Daffy Duck
Member
I cannot wait for this!
Not seen any promo material so going in totally blind!
It's going to be glorious.
Not seen any promo material so going in totally blind!
It's going to be glorious.
Breaking Bad's popularity spike was all Netflix, though, and Hannibal unwisely missed that boat.I really hope this show picked up some good word of mouth in between seasons. I'm not expecting a Breaking Bad style jump in viewers but it would be nice if the show got the attention it deserves.
Boo, I'm usually out on Thursdays and home Fridays. DAMN YOU NBC SCHEDULERS!
I've been re-watching The X-Files lately too, it's wall-to-wall Gillian Anderson!
In comparison to the shows you have mentioned such as Breaking Bad where the most we knew from the beginning is that Walter would have a visible decline (or alternatively would slip into who he always was), or Mad Men where we could have assumed it would cover most of the decade, the viewer is in a much more knowledgeable position and Fuller doesn't have the same luxury.
Part of the draw of Hannibal has always been that we know more or less where it's going to go, and have a rough idea of what's going to happen, but Fuller, aware of the knowledge we have going into the show, is able to subvert expectations, offer surprises by playing on those expectations, and build huge amounts of tension all the while pushing us towards a conclusion we more or less know.
Consider, for example, the end of the second season. We knew Hannibal was going to get caught before it began, yet there was still tension and shocks over what actions Will would take, when and how people would find out, what Jack knew, DuMaurier's role, how the Verger's would play into the conclusion, and who would die in the fight.
Most importantly, however, by knowing about the fight (but not when it would happen, which builds tension early on too as it doesn't need to happen in the final episode), and noting Will's absence, Fuller is able to play upon the idea of Will betraying Jack in the latter half of the season much more strongly than he otherwise could have, as we are always considering (while Hannibal is seducing Will and vice versa) why, exactly, Will is absent from the fight, whereas without it a betrayal from Will, while credible, does not have as much evidence that it has happened.
We also must consider that we knew that Hannibal would have to be caught at some point in the second season based upon the first if the show were to remain anyway credible (in the context of the show not being dragged out), so why conceal that when we all knew what was coming for no purpose?
Fuller could certainly adopt a Matthew Weiner-level of radio silence if he desired, but it would seem rather pointless because as soon as viewers recognise a character who already exists in the Hannibal universe, we are going to know exactly where he's going with it so it's rather pointless.
makes it notable how much of a passion project this is for him (even if, of course, for other showrunners and a guarantee that he won't mess up the material by dragging things out far longer than is feasible (knowing the outline of last season, for example, we knew that Will wouldn't be in the cell for the entire season and thus wouldn't wear out it's welcome).
acknowledge that we aren't stupid and know roughly where things are going to a much more accurate degree than we do in other shows
Well, his character was in Silence of the Lambs but who knows.wait so is Lawrence Fishburne still alive?
I cannot wait for this!
Not seen any promo material so going in totally blind!
It's going to be glorious.
God damn, the hype is real. And I thought S2 gave us Hannibal unhinged, or at least unleashed.
I'M MELTING
On the positive side, everyone involved in the finale plays trauma really well. I'm sure their survival can only lead to great character moments and a richer plot further down the line.Me too man
I've ignored everything
Geez, looking at the op did any actually die in the finale? Except for the girl that should've been dead anyway. Kinda sucks :/
but more importantly:Can you take us back to the precise moment in production for season three when you realised that the show needed more time?
You mean why it was pushed back? Essentially what happened is that the show, which was only able to be produced in the first two years with eight days of main unit shooting and a couple of days of second unit shooting and a considerable amount of overtime, was then reduced to seven days of shooting, no second unit and no overtime. It was horribly misguided and not particularly smart and the shows were incomplete.
When, in December I sat down to go through and edit the first part of the season, so many themes were missing and so many shots were not picked up. We would have scenes that had footage on both sides of the access line, but the shot that actually connected the access lines to make it cut together was lost because the producers didnt want to go into overtime, and it hurt the show incredibly.
