Is this a reference to something?
So a guy with a bizarre hairstyle on a motorcycle is being chased by a guy that can turn into flying footprints who will suck him to death like a vampire but he can stay safe if he stays above 60 km/h, sort of like the movie Speed.
He's racing through town and there's a mother and stroller at a red light so he blows up his motorcycle and puts it back together again in midair while doing a flip and smiling at the baby.
By grabbing cell phones from bystanders he calls one of his friends for help, who realizes that if they can just beat up a guy who's in the hospital from a recent serious motorcycle accident it will solve everything. Motorcycle Man then buys time by crazy-drifting through a shipping yard. Above, an old man in a flying Polaroid photo is gloating to himself about how well things are going.
The motorcycle starts to run out of gas, so Pompadour-Dude traps the Footprint Cloud in a parked car and siphons its gas to keep going.
His buddy's made it to the hospital in the interim, but the desk nurse is hostile and unhelpful. Suddenly a midget Japanese rapper appears, calls the woman a "bitch" and a "ho" and holds her at the mercy of a mid-range workman's comp suit until she gives him the info he wants. She gets left to deal with a pile of heavy falling glass with no resolution but sort of a dark implication, and MotorMaster arrives, riding his motorcycle right through the waiting room and lobby into the elevator - footprints close behind.
Our hero is only paces from the villain's hospital room, but suddenly feet start pouring out of the air vents! He struggles valiantly to the door, crossing the threshold battered and worse for wear. Inside, three beautiful young juvenile delinquents and/or possibly other nurses are tending to a bedridden mastermind. He tells them not to worry about the bloody beaten high schooler who just crawled in and collapsed and instead sexily asks which one of them wants to help him urinate - which they fight over the privilege of.
Bedridden Baddie proceeds to tell the women that fruit has gone bad in the room and he can totally smell one of them having their period - don't even lie. The girls act like this is some serious Disney Prince Charming shit. In their conversation, though, they've missed that the protagonist is back on his feet, and he takes the opportunity to punch a crippled man in his traction device while warning him that everything changed the day his punches gained the power of his kicks + 300 km/h.
The good guy hates an unfair fight, so he nonchalantly performs a biblical miracle. The patient experiences a miraculous recovery, so our hero beats the shit out of him and throws him out a fifth-story window, then tells the nearby women how much he gets a kick out of changing his underwear. During all this, the friend from earlier goes back to walking his dog, just assuming that his job is done for the day and everything will work out despite him last seeing his best friend running for his life from a vampiric cloud of Dr. Scholls products.
Later, some guy stares ominously at his family's shoe rack and a woman goes down into the basement where a really specific breed of cat has come in through an open window.
Cut to credits playing over a Savage Garden song from the 90s.
Look up "loss.jpg"
This is why I plan to show this ep to my brotherCan you imagine explaining this episode in detail to some random person?
This might've actually been the highest weirdness-density of a single JoJo episode.
Imagine watching this as a first episode as a total newcomer to the series with a friend who wants to show it to you, or something.
Seriously, though. Koichi shows up at the hospital, leaves a woman struggling under a bunch of super heavy glass jars after having what's essentially his inner-monologue say "let's kill da ho," watches his friend drive by, through a building, on a motorcycle, chased by a bunch of flying evil foot pads, and just...shrugs and walks home. "Ugh, I still have to walk my dog tonight." Best character. Truest friend. Emm-Vee-Pee.
He made them heavier with Act 3, he didn't leave her struggling. He left Act 3's range of the jars and they suddenly became light again.Can you imagine explaining this episode in detail to some random person?
This might've actually been the highest weirdness-density of a single JoJo episode.
Imagine watching this as a first episode as a total newcomer to the series with a friend who wants to show it to you, or something.
Seriously, though. Koichi shows up at the hospital, leaves a woman struggling under a bunch of super heavy glass jars after having what's essentially his inner-monologue say "let's kill da ho," watches his friend drive by, through a building, on a motorcycle, chased by a bunch of flying evil foot pads, and just...shrugs and walks home. "Ugh, I still have to walk my dog tonight." Best character. Truest friend. Emm-Vee-Pee.
He made them heavier with Act 3, he didn't leave her struggling. He left Act 3's range of the jars and they suddenly became light again.
We never see her again though, it's up to our imagination.
And, if they "suddenly" become lighter again... It's going to be like when you're kids fighting over a toy and one side gives up suddenly.
She's gonna lose her balance when a ton of weight suddenly isn't there and those big, liquid filled glass jars will come right down on her face.
hmmJotaro is so godlike. I love how creatively he uses Crazy Diamond. Such a great stand. Highway Star is a scary ass stand.
Highway⋆ Star
The Yuya beatdown at the end was a little too quick for my liking, but everything else was really solid. This was the fight that solidified Josuke as thebestsecond best JoJo.
Glad they fixed Koichi's hair as well.
