The Squared Circle: Life, Death, and Professional Wrestling, by David Shoemaker
In hindsight, I'm surprised by how prominent a role professional wrestling has played in my adult friendships. I had watched professional wrestling as a kid (the skit where the Ultimate Warrior is bitten by a cobra after Jake "The Snake" Roberts betrayed him after Warrior asked Roberts to help him overcome his fears so he could defeat the Undertaker sticks in my mind), but I wasn't really invested in professional wrestling until my freshman year in college, when I saw three future friends watch SummerSlam 2000, specifically the Tables, Ladders, and Chairs match that featured Edge & Christian, the Hardy Boyz, and the Dudley Boyz ("z" was used to copyright their names and because it was the late 1990's/early 2000's). Professional wrestling, in the form of WCW/nWo: Revenge on the Nintendo 64, cemented our friendships, as our nightly boisterous battle royales gave us the testing platform that assured that our personalities were compatible.
After college, professional wrestling still played a key role in my connections to the world, especially since I had nothing but disposable time and income. I dragged my oldest friends to wrestling shows in Long Island and the City; eventually, they made it clear that the bonds of friendship can be stretched by professional wrestling only so far, and it was clear to me that they didn't enjoy it as much as I did anyway. I made new friends who would travel with me to Philadelphia and small towns in Connecticut and Pennsylvania to watch niche independent professional wrestling companies' shows. And professional wrestling is the bond that brings my current friends together every month as we watch pay-per-views with strangers, soaking in the atmosphere as much as the actual show on screen.
For all that, I hadn't been compelled to learn more about the history of professional wrestling in the United States, much less Canada, Mexico, Japan, India, or any of the European nations that lay claim to professional wrestling's history. Shoemaker's book is a good primer for professional wrestling history, filtered through wrestlers who exemplified the different eras of wrestling. The essays, which are mostly adapted from his
The Dead Wrestler of the Week columns on Deadspin.com, are too brief but insightful as they try to summarize the wrestlers' lives and how they impacted or were impacted by the periods in which they plied their craft.
Shoemaker tries to fit almost a century's worth of wrestling in his book, and his ambition oustrips the book's format's ability to discuss much of it in detail. Because the essays are adapted from his columns, there is a lot of repetition; in a more traditional book, the repetition would be used to create explicit links of thought and common ideas. As it is, it feels more like a collection of columns that mention his ideas rather than a book of eulogies that unite around common themes.
Take, for example, his essays about the Modern Era wrestlers Brian "Crush" Adams and Yokozuna. Each touches on the period of creative floundering that the then-WWF (now WWE) suffered during the mid-1990s. Each touches on the geopolitics of professional wrestling, how wrestling exploits the value of the foreign Other in order to give the fans easy delineations between hero and villain, and how this is one of the oldest tricks in professional wrestling's book. The two teamed together on various occasions. But the connections between them are not made explicit or explored for the book's thematic impact.
The book attempts to be comprehensive about professional wrestling in the United States, but there are some odd omissions. Shoemaker claims (rightfully) that Extreme Championship Wrestling played a large role in how professional wrestling in the Modern Era changed; however, notable wrestlers who worked in Extreme Championship Wrestling, like Anthony "Pitbull #2" Durante or Mike "Mike Awesome/The Gladiator" Alphonso, aren't covered, which leaves the book with an ECW-shaped hole. He also discusses that Vincent K. McMahon is the current champion of professional wrestling in the United States, but his format doesn't allow him to discuss the fall of the WWE's main competitor, World Championship Wrestling, because no one who is particularly identified with that company is dead yet.
Shoemaker's book makes for a good introductory primer about professional wrestling in the United States, but there is still much more to discuss. I hope that he writes a follow-up book; he's shown a deft pen for explaining the history to the uninitiated and for separating the various layers of reality in which professional wrestling operates.