dakkumauji
Member
This is nothing but an improvement.
I don't know the context for that .gif but its amazing.
The context is that it's SAO.
Then the whole gif should be pxelated to save us.
Then the whole gif should be pxelated to save us.
Even if it's absolutely necessary that the audience gets this information, there are more interesting ways to integrate history into character development. It doesn't have to be watching someone talk to what amounts to an interactive wikipedia guide for 10 minutes. I'd much rather take the intros to the episodes rather than all that nattering about random details of the world.
I think in my head I'm treating those parts as words on a script. That is, to me they are equivalent to an omniscient narrator giving out random information about the world in a novel or short story. But sure, they're not exposition - they're visual infodumps.
It's not for "worldbuilding" at all, but rather to demonstrate that the myopic points of view of the student council are neither the only nor the most important perspectives that exist.
better than rebuild
Nevertheless, it's very important to understand the material that you're working on and it's intended audience. If you can't adapt your directorial style to match that then you have a problem because you're just going to go way over the heads of your audience.
uh
what?
It's an adaptation of the second route of the VN. It tosses you into things pretty fast under the assumption you're familiar with the first route too.
So... I should play the VN?
Also, if DTL is accurate, the blu-ray of the anime is coming in January? Should I watch that first? Sorry for all the stupid/noobish questions.
Only if you come out of the closet.
I think part of the problem we kind of have talking about the movie is that Nakamura does throughly understand the material he is working with, and is assuming that the audience that is going to watch the movie is one that has had access to something like five alternative versions of it between the original novel and various TV and movie productions. It a movie which deliberately bases itself around the expectation that the audience has prior knowledge and abuses it by both refusing to explain what he thinks you should know, and by twisting the events which should have been pre-extablished in fashions which you wouldn't expect.
This absolutely makes the movie something of a failure from the perspective of a non-Japanese fan who hasn't grown-up with at least some knowledge of this story - there's an awful lot thrown around that you end up mentally tracking things which are, ultimately, entirely irrelevant as they're explained by the original work. It sucks to be us, basically.
From the point of view of someone who has significant exposure to prior versions of the work, I'm sure there'll be a lot to pull apart and analyse about the movie. I'm really, really curious to see how it fairs in Japan both in terms of critical and popular reception.
Well, I already provided an example (in science fiction too!) where I thought the same effect was achieved in a much more succinct, if not more interesting, manner.Perhaps that's how you see it; that's not how I see it, and more importantly that's not how the children learning the information in the show see it. The information being provided is even more for their benefit than for the audience's, after all.
What I gather that you would have preferred is that the show basically went "And bad stuff happened" and showed the characters freaking out, without actually explaining any specifics. I don't see how that would have benefited the show, as we then wouldn't have been able to really understand why the characters were freaking out.
They're infodumps in that they have nothing to do with the characters that we are meant to follow in the show and exist only to provide background information to the audience. As far as I know, these aren't scenes that the characters in the show will ever see.They're only "infodumps" in the way that every other scene in the show - or any scene in any show showing "stuff happening" - is.
Haremshit is just like shoujo. They can only close the deal with the franchise is about to end!Nogizaka Haruka No Himitsu: Finale 2
They finally admit their feelings. It's weird that the outcast boy wants to keep his relationship secret with the popular girl.
Also I wonder what thephone call with the mother is all about.
The big thing I don't understand is, if this film expects you have extensive knowledge of the original, untranslated as far as I'm aware, Japanese novel, who in the world thought it would be a good idea to premiere the film in Scotland?
Oh, don't mind me. This is just what I do.
So... I should play the VN?
Also, if DTL is accurate, the blu-ray of the anime is coming in January? Should I watch that first? Sorry for all the stupid/noobish questions.
It may have backfired somewhat in terms of the critical mauling it's been getting on those UK anime news sites who had someone there, but I've no idea if any of the Japanese fans have been tracking that stuff anyway.
Ideally, you'd want to stay away from any and all Fate Stay/Night adaptations and focus instead on Fate/Zero.
I've never played the VN so I can't comment on that.
I can't find anyone on Twitter who's noticed anything, and the 2ch thread is talking about their experiences of reading the novel (and whether Mayuyu's voice acting can make the film a hit or not). I don't think anyone in Japan has clocked that the premiere took place, frankly!
So no Magi this week?
Are you trying to absolve yourself of any responsibility here?!So how goes Kayoswatch Day 1?
In retrospect, maybe you guys were a tad harsh on him.
Well, I already provided an example (in science fiction too!) where I thought the same effect was achieved in a much more succinct, if not more interesting, manner.
At the moment, the other example that comes to mind is the Band of Brothers episode where they first discover the concentration camp. The show doesn't stop and give a history lesson of the Holocaust for the benefit of the characters in the show itself or for the people watching at home.
They're infodumps in that they have nothing to do with the characters that we are meant to follow in the show and exist only to provide background information to the audience. As far as I know, these aren't scenes that the characters in the show will ever see.
That's the million-pound-in-scottish-notes question we've been wondering since having watched it yesterday, to be honest. The problem is that, with the movie having only been completed on Tuesday, no-one actually had time before scheduling it to figure out if it would actually make any kind of sense or not.
I'd have to assume that the festival director was simply offered it and thought it was a great idea - I mean, why refuse a world premiere? They filled out the cinema as well (which, admittedly, isn't the hugest screen in the universe). Supposedly Japan likes to do this because it makes the movie seem more exotic when it debuts in Japan if they can say it had a successful screening abroad (not that it helped Welcome to the Space Show or Redline anyway). It may have backfired somewhat in terms of the critical mauling it's been getting on those UK anime news sites who had someone there, but I've no idea if any of the Japanese fans have been tracking that stuff anyway.
Are you trying to absolve yourself of any responsibility here?!
My hands. Are they not clean?
So how goes Kayoswatch Day 1?
In retrospect, maybe you guys were a tad harsh on him.
There are people who don't know that the Titanic was a real ship, so, no, you shouldn't have faith in humanity. lolNot having seen these two examples, I can't really comment on them. Except to say that, at least in the case of the Holocaust it can be expected that everyone watching understands the significance of that event. (At least they should, though my faith in the general population's grasp of history is not great.)
But apparently not too complicated to cover a thousand years of history in a few minutes. I mean, can you have it both ways? It's both complicated, but also shallow. I dunno, maybe I just do have a cynical view of science fiction because of how disappointing it has become over the last decade or so.It's also worth noting that the relevant situation about the development of society in the world from From the New World is a little more complicated than "There was war."
So, I think it was The Last Samurai or Pearl Harbor that opened with some text scroll that explained how the West was treating Japan in order to provide context for the movie (it was probably Pearl Harbor, since it was about the blockades and the forced isolation, now that I think about it). To me, that's basically what those opening segments are like. I don't think they necessarily detract or add anything qualitatively, but it's still extra contextual information being given to the audience that is divorced from the main part of the show.I guess we just have different definitions of "infodump" - when I use the word, I mean "a lengthy, dense section of exposition" - literally dumping a load of info into our lap all at once. The segements at the beginning of episodes 1-3 are neither lengthy nor dense nor explicitly providing info except what we are able to infer from what is happening. Plus there's several reasons for the existence of those segments besides mere background information, such as providing moments where "things are happening" when the bulk of the episode is more slow-paced, and providing segments where animators such as Jun Arai can experiment with a visual style different to the show's norm.
Haha.My hands. Are they not clean?
Teekyuu 3
perverted lesbian kana hanazawa is :sdburton as fuck
School Day OVAs
Bad, and unfunny.
It's just not normal behavior.