That's a great track.dude in my fantasy football league name his team White Iversons, now I got the white Fetty Wap stuck in my head for the rest of the day
Saucin', saucin', I'm saucin' on you
I'm swaggin', I'm swaggin', I'm swaggin' oh ooh
I'm ballin', I'm ballin', Iverson on yoooou
Is MGSV worth buying tho? I didn't bother yet but it looks like the backlash train is starting
Ah, I guess Frank makes sense. Views would be lit though.
I'm a huge MGS fanboy and think it's an exceptional game, but man: some of the design decisions are not only baffling but downright idiotic. I'm not talking about that 'boo hoo Quiet is half-naked' shit, but stuff like EVERY mission showing credits (!) at the start which spoil the characters who appear in that mission, or that weird ass traversal system where you can't fly from one point to another (which is possible on Mother Base for some reason), level geometry that is shockingly limited at certain spots in terms of interaction (you can't even climb every rock) and so on. Will write down my thoughts when I'm through with it, but yeah: it's weird how uneven streamlined the gameplay is and I think it's fair to say that this is a very 'Japanese' take on the open-world concept.
All in all though it's still easily one of the better games I've played this year. Sitting at only 34% so no idea how the story will play out (other than the obvious shit).
I think both Frank and Views will come out 2016
Who would have thought that the only release that is managed worse than To Pimp A Butterfly this year is another TDE product?
Like.. what the fuck man. This is not how a modern label should approach something like this. This REEKS of desperation and puts the entire label in a bad light. Kenny is the golden goose and I can't wait for him to leave that shithole of a label.
At least post the right link b
I'm a huge MGS fanboy and think it's an exceptional game, but man: some of the design decisions are not only baffling but downright idiotic. I'm not talking about that 'boo hoo Quiet is half-naked' shit, but stuff like EVERY mission showing credits (!) at the start which spoil the characters who appear in that mission, or that weird ass traversal system where you can't fly from one point to another (which is possible on Mother Base for some reason), level geometry that is shockingly limited at certain spots in terms of interaction (you can't even climb every rock) and so on. Will write down my thoughts when I'm through with it, but yeah: it's weird how uneven streamlined the gameplay is and I think it's fair to say that this is a very 'Japanese' take on the open-world concept.
All in all though it's still easily one of the better games I've played this year. Sitting at only 34% so no idea how the story will play out (other than the obvious shit).
What makes you so sure he will leave?
Also, why would Views come out next year? 2015 is crowded, but there's no reason it'll be lost in all the commotion.
I guess I could see that. Breh went platinum off a surprise mixtape and his diss was #1 on iTunes (not to mention all the remixes and non album tracks like Hotline Bling). He doesn't really need another album out this year.Just a feeling, really. I don't think he has to fear the competition but I bet he was surprised himself how well his throwaway mixtape held through 2015 and then the beef came and he got another big push from that. Plus he released enough free material this year to fill an entire album. I just think at this point he can take all the time he wants for it and push it to next year. But big chance I'm dumb and it'll hit sooner than we think
Kendrick is basically an Aftermath artist now which probably isn't that much better. But I don't think anyone at TDE manages Kendrick anymore.
90059 Documentary
https://instagram.com/p/7ZbpHBOWnm/
Kdot on the colbert show tonight too.. shiiiiiiiet
I'm a huge MGS fanboy and think it's an exceptional game, but man: some of the design decisions are not only baffling but downright idiotic. I'm not talking about that 'boo hoo Quiet is half-naked' shit, but stuff like EVERY mission showing credits (!) at the start which spoil the characters who appear in that mission, or that weird ass traversal system where you can't fly from one point to another (which is possible on Mother Base for some reason), level geometry that is shockingly limited at certain spots in terms of interaction (you can't even climb every rock) and so on. Will write down my thoughts when I'm through with it, but yeah: it's weird how uneven streamlined the gameplay is and I think it's fair to say that this is a very 'Japanese' take on the open-world concept.
All in all though it's still easily one of the better games I've played this year. Sitting at only 34% so no idea how the story will play out (other than the obvious shit).
this is too damn good
I like it, as long as I rationalize it as a gigante VR mission generator.
Not the Max Payne 3 comparisons...
😖
¯\_(ツ_/¯
I'm on the outside looking in with another critically acclaimed title. It's cool though.
Plus JC abandoning the PS4 Destiny fam for the XBone so what's the point (; _![]()
I need Halo 5, and I aint bout to pay for two online console subscriptions, fuck all that
especially PS+ ol flabby and sick download speeds
Beta was dopeHow is Halo 5 looking? I havent checked info in a while. The game has zero hype, strange since a month from release the others had huge hype.
An obsessive focus on combat techniques and firearms. An entertaining cast of characters and villains. Anime but not too anime mix of militaristic, supernatural, and philosophical themes sometimes delivered like a wiki in service of grounding the narrative in some type of alternate reality Kojima-verse. Context sensitive real time codec calls. Well choreographed action cutscenes. Good pacing. Etc. etc.
Codec is goat audio storytelling.
Fuck Bioshock style audio tapes. That shit is fucking awful.
Fuck this fool.
Fire, fire. Dope.
Naw he didn't tweet that. That was Top Dawg who tweeted through his profile on accident.otherwise he wouldn't have tweeted those tweets when the first sales numbers for TPAB were released.
Miller and Ocelot are both kinda lame. Ocelot especially. He was a really neat character in earlier games and one of the most important in the entire series, but now he just sort of sits at Mother Base for tutorials. Also not a huge fan of Troy Baker's casting for him.Really though, Master Miller is a fucking twat.
Timbaland ft. Future & Tink - UFO. This is okay.
Kendrick is basically an Aftermath artist now which probably isn't that much better. But I don't think anyone at TDE manages Kendrick anymore.
I never understood this. So he's signed to both labels? How does that work?
damn, now im sad we didn't get this
related: wanna hit up some Black Moon but ive only ever fucked with Enter Da Stage, any recommendations?
But I don'tyou gotta get off that vitriolic "BLOCK ME I ON EEEEN GIVE A FUCK" life fam
I'm going to guess TDE for management and Aftermath for distribution?
I can see that being the case. I've just always found it odd when an artist is signed to numerous labels.
On February, 12th 1991, Master P released his debut album from out of his trunk entitled Get Away Clean. This album was heavily influenced by the west coast sound of the early 90s. So expect a lot of DJ scratching, samples out of the ass, and some good old gangsta shit. Tracks like Saxophone, Crooked Ass Law, and the album title track show off a bit of flow and lyricism from P and his fellow TRU mates like King George, Silk (Before he was known as Silkk The Shocker), and even his former wife Sonya C. Even though its well known that P is garbage on the mic, he really put some effort into this album with songs concerning being in the dope game, wearing rubbers, not taking bullshit, and putting foots into asses.
Overall, if you love Quik is the Name, Niggaz4Life, and We Cant Be Stopped then Get Away Clean is worth a listen as you cruising in your Beemer sitting on Daytons.
I think it also sometimes happens in a biding war. Where an artist will switch for greater pay, but the original label doesn't want to lose them. So they agree to co-sign which essentially gives the artist even more money than single label signing. It shares risk between the two labels, and the second biding label can capture the artist at a lower price than what they originally planned but still receive comparable return for their investment.
I never understood this. So he's signed to both labels? How does that work?
RP912, be sure to get the original 1994 version of Ghetto's Trying to Kill Me when you reach it.