Honey Bunny
Member
T-ara's Breaking Heart is indeed the best k-pop girl group album ever. Not really a contest.
Preach.
T-ara's Breaking Heart is indeed the best k-pop girl group album ever. Not really a contest.
But 2ne1 is awful.
Just give em T-ara's Breaking Heart. Ez.
T-ara's Breaking Heart is indeed the best k-pop girl group album ever. Not really a contest.
What's wrong with songs? It's easily accessible compared to albums.I don't like the idea of just having songs. I think it's much harder to release a good album. If you want anybody taking this collage seriously it's going to need to be composed of albums.
something like kpopgaf recommends at the top of the OP is a great idea for any randoms clicking the thread and not being overwhelmed. will be very annoying to organize however.
We can agree. Just have everyone suggest their favorite song from a set list of artists. And they can include an artist if it's not listed.no one is going to agree on anything, just leave it to our benevolent dictator (only guy who can edit the fp) OC
Considering you just put forward breaking heart, that's fairly flawed.
If you want better albums, I'd say look at 4Minute. Their Volume Up album is great all the way through.
Or Wonder Girls - Wonder World.
Both are much better than Breaking Heart.
We can agree. Just have everyone suggest their favorite song from a set list of artists. And they can include an artist if it's not listed.
Hopefully Yurithra will have garnered some courage from Ms. Foster today~
Jeez, IGAB isn't that bad.I hate admitting this. Kill me.
Jeez, IGAB isn't that bad.
Who has time for 4 minute?
What? I'm saying I'm embarrassed because I'm a harsh critic of pop because of its simplistic nature and failure to entertain me, so it's difficult to admit that I actually like any of it.
My Asian fetish probably has something to do with it too.
What? I'm saying I'm embarrassed because I'm a harsh critic of pop because of its simplistic nature and failure to entertain me, so it's difficult to admit that I actually like any of it.
My Asian fetish probably has something to do with it too.
Only because I don't know where else to post this...
My close group of friends (about 10ish people) has been slowly infected by K-Pop fandom over the last year or so, to the point where I can no longer escape it.
I don't know a damn thing about K-Pop aside from the fact that Sunny is mai waifu
and I don't even like pop in general, but for some reason I've been listening to I Got A Boy
like 10 times a day since I first heard it.
I don't know why, since generally I am snobby about my tastes in music, but I cannot put this song down. It is simply too good.
GrizzNKev said:I hate admitting this. Kill me.
+ Jiyoon
Her hair is pink now. She pulled a fucking GD/Sunny on us.
D:
I wish she would grow her hair out. She looked good with it on Immortal Song.
I'm a snob - I only like good music. Pop isn't inherently any more simplistic and any other genre.
OC, the voice of reason.We can agree. Just have everyone suggest their favorite song from a set list of artists. And they can include an artist if it's not listed.
Good luck with that face :lolnot on my watch
Just give em T-ara's Breaking Heart. Ez.
T-ara's Breaking Heart is indeed the best k-pop girl group album ever. Not really a contest.
Amen.
It's really damn good.
Anyways, Breaking Heart is amazing. Fuck the haters.
solid list/albums too!!papa yg approves
I'll throw up a poll shall i?
Über cute rookie group BPPOP
After watching the teaser, check top comments.
I hate admitting this. Kill me.
Pop isn't inherently any more simplistic and any other genre.
I disagree. Pop music when laid down at it's core is pretty simple, the problem is most producers/artists these days tend to keep the music at it's core so it starts to sound very simplistic. Pentatonic scales, seventh chords, same chord progressions... when you stick with these basic ideas then it starts to ruin the song. But if you use these basic ideas and expand on them, it's gonna be totally different.
But here’s what it is. You listen to the first verse of “RIVER.” It starts in the key of C# minor (SAD), a.k.a. the “Moonlight Sonata,” a.k.a. “Kanashimi Twilight,” which is pretty dark except without being forcibly emo about it. But in the space of just eight measures, it has moved to the chord of B major, which can mean a lot of things but in this particular situation implies most strongly the dominant of E major, meaning that it’s about to modulate to relative major (HAPPY) of C# minor. A glimmer of hope, right? SAD goes to HAPPY.
