firehawk12
Subete no aware
It was odd for them to bring it up and then handwave it away anyway.The show nibbled around the edges with it a little bit when Martha was the companion but the Doctor didn't really do anything about it.
It was odd for them to bring it up and then handwave it away anyway.The show nibbled around the edges with it a little bit when Martha was the companion but the Doctor didn't really do anything about it.
I like this.
FUCKING SOLD.
I like this.
That was a great episode. This season is killing it.
It was rumored, but it's great to have it official. The first set with Donna was fantastic.FUCKING SOLD.
FUCKING SOLD.
FUCKING SOLD.
It's confirmed that they have asked and he's politely declined for the time being. But Tom Baker refused them for 12 years before signing up, so you never know.I keep holding out hope for a ninth Doctor story by them that's voiced by CE... but it'l never happen.
Why do you have airlocks on a ship with no air?
It's confirmed that they have asked and he's politely declined for the time being. But Tom Baker refused them for 12 years before signing up, so you never know.
It seemed to me like the airlocks were used as a space demarcation, a place between the inner station and outer space. There had to be some sort of air or compressed non-oxygen gas in the station because I'm pretty sure we saw decompression and cycling of air when they were in the airlock although maybe my memory is hazy.
Right, but they wouldn't have been labeled or referred to as air locks given the ship's monetisation. Just thought it was a weird oversight in an episode devoted to one thing..air.
FUCKING NO.
Come on, Chibnall, don't throw the baby out with the bathwater.
Is Bill even going to hang on as companion?
Expect a Eleventh Hour style clean break. New TARDIS, new Doctor, new companion, new tone.
FUCKING SOLD.
FUCKING NO.
Come on, Chibnall, don't throw the baby out with the bathwater.
I don't honestly know why a clean slate is all that desirable for an incoming showrunner. Sure, a new Doctor's a great chance to relaunch the show, but throwing everything else out at the same time simply leaves you with a much harder job at landing it. It seems like Chibnall's going even further than Moffat did, to the extent of chucking out the existing writing staff, and with every move like that the chance goes up that the series falls flat on its face.
Rose and The Eleventh Hour absolutely nailed it, but there's no guarantee it will happen again, and Moffat in particular has talked about how much easier his job would have been if he'd had Tennant or an ongoing companion to work with. You'd have thought Chibnall would have been a little more cautious.
It rubs both ways, because it's easier to write if you have a hook like an existing companion, but also you immediately invite baggage. Moffat begged Tennant to stay for series 5, but weirdly as much as I love Moffat's synopsis for a Tennant-led series 5 & Eleventh Hour I don't think it would've been nearly as successful as it was.
You're absolutely not wrong about this, though, and the time is probably ripe for a more general public-friendly take after the spikiness and weirdness that characterised much of series 8 and 9. We've got that at the moment, but you're right that it's probably too late without a wider, more fundamental change.That aside, it's also important to remember a key difference to the Tennant to Smith transition: for better or worse, true or not, the show was a critical and commercial darling, whereas now it's arguably at it's lowest critical and commercial ebb since 2005, where papers who were slavish to it before like the Guardian now call it a snoozefest week in week out, etc. A clean break will help immensely, and I actually think it's overdue - RTD's era got out before it dragged on and 'got old', and though I absolutely love this series I think for a wider audience I think a huge part of the problem is that the Moffat era has gone on about 2 years too long. Maybe 3.
I would be a lot more enthused for the next series if the current one wasn't as good and fresh as it is. It doesn't really feel like Moffat's work.
I don't know about that- it's started off as a more confident-feeling series 5 for my money.
Granted, that generally means that it feels like Moffat filtered through a RTD filter, but I still think it's recognisably his series in a lot of ways.
FUCKING SOLD.
It was odd for them to bring it up and then handwave it away anyway.
I'm not the first to say it, but with how the end of each episode leads into the next, this season really feels like a modern take on a Hartnell season. The end of Oxygen reminded me a bit of the end of the Celestial Toymaker, only blindness is a bit more serious than a toothache, and Extremis is probably not going to be anything like The Gunfighters.
I unabashedly adore The Gunfighters. I love how Peter Purves had to sandbag his singing because he had singing experience. Steven and Dodo are an underrated pair.
I unabashedly adore The Gunfighters. I love how Peter Purves had to sandbag his singing because he had singing experience. Steven and Dodo are an underrated pair.