I feel kinda bad for Charlotte and Russia as they're good enough characters on their own. But everyone else can go and die in a fire, presumable set off by England cooking.
Eh, Laura's alright apart from the stupid eyepatch, and I'm starting to feel kind of bad for China with how badly she's been ignored this season... but Russia Jr. is boring and Britain is the worst, yeah.
As for Char, she's always best of course, though her role this season has been mixed in quality at best. I guess I kind of feel bad for her, but it's kind of hard when the show reminds you of how of course she loves mr. idiot the MC... it's more "feel bad for the fact that she has to be in a harem show" I guess, which is a quite valid form of feeling bad for the characters I admit.
Russia... I imagine that Russia will end up in the harem in the end (ep 12 should be soon, yes?), but she's not quite in it yet... I'm holding out hope, even if it isn't much of it. She's much better as a troll than she would be as a haremite...
They could realize at any point that Ichika sucks colossal amounts of ass and realize they don't have to settle for that loser. But they don't and, given the nature of the show, they won't. So fuck them.
Shame, Charlotte actually started off decently, but then she had Ichika feed her cause fuck if I remember, and that was it for her. Laura starts by pimp-slapping the fool and that's about where I ended, so I can just pretend she didn't sacrifice every redeemable part of her to be around that shit.
Laura's complete reversal of personality as soon as he stopped her (back in S1) was pretty hilarious really... it was so, so dumb that it was amusing. Both Laura and Char have been going downhill in S2 though, but everyone has, so that's nothing unique. S2 is all about more homogenization, more girls hitting Ichika, less fighting, and less of what made most of the characters interesting in the first place.
I think they toned that down slightly in ep. 11, which is probably part of why I think it's one of the best episodes of the season, but it's still present of course.
I didn't mind it. Found it somewhat pleasant. I liked that Houki got some alone time without the others interferring and for probably the first episode all season I think the girls never got violent.
I would have made it a little briefer to give a bit more time to the 'big plot'.
Yeah, this episode was good, and one reason why is that they weren't beating him up for once. They did chase him, but he fully deserved it, and there were none of the usual S2 "then they hit him" scenes. Improvement, but it comes too late to save the season.
Also, yes, this season's incredibly slow paced plot -- one minute or less of plot per episode -- is a definite issue too. Less plot than S1, seriously? And less fighting too, a lot of the time, making room for more mediocre harem antics? No wonder this season is worse than the first one, even apart from everything else. I mean, IS fights aren't that great either, but the harem antics are often even worse...
Though I still think its kind of weird that what amounts to a military academy teaching kids how to use death machines still goes out on organised beach trip and temple visits.
Hey, remember the beginning of S1? They're not just death machines... and it's a high school, all Japanese high schools have to have beach and Kyoto trips, right?
So...having to read that part at least how did the trip go differently?
The books are quite different from the show, though they're still just LNs, so I wouldn't call them "good" for sure.
Isn't it enough that anime has desensitized me to incest? Over the course of several threads I've gone from dropping Rah Xephon for hinting at it to laughing like a mad man all the way through the tooth brushing.
Rahxephon had incestbait? I'd forgotten that, but I don't think it was a major theme at all... but yeah, RahXephon is pretty good overall (even though you hated it).
But anyway, while anime may partially desensitize to some things, that doesn't mean everyone is going to be equally desensitized of course! No matter how much I see some things in anime (incestbait, the more overt forms of sexism, etc.), I still dislike them greatly.
Oh Speed Grapher. So much potential to be a fantastic anime. Its setting is noir at its best, but it took such a dive to the mediocre after a couple of episodes and basically devolved into "ridiculous anime baddie of the week" power rangers style, and the animation quality dropped exponentially (if I recall correctly)
If there's ONE positive aspect that nobody can deny it's this: It has one of the best OP's of all time.
GIRLS ON FILM. SHE'S MORE THAN A LAAAAAAAAAAAAAAAAADY, GIRLS ON FILM
I thought Speed Grapher was pretty good overall. It was overly fanservicey at times, but otherwise was interesting.
Season 0 is a failed List candidate, technically.
I laid out my justification for it being an "unquantifiable" show last year, but everyone I screened it with found it simply, unironically bad leaving me alone in my impression. The List is built on consensus, so while everyone has a few pet series that they swear up and down belong there (for me, it's
YGO S0,
Tytania, and
Kiss Dum: Engage Planet), if there aren't enough people to vouch for the show, it's not added.
I can't speak on your arguments for AWTB because I haven't seen it, but I feel like most people who have seen it find it repugnant rather than entertaining. An important consideration for List shows is that they're actually entertaining to watch, which basically means there has to be some sort of X-factor to the presentation of the material that operates in tandem with "bad writing" to elicit a perverse amazement on the part of the viewer. It's far from an exact science, but it's the reason why there's never a consensus on whether or not something like
Black Rock Shooter TV belongs on the List. Whether it's painful or hilarious to watch is highly subjective.
The high concentration of old works on the List can basically be chalked up to the economic circumstances surrounding the OVA market in the late 80s/early 90s. The rise of the anime consumer market essentially coincided with Japan's "bubble" economy and, as such, studios at the time were able to take more risks in the mad grab for consumer cash. The popularity of the OVA format at the time also facilitated this because it was ideal for testing the market viability of a new project without the financial investment necessary for a TV-length series. Of course, risks sometime end in failure, and so the era was flush with bad and bizarre projects ranging from extremely rushed manga adaptations to barely-retooled ripoffs of successful works to just plain clusterfucks of terrible writing that made it to market because they ticked off enough marketability boxes.
Combine this with an infant American anime industry with no quality control whatsoever and you get double the already-high number of "special" works from this era because of comically horrible dubs that manage to elevate stuff that was otherwise mundane in its badness. Because the Japanese anime industry is more conservative now and the English localization industry is more mature, truly bad dubs and entertainingly bad OVAs are mostly extinct. Notice how around 2000, almost everything on the list suddenly transitions from OVA to TV with a couple of exceptions like
ICE and
Kuttsukiboshi.
There's a season zero of Yugioh? If I knew this before I'd completely forgotten... very interesting! Makes me want to try watching it sometime.
I never thought Haruhi (the series) was quite as good as its popularity suggested, but you make a good argument here... but I still haven't watched anything past S1 of the anime, so yeah.