EXCEPT IT DOESN’T.
Instead, it drops the floor out from under you. You don’t get E major. The chorus of “RIVER” is in bloody E minor!!
The PARALLEL MINOR of the RELATIVE MAJOR of the original key!
Yabyaaaa~~~!!!
But so here comes the chorus. And it sounds a lot like Inoue’s other AKB48 choruses, I mean the bastard pretty much used the same progression in “Oogoe Diamond” and “10nenzakura” and did little to hide the fact, and again you’re getting the same thing here where you move via stepwise chord motion to get to the relative major of the key you’re in. Except “RIVER” is less obvious about it, although perceptive ears will still catch the hints in the tune: the lowest notes in each phrase of the first strain move downward from E to D to C to B. This song can’t help but move somewhere—moving where?—crossing the river, perhaps. And then, at the last line, you get … a glimmer of hope.
It moves to the most stable position in that key signature: the tonic major, G.
AND THEN IT DROPS THE FLOOR OUT FROM UNDER YOU AGAIN!
Because right after the last note of the chorus it jumps RIGHT BACK TO C# MINOR!! A frigging tritone interval! It is the most dramatic harmonic leap in all of Western music theory and “RIVER” fucking shoves it IN YOUR FACE!!!
And you start to realize what “RIVER” is totally about. It uses all these dark, minor tonalities to reflect the struggles of life but moves irrevocably toward the major key, always reaching toward the shining light of hope—only to have it ripped away at the last moment, at the end of the first verse, at the end of the first chorus, the end of the second verse, the end of the second chorus, even after the bridge (which is written in E major), because the struggles of life are never-ending. Only on that abrupt last chord does the song finally rest and say: “YOU CAN DO IT!!”
How many songs should we keep it at? 40? I can do a huge section at the very top of the first post.I'll throw up a poll shall i?
I've worked in a field with people who live and breathe music and luckily aren't prone to judge music on its craft and function alone as if they'd judge an architectural work on the number of different bricks used to build it.
I don't know what point you're trying to highlight with this analogy?
all contemporary pop is the most simplistic music being made. why? because it's primary audience is the masses. the masses do not have the musical aptitude to be able to appreciate a piece of music that doesn't rely on the instant gratification of a catchy hook or chorus line.
pop is fun to listen to, but when looked at from an objective level it is rudimentary and does not require much talent to write.
it is nowhere near as rewarding as listening to something which is more engaging and challenging.
Jazz? (Don't fight me)lol 'objective level'. You're fucking ridiculous, dude.
Give me some examples of this engaging music not written for the masses. Let's hear it and tear you apart.
lol 'objective level'. You're fucking ridiculous, dude.
Give me some examples of this engaging music not written for the masses. Let's hear it and tear you apart.
Hyori's 1st album at the top? Really? 10 Minutes was an okay song, but the rest was forgettable. Might have to dig up the CD and have another listen..we should make something like this
That's a pretty damn limited view of variation. It's also too generalized. Now we're talking about all popular genres, rock, soul, blues, country, etc - not 'pop'. People who wrote 'this is music - not that bieber crap' on Bach youtubes were never very insightful. Unfortunately some of them hold degrees.
If you work in a place where people would stone you for liking certain genres then it probably proves my theory that some of the most simple-minded people dominate fields where music theory is studied. Robots.
I've worked in a field with people who live and breathe music and luckily aren't prone to judge music on its craft and function alone as if they'd judge an architectural work on the number of different bricks used to build it. Unfortunately some people sneak across the border now and then. In a way these guys would be both at the top and the very bottom of Bourdieu's cultural hegemony - rich in cultural capital but with "function=value" as their ideology.
I know you're not saying this conclusion equals poor quality, but god damn am I sick of music theory mixing with attempts at cultural criticism of taste, and you built my strawmen for me with your elitist superiors.
At least some people have fun with it, while remaining very silly still
"I've had big record label presidents look me in the face and say, 'Your music sucks, you don't know who you are, your music is all over the place, and we don't know how to market this stuff. Pick a lane and come back to us,'" he says. "That was disgusting to me, because I'm not trying to be a circus act." Source.