Okay, WhoGAF, it's that time again. NuWho Companion Ranking Wars, go!
1. Donna
2. Rory
3. Amy
4. Martha
5. Rose
6. Clara
That list is right. You got it in one, well done.
Okay, WhoGAF, it's that time again. NuWho Companion Ranking Wars, go!
1. Donna
2. Rory
3. Amy
4. Martha
5. Rose
6. Clara
Okay, WhoGAF, it's that time again. NuWho Companion Ranking Wars, go!
1. Donna
2. Rory
3. Amy
4. Martha
5. Rose
6. Clara
Exactly.If I tell you that I'm going to marry you and then on our wedding day I show up naked on a t-rex and say "This is what I meant by marriage, we're going to ride dinosaurs together naked and conquer each and every Taco Bell in the world. What did you think I meant when I said we were getting married?"
That's not a twist, that's someone not understanding the meaning of a word.
I'll sign that list.Okay, WhoGAF, it's that time again. NuWho Companion Ranking Wars, go!
1. Donna
2. Rory
3. Amy
4. Martha
5. Rose
6. Clara
If I tell you that I'm going to marry you and then on our wedding day I show up naked on a t-rex and say "This is what I meant by marriage, we're going to ride dinosaurs together naked and conquer each and every Taco Bell in the world. What did you think I meant when I said we were getting married?"
That's not a twist, that's someone not understanding the meaning of a word.
1. Donna
2. Clara
3. Rory
4. Amy
5. Martha
6. Rose
Well stated. It also fits the classical trope of people misunderstanding a prophecy, leading to its fulfillment. Oedipus will kill his father, so he gets abandoned, rescued, then grows up and (unknowingly) kills his father.I liked Chariot's version of this post better.
Having hybrid mean a partnership of two races than a single person who embodies two races is a twist on the word's meaning; it's not what the word actually means, but it's a twist on it, see. Your example is kind of nonsense.
More than that, though, the big subversiveness of the hybrid twist is that instead of building to the Hybrid as some generic big bad enemy, it builds up to the Doctor and Clara themselves as their own enemy.
The episode definitely portrayed him in a villainous light. Clara even says at one point "Tell me what happened to the doctor" as if she can tell that he isn't the same.
More than that, though, the big subversiveness of the hybrid twist is that instead of building to the Hybrid as some generic big bad enemy, it builds up to the Doctor and Clara themselves as their own enemy.
Well, the BBC America promo running all season has that clip "same old, same old, just The Doctor and Clara in the Tardis." Two separate people combined into one team.Yeah, but a hybrid is one thing. That's not an interpretation, that's the literal meaning of the word hybrid "a thing made by combining two different elements". A hybrid being two separate entities is a contradiction in terms. Trying to justify that as a twist is stupid, it's not a twist, it's a contradiction.
That's not what hybrid is. That's why I brought marriage up. A marriage is not a hybrid, it's not a synonym for union.Well, the BBC America promo running all season has that clip "same old, same old, just The Doctor and Clara in the Tardis." Two separate people combined into one team.
Also technically, BBC:A spoiled the ending before the season started.
That's not what hybrid is. That's why I brought marriage up. A marriage is not a hybrid, it's not a synonym for union.
Odd, I seem to recall the line "we are gathered here today to celebrate the union of these two people" at my wedding.That's not what hybrid is. That's why I brought marriage up. A marriage is not a hybrid, it's not a synonym for union.
Odd, I seem to recall the line "we are gathered here today to celebrate the union of these two people" at my wedding.
I don't think we'll be convincing each other on this one.
Okay, WhoGAF, it's that time again. NuWho Companion Ranking Wars, go!
1. Donna
2. Rory
3. Amy
4. Martha
5. Rose
6. Clara
Are you shitting me? That's what I said. It's not a synonym for union and a marriage is not a hybrid. You really don't know what the word "hybrid" means? Cran did explain it last page. It's not two beings in a figuratively union, it's literally two things mashed into one thing.Odd, I seem to recall the line "we are gathered here today to celebrate the union of these two people" at my wedding.
I don't think we'll be convincing each other on this one.
Donna being at or near the top of most lists (including mine) just screams from the rooftops that we need another companion who doesn't put up with the Doctor's shit.
Donna being at or near the top of most lists (including mine) just screams from the rooftops that we need another companion who doesn't put up with the Doctor's shit.