UGH
Should I be alarmed that none of this broke my Jojo weirdness scale? I just nonchalantly watched it.Can you imagine explaining this episode in detail to some random person?
This might've actually been the highest weirdness-density of a single JoJo episode.
Imagine watching this as a first episode as a total newcomer to the series with a friend who wants to show it to you, or something.
Seriously, though. Koichi shows up at the hospital, leaves a woman struggling under a bunch of super heavy glass jars after having what's essentially his inner-monologue say "let's kill da ho," watches his friend drive by, through a building, on a motorcycle, chased by a bunch of flying evil foot pads, and just...shrugs and walks home. "Ugh, I still have to walk my dog tonight." Best character. Truest friend. Emm-Vee-Pee.
This is awesomealso now that we're here, I can finally link one of my favorite pieces of fanart
oh my fucking god
I just noticed, but why is Koichi crawling?
I just noticed, but why is Koichi crawling?
I just noticed, but why is Koichi crawling?
He was called in to answer the phone when he was about to walk the dog, so instead of removing his shoes he's crawling to spare himself the effort.
Lazy Koichi. No dignity.
He was called in to answer the phone when he was about to walk the dog, so instead of removing his shoes he's crawling to spare himself the effort.
Lazy Koichi. No dignity.
That was glorious. Araki is really creative at imagining solutions.
It's REALLY too bad they don't have the budget (I assume?) for licensed music in the show.
The train never stops
Why does Josuke have to grab a second phone? Can't he just fix the first one?
It's been a hot minute since I last laughed at a loss comic. Great work.
Edit: totally missed that SoulUnison already posted thisCan you imagine explaining this episode in detail to some random person? This might've actually been the highest weirdness-density of a single JoJo episode. Imagine watching this as a first episode as a total newcomer to the series with a friend who wants to show it to you, or something.
So a guy with a bizarre hairstyle on a motorcycle is being chased by a guy that can turn into flying footprints who will suck him to death like a vampire but he can stay safe if he stays above 60 km/h, sort of like the movie Speed.
He's racing through town and there's a mother and stroller at a red light so he blows up his motorcycle and puts it back together again in midair while doing a flip and smiling at the baby.
By grabbing cell phones from bystanders he calls one of his friends for help, who realizes that if they can just beat up a guy who's in the hospital from a recent serious motorcycle accident it will solve everything. Motorcycle Man then buys time by crazy-drifting through a shipping yard. Above, an old man in a flying Polaroid photo is gloating to himself about how well things are going.
The motorcycle starts to run out of gas, so Pompadour-Dude traps the Footprint Cloud in a parked car and siphons its gas to keep going.
His buddy's made it to the hospital in the interim, but the desk nurse is hostile and unhelpful. Suddenly a midget Japanese rapper appears, calls the woman a "bitch" and a "ho" and holds her at the mercy of a mid-range workman's comp suit until she gives him the info he wants. She gets left to deal with a pile of heavy falling glass with no resolution but sort of a dark implication, and MotorMaster arrives, riding his motorcycle right through the waiting room and lobby into the elevator - footprints close behind.
Our hero is only paces from the villain's hospital room, but suddenly feet start pouring out of the air vents! He struggles valiantly to the door, crossing the threshold battered and worse for wear. Inside, three beautiful young juvenile delinquents and/or possibly other nurses are tending to a bedridden mastermind. He tells them not to worry about the bloody beaten high schooler who just crawled in and collapsed and instead sexily asks which one of them wants to help him urinate - which they fight over the privilege of.
Bedridden Baddie proceeds to tell the women that fruit has gone bad in the room and he can totally smell one of them having their period - don't even lie. The girls act like this is some serious Disney Prince Charming shit. In their conversation, though, they've missed that the protagonist is back on his feet, and he takes the opportunity to punch a crippled man in his traction device while warning him that everything changed the day his punches gained the power of his kicks + 300 km/h.
The good guy hates an unfair fight, so he nonchalantly performs a biblical miracle. The patient experiences a miraculous recovery, so our hero beats the shit out of him and throws him out a fifth-story window, then tells the nearby women how much he gets a kick out of changing his underwear. During all this, the friend from earlier goes back to walking his dog, just assuming that his job is done for the day and everything will work out despite him last seeing his best friend running for his life from a vampiric cloud of Dr. Scholls products.
Later, some guy stares ominously at his family's shoe rack and a woman goes down into the basement where a really specific breed of cat has come in through an open window.
Cut to credits playing over a Savage Garden song from the 90s.
Why was Jotaro there at the end?
I just watched the episode that showcases Yuya & his Highway Star stand.
I can say with the utmost confidence, that Josuke's the most creative with how he uses Crazy Diamond throughout this encounter. Some of the stunts that he pulled off in this episode was unreal.
also now that we're here, I can finally link one of my favorite pieces of fanart
It's REALLY too bad they don't have the budget (I assume?) for licensed music in the show.
A bootleg version of Jojo with all the music referenced playing would be great.
BWAHAHAHAHAHA