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COMICS! |OT| March 2015. Warning: can be hazardous to your financial health.

Goddamn at the transformers bundle. I've read most of MTMTE, but I think I'll get it anyways for the other series that I haven't really read.
 

Messi

Member
Amazon has it dated for May 12th. Dunno if that's the same date as comic shops and Comixology though. There were quite a few delays over the last year so that's why it took such a long time.

It'll be a few weeks before Amazon in comic stores.
 
So Descender is a instant add to the pull list. I know it's a number 1 but I loved everything about it. It's not just a good comic book technically, but it's themes resonated with me.
 

Shaanyboi

Banned
Considering holding off on reading All-New Hawkeye until Fraction finally puts out his final issue.

Nice video, Cheska!

The only book I've read that you mentioned is Trees but I really enjoyed the book.

Question, I want to try something from DC but I don't know what. I'm three volumes into Wonder Woman and I've been liking that. Anyone here have reccomendations?

Scott Snyder's Batman
Jeff Lemire's Green Arrow (Vol 4 and 5, with 6 coming out next month)
Geoff Johns' Aquaman

Also Injustice is awesome... despite its occasionally fucking terrible art.
 
All New Hawkeye was pretty good. It's doing its own thing rather than trying to ape Fraction's run, which I think is the right choice. Not really crazy about the flashback stuff but it's still the first issue so I'll give it more time to flesh that out and see where it goes.

I think Lemire did a good job on the banter between Kate and Clint. Always love some fun dialogue.
 

frye

Member
Vka8DFv.jpg


guess who just paid a visit to the cool comic store and joined your little club brehs
 

frye

Member
Sorry my dude, but whatever affection I might have had for the character has been stamped outta me over the last 2 years!!
 
My comics this week:

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Spider-Woman #5: I'm definitely feeling the new street level aspect of Jessica's life. It feels right for a character that Marvel seems lost on; make her feel that lack of direction personally. The art is great, with the exception of some faces. Spider-Woman by way of Hawkguy. (Spidergal?)

oiOVRFf.jpg

Mxm7TZi.jpg


Avengers #42: Our heroes are finally working together to find a way out of their problems. Aliens want them dead. And people give Cyclops his due. Feels like counting down more than anything else.

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Grayson #8: His students have named his buttcheeks. Fair enough. Dick Grayson is still one of the motherfucking best and this is the end of his series' first story arc. I'm still onboard for whatever comes next.

aUGcFCy.jpg


Earth 2 #32: Power girl now wears the House of El's symbol. Kind of a meh issue. Earth 2 really needs better artists.
 

Vyer

Member
All over that TF Humble Bundle.

Nameless #2 was solid. As I mentioned before, I'm not much for horror books so I'm glad that side of it feels more like it's an undercurrent of the book, rather than just straight horror. But it's definitely there. We'll see how it goes.

Descender #1 was interesting. I have to say that I'm not quite sure how I feel about Lemire. I've run hot and cold on various work he's done. But this was definitely on the enjoyable side for me and I'm looking forward to seeing where it's going.
 
Vka8DFv.jpg


guess who just paid a visit to the cool comic store and joined your little club brehs

welcome alt

This kind of reminds me of something Scott McCloud said recently. He said there are way more good/great artists working today than there were 10-15 years ago. He loosely estimated it at about 10 times as many good/great artists. I have to agree, it seems everywhere I look there is another good/great artist to discover. What a time to love comics.

I agree, I think there's better, more visually distinctive artists working on North American monthly comics now then there's ever been, with far superior printing, coloring, inking on average. And its not just indie titles like it was in the 80s with Zot, Flagg!, Nexus, Mr. X, Grendel, etc. You look at the line-up of artists during Marvel heyday int he 80s compared to now, you have a couple outliers like Sienkiwicz on New Mutants or Simonson on Thor, but most of them are in that Buscema/Romita model. Now you got Dauterman, Ribic, Immonen, Aja, Franchevella, Samnee, Martin, Rivera, Rodriguez, Del Mundo, Shanier, Bradshaw, Alphona, Pulido, Andrews, Allred, Shalvey, Bachalo, McNiven, Weaver, Davis, Stegman, Acuna, Ramon Perez, Noto, Henderson, Quinones, etc. Hardly any of these two could be confused for each other, and not only are they visually interesting, but unlike a lot of those proto-Image Comic dudes in the 90s, they're great sequential storytellers, too.

