Kaguya-hime Monogatari
I find it difficult to give an impression of this movie like I had a hard time giving an impression on ther other Ghibli movie,
Kaze Tachinu, but for the completely opposite reason. While Miyazaki's movie was complicated and had required you to get into the head of the main character and appreciate the very Japanese shokunin mindset,
Kaguya-hime is all about simplicity. The story is straightforward and is something everyone knows. It doesn't try to bash you on the head with anything and this simplicity in turn allows the viewer to bask in the beauty of the movie. The movie is about innocence, its about love, its about family. Its all of those things yet not of those.
Art and Animation
While nothing more can be said about the ability of Studio Ghibli, this movie stands on a class of its own. You should take a moment and bask at the sheer beauty that is on display.
This isn't really promo art. The entire movie is made up of shots like this.
All the backgrounds are painstakingly hand painted giving off the look of a sumi-e painting for each and every frame. This is one of those movies where you can feel that they really did spend a great amount of effort drawing and checking each frame. As in true sumi-e fashion, the coloring is super light and they make use of the whites of the canvas as well as they did the parts with color. The movie just gives off this mellow vibe like you're watching a moving painting rather than anime.
Because they made use of such an abstract art style, they could play around quite a bit with the backgrounds. Sometimes they're static, they're just there and it looks like the characters are moving around in a painting like it was some kind of theater set but sometimes the background is part of the movie itself, moving around frenetically, shifting, changing based on the actions and mindset of the characters. The sakura sequence above is bright and colorful while the winter sequence below is dark and foreboding.
This is probably my favorite sequence. The background turns crazy dark and basically engulfs the character while she's running. It was super effective in showing not just what was happening but reflecting her frame of mind.
Music
Ghibli, of course, doesn't skimp on the music either and they have a great soundtrack from Joe Hisaishi on here. Its very folksy in a old Japanese way. The song they sing throughout the movie (of which I can't find a link of) is a simple song about the beauty of life (birds and trees included) and the main theme is beautifully haunting.
http://www.youtube.com/watch?v=ud5lD8SQDr4
Unlike
Kaze Tachinu, Takahata took voice casting seriously and I have no complaints with any of them.
Story and Impressions
As I said up top, the story is dead simple. It is based on the classic Japanese folktale, The Tale of the Bamboo Cutter, and tells the story of this little girl a bamboo cutter finds who grew out of a bamboo stalk and who he and his wife raises up as their own. This is a story all Japanese people know and the target audience of the movie pretty much knows how the story starts and ends before entering. What Takahata did here was basically Disney-ify it but without all the negative baggage that entails. He took a well known story and arranged it to give the characters backstory and motivations.
Kaguya-hime and the bamboo cutter couple first live in the mountains and that is where she grows up. She makes friends with the indigenous kids living around and generally lives a happy life. Her father, however, loves her so much and can't get it out of his head that she needs a better life than the one they have now so with the aid of some gold he found magically from the bamboo, he takes their family down to the capital so she can live like a princess.
I won't go further into the story than that summary (and you shouldn't really spoil yourself more than that tbh, its more fun that way) but I want to say that, like Takahata's earlier works (Heidi, Anne) it shows his love of the countryside. Everything is so much simpler when you don't have to burden yourself with responsibilities or worry about appearances. He also puts an emphasis on family. No matter what happens, through good or bad, it is your family that will be there for you and take care of you.
Happiness is being with the people you love and doing the things you love
Final Impressions
Takahata said that this movie took him 7 years to make this movie. Seeing the care put into nearly every frame of the movie, you will understand why. This is a very personal project for Takahata and I am very glad that we got to see what is likely the very last animated feature from one of the masters in the form that he wanted it made.
I don't think the two are comparable but if I had to make a choice, I'd vote this movie for movie of the year.
It was very surprising for me to see Isao Takahata, the man who directed
Grave of the Fireflies make a fantasy movie. Its very weird seeing the bookend of the Totoro/Grave double bill to basically have both directors switch roles but I think it worked out for the best. Even if Takahata made a fantasy movie, he didn't forget to put in his human touch. Nothing is unbelievable in the movie. It just happens to have magic in it.