Finally getting to Blowout Comb and Funcrusher Plus today
post impressions, i need to revisit funcrusher cause i dont remember shit
Oh forgot about Nujabes, there are actually tons of Japanese producers that are similar to Nujabes like Michita, Reki, Evisbeats, Inner Science etc...
And then there are I-DeA and DJ Muro who are like the Japanese versions of Alchemist and Havoc....kinda weird if you think about it.
agreed! if you see this, click the link in my tag
FLYLO FM ‏@flyinglotus 1m "Been helpin out w the new @kendricklamar show for the yeezus tour. It's gonna b so amazing."
okay ye, k-dot & fly-lo is an amazing lineup for me, but that's still too much $ for cheap seats dun
This friendzone thread on OT is just....its on another level, fam
i can't even voyeur virgin-GAF anymore. to take a socratic stance: there's a metric fuckton of shit they'd have to un-learn before some of those kids could know a damn thing
Much better than Berzerk & Survival. Like, much better. It's not explicit tho I don't think. I need that.
dat crazy low bar
this was honestly my first thought at this point
don't be proud of yourself my dude
haha, far too late for that
my ninja we out here on these internets; everything's free
Here are first week from artist that are independent this year
¡Mayday! - Believers - 5,000
Tony Touch - The Piece Maker 3 (Return Of The 50 MC's) - 2,400
Dessa - Parts Of Speech - 5,800
Statik Selektah - Extended Play - 3,500
Prodigy & Alchemist - Albert Einstein - 3,000
Action Bronson & Harry Fraud - Saab Stories - 7,600
happy for these (eve dropped something? huh), wish idve caught Mayday out there but maybe next time they perform local
Surprised Talib did so well.
rawkus era and up to about Quality, he did well to establish a base with conscious heads. i dropped the fuck off after beautiful struggle but when i was out in san fran, i saw many who did not
Nah fam, you gotta keep it moving with the sound and lyrical themes for the most part. Treading water and chasing after physical rap feats you can't accomplish anymore and a sound that has already been old hat is meaningless. What's the point of doing a shittier version of something you already did great? It's better to try your hand at something new.
i appreciate this, but then you risk betraying the old heads that might still be checking for you...i mean if darkman X did his own personal yeezus he would've risked losing 36 and like 5 other dude's dollar, that's pretty big % wise
Till I Collapse is still his best track.
Nate Dogg made sure of that...
top 3 for me yeah, can't argue here
I like Superman way too much.
haha as was said, that might speak to clubbing/nightlife des activities right now though...i still love post 90s leftover misogyny tracks all day and felt the shit out of that one, but i think it resonates a lot less since i stopped messing which chicks checking for a cape out here