Beaniedude
Member
I really liked that episode.
Maybe it was because I watched it with company. Made the experience more enjoyable.
Maybe it was because I watched it with company. Made the experience more enjoyable.
You're really, really watching the wrong show in that case. Cheese has been a staple part of the Who diet for decades.That's the problem. No cheese for me, please.
A slightly separate thing, the Christmas special, but I'd probably slot it in behind The Power Of Three.Exterminieren, you forgot about The Snowmen.
Updated my companion rankings:
1. Rory
2. Amy and Rory
3. Donna
4. Amy
5. Clara
6. Rose
7. Martha
You're really, really watching the wrong show in that case. Cheese has been a staple part of the Who diet for decades.
I'm surprised Gatiss didn't play the coroner as Hillary Briss.
Journey to the Centre of the TARDIS ratings were 6.50m :/
Yeah, panicking about the ratings is rather pointless. This series was rating exceptionally well until Hide, and now its kinda slumped a bit. This is all normal behaviour.
I don't know about this season.
The main plot seems inexistant, and the Clara stuff has not been worked on nearly enough to make it interesting..
I keep forgetting who is the bad guy we saw, like, two times.
And even though she is beautiful I have, so far, been underwhelmed by Clara.
No I get that-but I feel like there's been too much than normal lately. My favorite episodes in the series are the relatively non-cheesy ones: Doctors Wife, Girl in The Fireplace, The Impossible Astronaut....
No I get that-but I feel like there's been too much than normal lately. My favorite episodes in the series are the relatively non-cheesy ones: Doctors Wife, Girl in The Fireplace, The Impossible Astronaut....
Maybe the word I'm looking for is "corny" and not "cheesy"
No I get that-but I feel like there's been too much than normal lately. My favorite episodes in the series are the relatively non-cheesy ones: Doctors Wife, Girl in The Fireplace, The Impossible Astronaut....
Maybe the word I'm looking for is "corny" and not "cheesy"
You don't think The Doctor's Wife was corny? Even with the random ass victorian stylings because hey, its a sci-fi show and here's something alien in victorian style! So quirky! Even with the fan-serving banter between the Doctor and the TARDIS?
Hide was pretty much completely lacking in cheese, except for maybe the last 30 seconds, for what it's worth.
And I thought Hide was rubbish, so that fits.![]()
Hide was pretty much completely lacking in cheese, except for maybe the last 30 seconds, for what it's worth.
I dunno. All three episodes you mention have cheesiness/corniness/whateverness right at their core, alongside the more serious aspects. The opening of The Doctor's Wife is downright whimsical, probably the most successful version of Moffat's Who as Fairy Tale that we've seen. I think that Gaiman would be the first to agree that there's a certain level of cheese present in most of his writing. The Girl in the Fireplace is drenched with cheesiness; Mickey rolling about the spaceship, the Doctor pretending to be drunk, the horse on the spaceship. The Impossible Astronaut has all the business in Nixon's office, and Nixon being dragged across the country in the TARDIS to solve all the Doctor's problems. These are obviously episodes with different focuses to the one that The Crimson Horror has, but they are so far from being po-faced and entirely lacking in cheese. Obviously there's such a thing too much cheese (oww, Fear Her, please stop) but extracting the cheese from Doctor Who gives us godawful wrecks like Resurrection of the Daleks, or Torchwood: Miracle Day.
I debate how "cheesy" The Crimson Horror is, anyway. With the exception of the fainting guy and the TomTom gag, the majority of the episode's humour came from wit and wordplay rather than just physical comedy. For my tastes, at least, some of The Crimson Horror's imagery (the leech in Ms Gillyflower's bosom, the Victorian couples preserved under glass, the floating corpses) are a far darker proposition than we've seen in the series for years. It really would not take a lot of tweaking to repurpose this episode as some manner of crossover with The League of Gentlemen, whereas most of this year's other episodes have been far more straightforward and far less dark, with the exceptions of certain bits of JTTCOTT and Ms. Kizmet's fate in TBOSJ.
Actually, there's more of a similarity between the use of cheese in The Girl in the Fireplace and The Crimson Horror than I first realised; both episodes use it to emphasise their more offbeat moments- the heart wired to the ship, the robots and their plans for Madame Du Pompadour vs. the leech and Ms. Gillyflower's really nasty eugenics policies.
Yes, of course, that's the finest example of Who cheese being to the show's benefit. The Daleks are dustbins with egg whisks and toilet plungers... and they're amongst the most beloved icons of British pop culture. Very Doctor Who.Yes, yes, yes, YES. 100% agreed. This is a show where, really, the greatest nemesis of the protagonist is - really, let's be honest - a bit shit and ridiculous. But they make it work.
Aside: I couldn't help thinking throughout how much Gatiss would probably adore Bioshock if it was ever thrust under his nose (and likely played for him) - Sweetville had these very Bioshockish undertones rippling through them, except in Victorian England, of course.
Aside: I couldn't help thinking throughout how much Gatiss would probably adore Bioshock if it was ever thrust under his nose (and likely played for him) - Sweetville had these very Bioshockish undertones rippling through them, except in Victorian England, of course.
Ooh, now that's a very good shout.
It's funny, because coming out of Infinite all I could think about was how somebody needed to send a copy to Moffat's son (who is an avid gamer and does let's plays and things on YouTube) and make him play it in front of his dad because of the directions that game goes in. It's very him. And now we get this!
Aside: I couldn't help thinking throughout how much Gatiss would probably adore Bioshock if it was ever thrust under his nose (and likely played for him) - Sweetville had these very Bioshockish undertones rippling through them, except in Victorian England, of course.
APZonerunner x Exterminieren OTP
their insane love of Gridlock will bind them forever more
I am happy that someone else feels this way. Was almost chalking it up to Coleman being a mediocre actress. Everything seems emotionless and its either her smug smile or furrowed eyebrows.I am really hoping that Clara's non-personality is what I picked up on early on in this half, that there is something seriously wrong with the character, and not bad writing/acting.
If Neil Gaiman's latest episode is as good as The Doctor's Wife episode, I'd say we have to start a drive to get him to run the show![]()
I really liked the Power of Three apart from the bit where they had to resolve the plot
A few years ago people probably send the same thing about Moffat in regards to "Empty Child/Dances", "The Girl in the Fireplace", "Blink" and "Library/Forest".
A few years ago people probably said the same thing about Moffat in regards to "Empty Child/Dances", "The Girl in the Fireplace", "Blink" and "Library/Forest".
Gaiman is sadly almost certainly a no go, as he's too busy/famous to move to Cardiff and be locked down in that way, as Who show runner is a full-time job. Gaiman is always moving about, convention to convention, and working on 20 different projects, and I doubt he'd give it up. I hope he continues to contribute an episode a year even after Moffat goes, as he's bloody brilliant.
Gatiss, Whithouse, Chibnall. They're the three choices, it seems. Pick your poison!
I think it's gonna be Whithouse.