That's why I'm still a little peeved how we're still in that Cult of the Writer mindset. As in, they put "Bendis" big on the omnibus when Maleev drew the whole thing, or how niggas be sayin' "Ennis' Preacher" when "Ennis/Dillon" is the creative team for all 60 issues, or how writers get all kinds of interviews about where they got their ideas or what their favorite comic was as a kid or what food they ate on the way to the studio today while artists get nothing, or Jason Aaron goes off to million-selling comic superstardom after Scalped while RM Guera, the mothafucka who did all the visual storytelling in this visual storytelling medium, is on struggle Dark Horse genre comics

scalped_1.jpg
scalped_2.jpg


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But that don't stop people from saying "Jason Aaron's Scalped" and bringing that prophecy to life.

Lotta great artists out there right now, try to appreciate them
 

Vyer

Member
I love Scalped, and Guera should be mentioned with Aaron when it's brought up.

But if I'm being honest I sometimes struggled with Scalped's art. I can understand how it may not have been as accessible for some as the writing.
 
Pulled into the driveway, realized I forgot comics, went to the store, they're out of Descender, the only book I was really looking forward to so I left with nothing today. Soooo fuck u comix forever!!!
 

PsychBat!

Banned
I finally got a Hickman written Guardians of the Galaxy today.

Which I feel is pretty weird. It's not DnA exactly but it's the closest I'm gonna get.
Peter was totally different from Bendis' and Humphries' cringe dialogue. It's closer to his more serious/sarcastic cow-boy Star-Lord I've read in DnA's Guardians.
Drax was movie Drax.
Gamora was movie/DnA Gamora.
RR... I couldn't tell. Maybe it's because he uses the word "freaking" instead of "flarking". Just a minor peeve on my end.
Groot was Groot.
 

gabbo

Member
Finally getting around to reading the Vol2 of Sex Criminals I grabbed last week, and there's a porn parody of Wicked and the Divine right in the middle. Love this god damn book.
 

Filthy Slug

Crowd screaming like hounds at the heat of the chase/ All the colors of the rainbow flood my face
Scalped is Aaron's best and most realized work, and it's really easy to see where Southern Bastards comes from if you've read Scalped. Also, yeah, R.M. really does great things with that book--there's this dirty fucking gritty look to the art that sets the tone of the Rez and the stories inside (and outside) of it pretty perfectly. Reading all of the smaller stories in between arcs, all I could think was "man, I can't wait for fuckin' R.M. to get back on art duties".

Also, yeah, I haven't seen R.M. since, man.
 
I agree, I think there's better, more visually distinctive artists working on North American monthly comics now then there's ever been, with far superior printing, coloring, inking on average. And its not just indie titles like it was in the 80s with Zot, Flagg!, Nexus, Mr. X, Grendel, etc. You look at the line-up of artists during Marvel heyday int he 80s compared to now, you have a couple outliers like Sienkiwicz on New Mutants or Simonson on Thor, but most of them are in that Buscema/Romita model. Now you got Dauterman, Ribic, Immonen, Aja, Franchevella, Samnee, Martin, Rivera, Rodriguez, Del Mundo, Shanier, Bradshaw, Alphona, Pulido, Andrews, Allred, Shalvey, Bachalo, McNiven, Weaver, Davis, Stegman, Acuna, Ramon Perez, Noto, Henderson, Quinones, etc. Hardly any of these two could be confused for each other, and not only are they visually interesting, but unlike a lot of those proto-Image Comic dudes in the 90s, they're great sequential storytellers, too.
I fucking love today's artist, the only thing I appreciate more then a good artist is a consistent one who can keep a schedule. I still put a lot of loyalty in writers but I also respect writers who stay loyal to artists.

Creative teams that have a strong releationship are the best. Matt Fraction and Chip Zdarsky probably have the most fun together in the entire industry and put out a successful book. Chip's career suddenly jumping to writing multiple books isn't a coincidence.

Too bad, there are only a handful of such strong creative teams.
 
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