But the major differences between those two scenarios—and the reason Confederate has been met with such swift controversy—is that, with the exception of a handful of white nationalist trolls, ”What if the Nazis won?" is near-universally a horror story, a hypothetical about the triumph of evil that examines just how close the world came to succumbing to its darkest impulses, and a warning to never allow fascism to prey on those weaknesses again. On the other hand, imagining an America where black people are still slaves is really only an exaggerated deviation from the present—a fact that HBO and Confederate's showrunners are definitely counting on, clearly hoping that the series will have the same timely ring as The Handmaid's Tale, The Man In The High Castle, et al. with their depictions of authoritarian rule. With racism becoming even more emboldened, cops killing black people in the streets, the prison industrial system trapping them for life, the stars-and-bars still flying all across the South, and the President Of The United States earning endorsements from David Fucking Duke, Confederate is similarly, clearly intended to be a commentary on our current political climate. Yet unlike the Nazi scenario, even the showrunners seem to be aware that, for an alarming number of Americans, putting black people back in chains reads less like a nightmare than a daydream.