The Return of
Banned
I believe Toku or Kam actually tried that rub
omg at these tags
omg at these tags
Here, wash out your ears with some Gibbs freestyling over some beats at Westwood.
YOUCHOOBEDOTCOMSLASH
TIMWESTWOODTV
Oh yeahhhh. That's fucking great.Here, wash out your ears with some Gibbs freestyling over some beats at Westwood.
YOUCHOOBEDOTCOMSLASH
TIMWESTWOODTV
I think he mentioned it would go up on twitter.I hope FlyLo just puts it on soundcloud, this shit is retarded as fuck.
Here, wash out your ears with some Gibbs freestyling over some beats at Westwood.
YOUCHOOBEDOTCOMSLASH
TIMWESTWOODTV
He really is a rapper's rapper. Wish I could get more into his work though.So effortless.
Here, wash out your ears with some Gibbs freestyling over some beats at Westwood.
YOUCHOOBEDOTCOMSLASH
TIMWESTWOODTV
Is he still dropping Eastside Slim this year? Dude could easily have 2 albums in my top 5 if it was full of shit like that freestyle.
not necessarily dream projects, but things I wish would happen
Kendrick x Flyo
I think Kendrick could manage it, especially if they were in the studio from scratch. The backbone of the album would have to be zoned out, voice-altered Kendrick and he would need to scale back the complexity of his rhymes (very similar to what Esch mentions above RE: Shabazz), but if there's anyone in the game who can take that approach and still write A+ verses it's Kendrick. Just imagine Kendrick floating in and out of verses sporadically over some jazzier Flylo beats...shit would be insane.
Flylo x Kendrick was everything we dreamed it could be folks. Kendrick going HAM slowly disintegrating into his disembodied voice floating in and out of future space jazz. Can't wait to hear it on the record.
Shit is godawful breh. It's barely intelligible. It's funny, because people were wondering whether he'd go the pop route or the semi-underground route, but he's going the worst route possible; shred-rap ala Canibus and Eminem.If there's a problem I would say it's that Kendrick seems kind of slapped on top of the track. The way it bends to accommodate him (and vice versa) holds it back. But overall it works and with some fine tuning would be super dope. With Kendrick having all of FlyLo's rap beats on hold I imagine those thoughts are with him as he picks shit out and works on it for his album. Just needs to find a more natural bridging point between them.
RE: the interludes, rapid changes in direction, and random one-off notes, he def. crammed too much in. But with someone like FlyLo I am 100% willing to wait and see how a track fits within the albums' identity before saying those were mistakes. As a release point or climax that shit would go off, especially if the disposable elements on Never Catch Me are fully developed and explored on the record (and pieces of them definitely are).
Shit is godawful breh. It's barely intelligible. It's funny, because people were wondering whether he'd go the pop route or the semi-underground route, but he's going the worst route possible; shred-rap ala Canibus and Eminem.
Shit will probably be BNM.
He is, but there are moments where FlyLo dragged him into calming down. If they revisit collaborating again they need to kill a day listening to Shabazz and find some common elements. Kendrick needs to be more willing to float over beats instead of going in and FlyLo needs to encourage that pace in his production. The backing vocals would have worked really well if they were Kendrick super layered bridging his verses. I mentioned Blue Hawaii when talking about Shabazz before, but a lot of the spacial work they did with her vocals and toying with her voice as an element of the beat would translate well with the structure here. Really this track just got me super excited for directions they could go in with material on Kendrick's album and in the future.
At the same time it's hard to critique their approach without the context of the record. I have faith that it'll make sense where it lands and build off what came before it, but if it doesn't...will be a pretty big let down.
But was that ever really a question?
I feel like I would enjoyed it more if kendrick's verse was removed, but the rest of his vocals can stayShit is really the perfect Flying Lotus track, IMO.
1-3 listens, "hmm that's interesting i guess, but overall it's very mechanical and inhumane", and then never listen again.
Kendrick came sorta with a super Control version of some of his Section 80 material, i guess. But overall, lots of ribibbigity riggidy Porky the Pig/Outkast shit going on. I'm pretty picky with that flibbity flubbububtiy shit.
Beat sounds like a mix between his Cosmmogramma/UTCQ and not in a good way
TLDR: you'll cowards don't even listen to jazz.
Shit is really the perfect Flying Lotus track, IMO.
1-3 listens, "hmm that's interesting i guess, but overall it's very mechanical and inhumane", and then never listen again.
Sounds like some next level Section 80 shit to me.
Damn. Might skip out on his Toronto concert then.