For four months there was a refusal to move off this approach to producing the show and for four months we were crying out to the studio for help to try to get the show on track. We were haemorrhaging money because of bad decisions, and sets were being built at the very last minute, so they cost three times as much as what they should have cost, so it was really kind of a horrible confluence of bad ideas in terms of how to approach producing a season of Hannibal.
Its interesting that you mention James Bond. You once said that Hannibals plastic kill-suit was a deliberate Dr. No reference.
Yes!
So this is one in a long line of Bond references in Hannibal?
I am a big fan of James Bond and there have been a couple of references to Bond in Hannibal, not least of which is the Dr. No kill-suit. The idea of this gentleman killer, which is exactly who James Bond is, being impeccably dressed, going to fancy affairs and moving amongst prey is something that felt like it resonated with this arc for Hannibal Lecter, so we embraced a little bit of the Bondian Im undercover and Im also deadly.
Den of Geek did an interview with Bryan Fuller about season 3, Red Dragon and American Gods, it's slightly spoiler-y for those concerned but it is a very good read.
It has insights such as:
but more importantly:
Den of Geek did an interview with Bryan Fuller about season 3, Red Dragon and American Gods, it's slightly spoiler-y for those concerned but it is a very good read.
It has insights such as:
but more importantly:
What the hell. What were the producers thinking
Well, his character was in Silence of the Lambs but who knows.
whatever happened to tagging spoilers from books and other movies?
I usually hate this logic, but with this show it's especially true: Knowing a "spoiler" as it regards to the plot really doesn't hamper your enjoyment of the show, since the execution is so marvelous. It's not the "what" but the "how" that is so surprising and engrossing.
I wrote an article about this once, specifically in regards to this show. I really do believe Fuller is running the show, and introducing aspects, that really only fully pay off if you know about the books and the previous movies. Subverting/playing off those previous installments is absolutely part of the reason this works the way it does. Not to say it doesn't work on its own, without any prior knowledge, but this show is absolutely structured to work even though most people have already been (technically) "spoiled" by the story of Hannibal Lecter.
Because merely knowing they appear doesnt spoil the "why" of their being there, or the "how" of their effect on the story.
I wrote an article about this once, specifically in regards to this show. I really do believe Fuller is running the show, and introducing aspects, that really only fully pay off if you know about the books and the previous movies. Subverting/playing off those previous installments is absolutely part of the reason this works the way it does. Not to say it doesn't work on its own, without any prior knowledge, but this show is absolutely structured to work even though most people have already been (technically) "spoiled" by the story of Hannibal Lecter.
Nice article. I don't recall if I had read that last season and just internalized it, or if this is the first time I'm reading it and just came to a very similar conclusion worded almost identically
Solo is gonna love this show even more now.
This show is especially weird since it deals with a character whose very existence in the popular culture is a very specific form that the show hasn't even gotten to yet (see example 1, example 2, example 3), which in itself is kind of a spoiler but also not since that is the image that permeated and stuck itself in film history, even for those who have never seen the movie or read the books.
It's a popular series of books, that became a popular series of movies, and the TV series is playing very fast and loose with how it is adapting the various versions of the source material. Fuller himself is very open about "spoiling" things about the show, confirming certain characters fates or laying out a very specific plot progression for the season/series, etc.
I usually hate this logic, but with this show it's especially true: Knowing a "spoiler" as it regards to the plot really doesn't hamper your enjoyment of the show, since the execution is so marvelous. It's not the "what" but the "how" that is so surprising and engrossing. Especially if that "spoiler" comes from the source material (either book or film), since there's no guarantee they will follow that exactly and half the fun of the show is seeing just how they twist and utilize elements from the book and make them their own unique things in the show.