Donna being at or near the top of most lists (including mine) just screams from the rooftops that we need another companion who doesn't put up with the Doctor's shit.
But not because they're bored or they're jerks. I think that's a very critical distinction.
Or doesn't fall in love with him. I swore Clara was going to tell the doctor that she loved him and he needs to let her go if he truly loves her too (during that "moment" when she found out he waited 4 billion years for her.)
I feel like Moffat thinks he's being really clever, but just comes up with ideas that don't hold up at all if the viewer puts any thought into it.So the entire hybrid thing's payoff was just that the Doctor and Clara travelling together was dangerous and it was all a huge misunderstanding? There was an entire prophecy that revolved around it? And then immortal universe-breaking Clara ran off in a flying 50s diner?
That's some major bullshit right there. Should have just cut the hybrid shit out from the series and played it straight. Whole idea felt half baked and in need of a couple more script revisions.
The Doctor didnt need a prophecy to figure out that his Clara addiction was a bad idea. Come up with a better reason for the confession dial. Tie it more directly into gallifrey's current predicament of being frozen in its own pocket universe, rather than shoving that entire major plot point into a corner and covering it up with "Well I guess they got out on their own."
And the multiple "me" fakeouts are like the stuff of embarrassing jokes that make your friends cringe and tell you to stop. The cliffhanger ending of Heaven Sent amounted to a "Who's on first" joke. For real?
So the entire hybrid thing's payoff was just that the Doctor and Clara travelling together was dangerous and it was all a huge misunderstanding? There was an entire prophecy that revolved around it? And then immortal universe-breaking Clara ran off in a flying 50s diner?
That's some major bullshit right there. Should have just cut the hybrid shit out from the series and played it straight. Whole idea felt half baked and in need of a couple more script revisions.
The Doctor didnt need a prophecy to figure out that his Clara addiction was a bad idea. Come up with a better reason for the confession dial. Tie it more directly into gallifrey's current predicament of being frozen in its own pocket universe, rather than shoving that entire major plot point into a corner and covering it up with "Well I guess they got out on their own."
And the multiple "me" fakeouts are like the stuff of embarrassing jokes that make your friends cringe and tell you to stop. The cliffhanger ending of Heaven Sent amounted to a "Who's on first" joke. For real?
I loved the episode when I first watched it and I still enjoy it a lot for the many things it did right, but the more I reflect on it the more I think "What the fuck is wrong with Moffat ruining all of his own plots and setups? Why does he hate himself?"
Okay, WhoGAF, it's that time again. NuWho Companion Ranking Wars, go!
Okay, WhoGAF, it's that time again. NuWho Companion Ranking Wars, go!
1. Donna
2. Rory
3. Amy
4. Martha
5. Rose
6. Clara
I loved the episode when I first watched it and I still enjoy it a lot for the many things it did right, but the more I reflect on it the more I think "What the fuck is wrong with Moffat ruining all of his own plots and setups? Why does he hate himself?"
That pretty much sums up every single one of Moffat's season finales.
"What the fuck is wrong with Moffat ruining all of his own plots and setups? Why does he hate himself?"
We've brought it up before, but this is essentially the entirety of Clara's arc as a character. Or rather, the collection of half-started and abandoned arcs used to build a rickety bridge like a game of World of Goo.
Clara was:
A Nanny. But then she stopped being a nanny and the children she was nannying were essentially wiped from all existence and it wasn't brought up again. And then she was a teacher. She had a family, and then they didn't matter, and then they might as well have never existed. And she was a teacher long enough for her to have met Danny Pink, and then we were to think her and Danny Pink were going to end up together and have time traveling babies, but then Danny Pink became an insufferable prick, and it didn't really matter because he just became a plot point that Clara would reference every now and again, when she ended up not being a teacher or a nanny and instead became a TOTAL DAREDEVIL DOCTOR WANNABE except she wasn't, really, we were just told she was, just like were were told every aspect of her personality instead of letting her develop it on her own.
I mean, that paragraph reads like it could have been a fun, interesting, varied character arc. But it isn't because it's just a bunch of stop-starts and abandoned ideas that were never executed well enough to bring any of it to more than momentary life.
The man can't kill any of his characters and keep them dead, but he has no problem taking the heads off every semi-decent idea he's had and letting them tumble gracelessly into a basket that he just kicks out of frame as soon as you're not looking.
We've brought it up before, but this is essentially the entirety of Clara's arc as a character. Or rather, the collection of half-started and abandoned arcs used to build a rickety bridge like a game of World of Goo.
