.com.
Please note the following:
Online pre-orders cannot be picked up during the convention.
Payment must be made in full at the time the pre-order is placed. Prices before shipping and any applicable taxes are as follows:
First Appearance Batman by Bob Kane ARTFX+ statue - 39.99
Classic X-Men Era Psylocke Bishoujo statue - 64.99
Orders will begin to ship out the week of August 4th.
This opportunity will conclude without notice once the allocated inventory for non-attendees is sold out so dont forget to place your order this Friday!
What?! First I've heard of this. Any good?Is anyone reading that new Flash Gordon book by Jeff Parker?
That's approximately 20 minutes from the time of this post. Good for those that are not attending SDCC.
It's the only Lantern book I still read.
Except that it's Thursday the 26th, and not Friday the 27th.
Except that it's Thursday the 26th, and not Friday the 27th.
The story was threadbare as all hell man. mold + dreams + pretty colours = THERES A MAN UNDER FLOOR!! KBYE!
Man, I've been reading the Wolverine and the Xmen Omnibus, and I'm just about to the end of the AvX stuff. It's been fun, but man, screw AvX for throwing off the run. It starts off absolutely amazing, with that awesome opening and great Brood/space gambling stuff. Just a story that's having a lot of fun. And then AvX just has to come along and sidetrack the run and inject a whole ton of unneeded seriousness. It's still a good read, but it's really not where the story should've been heading.
Seriously, screw giant crossover events.
I don't think it really recovers. Those initial issues before the AvX stuff are probably my favourite of the run, besides maybe that Doop one-shot in #17(?). Didn't enjoy the rest of it all that much and in fact still haven't read the final 5-6 issues of the run. It's also the reason I didn't go for the omnibus.
The last two arcs were good, issue 17 was great, but the series did go from my favorite Marvel book to something i was going to drop but continued anyways.
The page with the skull is so good I kinda want it tattooed on me. But I still felt screwed by the story or lack thereof.
Funny, I think I liked to issue better than the last, I couldn't really see what everyone was so hyped about last time.
Everyone ready for Riddler's eight page monologue next issue though? That Snyder sure does like typing!
I think the stories are really enjoyable for me because they're just these snapshots of psychotic crimes/occurrences that Moon Knight has to deal with prowling the weird alleys and blocks of NY. The stories are incredibly simple, and each has been a one-and-done, but the draw is that you have a mentally unstable character dealing with these absolutely batshit scenarios, but it's all played very straight. It's not a joke, there's no fourth wall breaking, it's just: Yeah, a resurrected, broken-brained dude puts on Egyptian ghostbusting armor in order to punch shit out of asshole punk ghosts. And these punk ghosts, they died very sadly.The story was threadbare as all hell man. mold + dreams + pretty colours = THERES A MAN UNDER FLOOR!! KBYE!
Edit: the ghosts one was more egregious though. THERE ARE GHOSTS. OH SOME STAIRS. THEY WERE DEAD.
What?! First I've heard of this. Any good?
Yeah, the new Flash Gordon is good. I only read the first one though.
There's previous series called Kings Watch, which is a 5-issue team-up/reintroduction of Flash, Mandrake the Magician, and the Phantom which is worth reading too.
Get in NYCC ticket queue thing online 10 minutes after tickets go on sale (yeah this is my fault) finally get through, so sorry 3 day passes are sold out.......please understand.
Paying 85% of the 3 day pass to JUST go on Saturday isn't worth it. Skipping the con this year.
Thx, will check it out! (Big fan of New Adventures of Flash Gordon animated series.)Yeah, the new Flash Gordon is good. I only read the first one though.
There's previous series called Kings Watch, which is a 5-issue team-up/reintroduction of Flash, Mandrake the Magician, and the Phantom which is worth reading too.
lotta people just up and disappear! Maybe if i post Ramos pages...All that Spider-Man talk reminded me that it seems Toa TAK doesn't really post in here anymore. He was the SUPERIOR Spider-Man poster in this thread. Wonder what he's making of ASM. Haha
I don't really think that 'important' always equals 'good' though - or more specifically, 'good' as seen through the lens of modern audiences. Take Kirby for instance - incredible imagination and design sense, not really the greatest writer in the world though and the stories are interesting for reasons other than plot/character/drama. Same if you look at the Death of Gwen Stacey - incredibly important story and was great for the 70s but it doesn't hold up next to the best comic book made in 2014 at all.
Personally I have reverence and respect for the building blocks of the artform, but I don't find them vital and exciting pieces of entertainment in and of themselves.