I've thought about this a lot, since the probable survival of Alana and Jack and - obviously - Will means that out of the four devastating near-deaths of beloved characters in the season 2 finale, only one is (likely) to actually come to pass. Most shows don't get away with faking a single death, let alone three, without it feeling like a cheap and unnecessary move. (Abigail must be, of course, deader than a doornail, but then her prognosis was never very positive from the first episode on down.)
Also:
I have to ask because its such a great idea, how far did you get in discussions with bringing David Bowie in to the cast?
The trick with David Bowie right now is that he is so incredibly busy. Hes got a new musical that hes plotting, hes got new albums that hes plotting, so hes simply not available right now. Weve reached out and he knows that we would love to do something the moment he has any room to do something. We just hope our calendars schedule. Weve had several conversations with his people and the feedback is always that David loves that were approaching him and to keep approaching, and hopefully the stars will align. Right now, between his new musical and new batch of songs, he is maintaining radio silence as far as any other projects are concerned, which I applaud because I cant wait to see the musical and I cant wait to hear his new music because he continues to be a vibrant and modern voice in song.
So youd be flexible about which character he could play should he become available in future?
Even if he has a day What I would love to do is collaborate with him and craft a role that uses his skillset as a comedian, because his comic timing is so good. I would love to write a very dark comedic role for him.
One thing that I didn't mind hearing about in advance is the fact thatwill be directing an episode this season. Very cool.Guillermo del Toro
That was a mixup/miscommunication on the De Laurentiis team's part
That was a mixup/miscommunication on the De Laurentiis team's part
Oh, really? I remember seeing a tweet where they confirmed it wasn't an April Fool's joke or something. That's too bad.
I've thought about this a lot, since the probable survival of Alana and Jack and - obviously - Will means that out of the four devastating near-deaths of beloved characters in the season 2 finale, only one is (likely) to actually come to pass. Most shows don't get away with faking a single death, let alone three, without it feeling like a cheap and unnecessary move. (Abigail must be, of course, deader than a doornail, but then her prognosis was never very positive from the first episode on down.)
Whether this taints the legacy of Mizumono after the fact remains to be seen and is one of the weights on season 3's shoulders, but I've also sort of realized as I crawl through the series again that the real and greatest impact of that episode wasn't the physical violence, but the careful orchestration of every character (finally, Alana!) realizing or acknowledging that they understood the truth of Hannibal. The show had been premised for two whole seasons on the idea that they either didn't know or wouldn't acknowledge that they were all seduced by the charm of this satanic character, something that was shattered completely by that finale.
A great part of what made this work so well, and what made it so wrenching and devastating, was that we the audience were taken in as much as the in-universe characters are by Mads' presence and magnetism. His rare little moments of menace in the plastic suit brought this into sharp relief for me several times, as watching him tear someone's jaw open or admire the art works of a mass murderer given to sewing bodies together for the viewing pleasure of God (or Lucifer) so thoroughly breaks the carefully built illusion of Hannibal the charmer, someone that could co-exist with people without poking and prodding and eating and tearing at them. It's the reason why the frankly ridiculous idea of a cannibal serial killer in bed with the FBI works, and why Will's betrayal of Hannibal and his punishment, in turn, of Will, is so weirdly upsetting beyond simply seeing people we like being cut and stabbed, and why seeing Bedelia make the opposite choice - to run off to Europe with the violent, intelligent psychopath who has wormed his way into her mind and her life - is both understandable and deeply intriguing rather than merely insane.
Chilton is, of course, the MVP here.
is there one for S1 as well?Just came across this official season 2 catch-up video that was posted about a month ago. It's a good, condensed 6ish minute reminder of just how fucking good this show is.
Damn, bottom of page:
Five bucks says Chilton returns looking like this:
Maybe they'll give him an eyepatch! The more he's injured, the more his swag magnifies!
"Jack... I'm already a demon."
But I thought Chilton got shot in the cheek, or am I misremembering?