What's the point of hiring all these directors who you think are talented, who you put in charge to make a great movie, only to come in to interfere and mess it all up? How infuriating.
I wrote this in the thread about the Hollywood Reporter article. Not sure if it clears anything up or not...,
"The problem here is that WB are trying to transition from their usual filmmaker centric approach for their DC output to the Marvel style 'conveyor belt' production model that is closer to TV in so much as the director is not the top man on the totem pole but the producers are.
The transition isn't just physical (so to speak) but philosophical too. The methods described in the article are how Marvel (innovators of the cineverse model) have worked almost since day one. There's a reason why they favour directors who come from a TV background. WB have never really worked this way, even on the Potter films.
The Marvel method wasn't to Edgar Wright's liking and he jumped ship. And who did they replace him with? A man whose gig before Ant Man was directing episodes of New Girl. While they have set Ryan Coogler to direct Black Panther he is still a filmmaker (albeit a talented one) working on his first big budget film so it's unlikely that they'll radically reinvent their model just to accommodate him. Yet.
It seems that WB are trying to get the best of both worlds, going down the 'Marvel route' in some instances while keeping their fillmmaker model for others. While they have James Wan doing Aquaman (a major coup by the way) his way they have a hired gun in Patty Jenkins (again albeit a talented one) doing Wonder Woman.
I still think that WB can find their way and make the DCU huge..., but they need to find it
now as 2017 brings arguably the two biggest tests of the DCU. If neither Wonder Woman nor Justice League work critically or financially then the DCU really will become the Batfleck cineverse and there will be whole sale changes at the studio.
It also has to be said that despite the doom and gloom surrounding the DCU and Suicide Squad the latter it is
still on course to open to huge numbers this weekend. The fact that Suicide Squad could break the August opening weekend record with a Rotten Tomato score of 30% or whatever just shows how much raw potential and popularity the DCU has. Warners just needs to mine it out.
..., and for the record I am still excited for Suicide Squad and looking forward to seeing it."