In many ways this is a big part of how Marvel differs from DC. Marvel have these events from their deep past (older than me!) that are still in continuity and continually referred to without being rehashed or retold very often, whereas DC is quite fond of retelling an origin or a big event with new spins. I don't think either approach is perfect tbh.
That said, I've never read the DPS outside of the iconic panels and recaps that I've come across in my life, so I could be entirely wrong and it could be Alan Moore-level defying-conventional-wisdom shit.
It took me 20 minutes of refreshing and navigating their broken ass systems via 6 tabs to pick up my tickets. Shit was a nightmare, and half the time it said "Sold Out", but that was bullshit.
Get in NYCC ticket queue thing online 10 minutes after tickets go on sale (yeah this is my fault) finally get through, so sorry 3 day passes are sold out.......please understand.
Paying 85% of the 3 day pass to JUST go on Saturday isn't worth it. Skipping the con this year.
Yep. It reads like a MAX title. Not a title that will change the Marvel U forever.wow.... I think I'm going to drop Uncanny Avengers. Too much bullshit for me to handle.
It took me 20 minutes of refreshing and navigating their broken ass systems via 6 tabs to pick up my tickets. Shit was a nightmare, and half the time it said "Sold Out", but that was bullshit.
Beats me, that's why I asked.
Jealous you actually got them. I broke down and bought a single day pass for Thursday. Hopefully it'll be less crowded on a Thursday, 2012 was INSANE.
Even with how PACKED it was in 2012 you could still buy 3 day passes days after they went on sale. Was it this bad last year to get 3 day passes?
I called up a few of the comic shops that are going to be selling the tickets and they all said they're not getting any of the 3 day passes.
*edit* I think what annoys me most about it, is come September there are going to be HUNDREDS if not THOUSANDS of 3 Day passes on ebay.
NYCC PRICES ARE CRAZY for single days .
That doesn't sound as bad as getting SDCC tickets, haha.
Kind of on the topic, but has anyone ever had issues with the staff at these conventions?
I'm asking cause I remember one time a guard would not let my friend's brother and I back into the center despite both of us having legitimate badges. He let the other half of our group in but refused us and told us to leave. Of course, we went in through another entrance but I remember being very upset about it. Don't know how common it is.
Kind of on the topic, but has anyone ever had issues with the staff at these conventions?
I'm asking cause I remember one time a guard would not let my friend's brother and I back into the center despite both of us having legitimate badges. He let the other half of our group in but refused us and told us to leave. Of course, we went in through another entrance but I remember being very upset about it. Don't know how common it is.
I love how Ramos draws Anna Maria most.
I think his art is lovely. We all have our weaknesses.
Damn, NYCC passes are even more expensive than SDCC passes, for Saturday ($5) and Sunday ($15) at least. sounds like a right pain in the ass!
getting SDCC this year was a hassle in that it was practically totally random. I pretty much only got lucky
Kind of on the topic, but has anyone ever had issues with the staff at these conventions?
I'm asking cause I remember one time a guard would not let my friend's brother and I back into the center despite both of us having legitimate badges. He let the other half of our group in but refused us and told us to leave. Of course, we went in through another entrance but I remember being very upset about it. Don't know how common it is.
Wait, so no retailers are going to be selling 3-days? Not even Midtown? That's rough, if true.
Kind of on the topic, but has anyone ever had issues with the staff at these conventions?
I'm asking cause I remember one time a guard would not let my friend's brother and I back into the center despite both of us having legitimate badges. He let the other half of our group in but refused us and told us to leave. Of course, we went in through another entrance but I remember being very upset about it. Don't know how common it is.
I like his art for the most part. But Peter's face on the ASM#1 cover was horrendous.
My friend who has a poster tube is invaluable in these situationsWhat an asshole, what if you buy prints and posters? Expected to carry them the whole time? I went to my car 4 times in a day last year.
discounted goodies and smaller crowds* are the best part of Sunday consI had the option of getting a 4-day pass to SDCC this year but only opted for two days because I wanted to do other things around San Diego. As the date nears, I probably should have gotten a Sunday ticket as well so I can buy all the discounted goodies.
wait, what the hell? 100+ people at 4? a line for re-entry?The only issue I had was 2012. We stepped out the main exit to get some fresh air and try to make a phone call. We went to step back in and the guard told us we had to get back in the end of the line (which still had at least a 100+ people in it) and this was at like 4 ish. So we said fuck it and just left.