Playing some what-if scenarios, if the UK had to qualify you would have never got a song like that. It wasn't the be all and end all of songs, but that was designed to be a one-off performance, with everything thrown into it and designed to be new to people and make an impact.
I... don't agree with that. In the end, it was a ballad, and while I'm not sure if the UK would have qualified if they had to perform in a semi (given the ballad overload), it might've done well. The UK did get a solid televote result, unlike say Malta which got 0 points in their semi's televote.
Also in the hypothetical scenario that the Big 5 wouldn't be a thing (only the host/winner country), there would be 5 additional spots from the semis. Germany and Spain would've been disqualified for sure, making room for more deserving countries such as Finland.
If we had to qualify it would have been the same old crap we always send. Maybe with just a little extra effort to raise us out of the dustbin because of embarassment.
I think that semi performances actually increase the quality of everybody's entries all around, with the obvious goof entries like, say, Lithuania this year, aside. There's no hurdles you have to take as the UK or Germany, since you already automatically qualify, so it's easy to just sit back and do whatever, cause you'll be making a splash either way, good or bad. And when it's the latter, it's easy to complain about blah bloc voting and bluh diaspora and bleh everyone hates the UK.
There's practical reasons for the semi-finals but if they were eliminated everyone's game would be raised and you get the bizarre, the unexpected, the mistakes, and the surprisingly good in a much better mix than we have now.
Live shows should be on the night and that's it, that's what the appeal is and that was its strength in various ways.
You still get the bizarre and unexpected. Just look at Croatia. You still get the mistakes. Just look at Lithuania. You still get the surprisingly good. Just look at Moldova.
And with Eurovision, you don't have live shows on the night any longer anyway, even if you were to nuke the semis. You have jury-specific events the day before the actual events (this is for logistics mostly, so they have footage for recaps as well as speed up the voting process).
Eurovision has become way too big, way too popular and way too modern (in terms of production at least) to be this adorable little music show that can squeeze into a refitted equestrian sporting arena.
Believe you me, I do miss the charm of the contest of the 90s and early 00s too (Millstreet was the first Eurovision I saw live and I've been watching since with no exception), but I also realize that time passes, and especially when it comes to media, things move on.