Clara was:
A Nanny. But then she stopped being a nanny and the children she was nannying were essentially wiped from all existence and it wasn't brought up again. And then she was a teacher. She had a family, and then they didn't matter, and then they might as well have never existed. And she was a teacher long enough for her to have met Danny Pink, and then we were to think her and Danny Pink were going to end up together and have time traveling babies, but then Danny Pink became an insufferable prick, and it didn't really matter because he just became a plot point that Clara would reference every now and again, when she ended up not being a teacher or a nanny and instead became a TOTAL DAREDEVIL DOCTOR WANNABE except she wasn't, really, we were just told she was, just like were were told every aspect of her personality instead of letting her develop it on her own.
I mean, that paragraph reads like it could have been a fun, interesting, varied character arc. But it isn't because it's just a bunch of stop-starts and abandoned ideas that were never executed well enough to bring any of it to more than momentary life.
The man can't kill any of his characters and keep them dead, but he has no problem taking the heads off every semi-decent idea he's had and letting them tumble gracelessly into a basket that he just kicks out of frame as soon as you're not looking.
We've brought it up before, but this is essentially the entirety of Clara's arc as a character. Or rather, the collection of half-started and abandoned arcs used to build a rickety bridge like a game of World of Goo.
Clara was:
A Nanny. But then she stopped being a nanny and the children she was nannying were essentially wiped from all existence and it wasn't brought up again. And then she was a teacher. She had a family, and then they didn't matter, and then they might as well have never existed. And she was a teacher long enough for her to have met Danny Pink, and then we were to think her and Danny Pink were going to end up together and have time traveling babies, but then Danny Pink became an insufferable prick, and it didn't really matter because he just became a plot point that Clara would reference every now and again, when she ended up not being a teacher or a nanny and instead became a TOTAL DAREDEVIL DOCTOR WANNABE except she wasn't, really, we were just told she was, just like were were told every aspect of her personality instead of letting her develop it on her own.
I mean, that paragraph reads like it could have been a fun, interesting, varied character arc. But it isn't because it's just a bunch of stop-starts and abandoned ideas that were never executed well enough to bring any of it to more than momentary life.
The man can't kill any of his characters and keep them dead, but he has no problem taking the heads off every semi-decent idea he's had and letting them tumble gracelessly into a basket that he just kicks out of frame as soon as you're not looking.
We've brought it up before, but this is essentially the entirety of Clara's arc as a character. Or rather, the collection of half-started and abandoned arcs used to build a rickety bridge like a game of World of Goo.
Clara was:
A Nanny. But then she stopped being a nanny and the children she was nannying were essentially wiped from all existence and it wasn't brought up again. And then she was a teacher. She had a family, and then they didn't matter, and then they might as well have never existed. And she was a teacher long enough for her to have met Danny Pink, and then we were to think her and Danny Pink were going to end up together and have time traveling babies, but then Danny Pink became an insufferable prick, and it didn't really matter because he just became a plot point that Clara would reference every now and again, when she ended up not being a teacher or a nanny and instead became a TOTAL DAREDEVIL DOCTOR WANNABE except she wasn't, really, we were just told she was, just like were were told every aspect of her personality instead of letting her develop it on her own.
I mean, that paragraph reads like it could have been a fun, interesting, varied character arc. But it isn't because it's just a bunch of stop-starts and abandoned ideas that were never executed well enough to bring any of it to more than momentary life.
The man can't kill any of his characters and keep them dead, but he has no problem taking the heads off every semi-decent idea he's had and letting them tumble gracelessly into a basket that he just kicks out of frame as soon as you're not looking.
Or doesn't fall in love with him. I swore Clara was going to tell the doctor that she loved him and he needs to let her go if he truly loves her too (during that "moment" when she found out he waited 4 billion years for her.)
but he has no problem taking the heads off every semi-decent idea he's had and letting them tumble gracelessly into a basket that he just kicks out of frame as soon as you're not looking.
But that's not a twist, that's horrible writing. #Mof
Look guys, Moffat obviously wanted to invoke the "those exact words"-trope. Know from prophecies like "no man can kill him", leading to a woman or a child killing him. The prophecy remains correct, but the expectations were subverted. Here the prophecy was just plain wrong and Moffat still tried to make it like some genius interpretation and now people are arguing here that words have no values.
Words can kill.