Read
Supreme: Blue Rose which I had read maybe half of previously. I had kind of resigned myself to consider it something I really liked but maybe not something objectively good. This is a book that reads much much better collected than it did in monthly installments. I'm not sure that I've changed my mind about it being interesting than objectively good but I definitely found myself more satisfied than I expected.
The writing is categorically Ellis. Characters often speak cryptically and worry more about making snarky and clever remarks than actually communicating. If you're familiar with Ellis you should know what to expect by now. The plot is intentionally obtuse but does come together at the end nicely even if the resolution isn't something thats very well set up by the first issue. Its not a big issue but it kind of tends to be the flaw of plot by misdirection in a mini series.
Artwise, Lotay kills it. She's got a very very distinct style that catches the eye. She has a bit of an inconsistent way of storytelling. It kind of serves the story here by not being all that clear in spaces (in her issue of Zero, the same thing happens). Her covers tend to be the most striking pieces.
She's definitely more of a static artist. Her characters arent really dynamic or convey motion well. There's one part where a character is supposed to be running very quickly, at least I think, but its drawn in such a way that it comes off as very flat and the choice of framing doesnt do it any favors. Still, despite her limitations, the art is great here and instantly made me a fan when I found out about this series a while back.
Her coloring is a total treat. Admittedly I don't think her line work is all that special, sure, its nice but she doesnt really stand out as much if it weren't for her very bold choices for color. Typically, if an artist were this flashy, they'd numb down the effect of their coloring by having it pop so much so often, but Lotay is able to make the color on every page feel special. Red and blue pencil sketch lines, water color texture, pastel palettes, near neon holds, and some regular old photoshop fuckery combine together to create a style that I assume will be copied by many many artists. I wanna say she's like a mid 2010s Lynn Varley in a way except she's doing over her own work.
If there were one thing I could change about the book, I'd say its the lettering. The stroke-less balloons and tails dont bother me nor does the typeface/font choice but often times the dialogue can look a little constrained within the bubbles. In the story, there is a tv show that runs dispersed in between pages. The snippets of the show usually take up about 2 pages and a total of 6-8 panels at a time, probably. There is one sentence per panel and the typeface/font choice there is totally bleh.
Bottom line: its a book you should check out, even if you dont get the story, at least for the art.