Hanasaku Iroha Home Sweet Home
One Moment in Time
When it comes to Hanasaku Iroha and Mari Okada, I've known that the parts I like are not the ones most people will go to. I considered episode 3 to be the moment when HanaIro started hitting its stride and revealed its true potential, and think that Jiromaru was one of my favorite characters. I see him as a lovable loser instead of just a loser, and as I said back for InuHasa, if a character's a writer, I can't really dislike them.
So, the movie. What better day than Thanksgiving to watch a movie about family? I sorta like that Japan has a tendency to make its movies fit within the series, where they serve to expand rather than rehash. The K-ON! movie didn't try to top that perfect ending point, only to give it more context. And the same here. Making Nako and Satsuki's stories the main ones, two characters who only got a small amount of screentime compared to Ohana, Minchi, etc. was a good move.
Yuina stole every scene she was in, and the heron continues to be one of anime's finest birds. And Tomoe. My god, her barely simmering rage is so entertaining. I also liked some of the performance details. For one, I didn't even notice that was Yoko Hikasa as the young Sui until I read the credits. And credit must be given for Kanae Ito's similar yet subtly different performances for Ohana and Satsuki. The latter had more of a roughness to it, closer to her Sena voice. Finding out how Ohana's parents met was pretty sweet, and since the main series was all about Ohana finding her own romance (a point brought up in the movie itself), it once again does that whole enhancement thing.
I actually got a bit teary-eyed at the scene where Nako and Mana reunited. The cinematography with the sunset and Ohana's impassioned speech, plus all the buildup from before, built to a wonderful catharsis. There were enough little callbacks to the series sprinkled throughout, too. Everything I've come to expect from Okada. That may mean theatrics and melodrama and characters with unusual names, but I don't have a problem with those.
Final Thoughts: It never gets as melodramatically heavy as the TV series, focusing more on being heartful. I wouldn't call it a strictly necessary watch for fans of the series, but watching it can only add more to the experience. The camerawork is well done. A lot of the composition in the shots with Satsuki - and the her in triplicate plus Ohana at the very end - draws out the themes of the story well. The present day stuff is similar to an episode of the series, and seeing more of Nako's family is appreciated. A thoroughly emotional journey, so for fans of the series, still worth it.
One final note. I love how they confirmed that Ohana's name was chosen because of its similarity to the Hawaiian word. (It also doubles as a pun on "nose". Japanese, you are a wonderful language.) I'm on the same wavelength as the writer!