Jex
Member
I don't think the majority of the criticisms of the show are about how it fails to be something other than 'entertainment'. They are about about what the show aims to succeed in doing yet which it nevertheless fails to achieve. As you say, making 'shlock' takes a certain amount or skill and talent so you can do it well or do it poorly.I'm kind of curious, but does anyone take this show more seriously than entertainment? I don't mean to be condescending. If someone does, let me know. I really don't mean offense (and I have an open mind). It's just, the show really hasn't ever showed us any intention of having a deep story, with fleshed out characters. It hasn't taken the time to set up long arcs, with thematic pay off. It's all about absurd moments/beats. The life fiber plot I guess is something, but even the idea that it pushes forward is so over the top/funny, that you can't really take it seriously.
To be clear, I see nothing wrong with seeing this as "art" either. I'm not saying the animation isn't awesome. Or that making shlock like this, doesn't take a certain skill or talent. In fact, I think with shows like this, it 100% depends on the way they tell it. I'm happy with the show it is, and enjoy it for what it is. Nothing more, nothing less. It's hard for me to be let down that the show hasn't been anything deeper. Do I think it could have been a better show if it did these things? Absolutely. But I'm not bothered that it didn't.
No-one asked or expected a thematically rich series like, say Serial Experiments Lain, or a serious character study like The Twelve Kingdoms. It's always been a 'hot blooded' action series but that doesn't mean they weren't trying to create interesting characters that the audience would care about. Where they have tried to do that I think they failed to achieve it. Judging the show on it's own merits, against works in a similar vein. Or, to quote someone else from earlier:
And that's about where it stands, on the character writing front, which is where I feel the major problems are. I think the overall narrative beats have been pretty bad as well because they clearly set up a number of story arcs which kind of fizzled out without achieving much until the second half of the series.Gonna ramble for a bit.
Ryuko as envisioned by her creators is that of a girl overwhelmed by her fate, someone who can't deal with the responsibilities thrust upon her, and who is not dealing well with this revelation that the mother she'd sought all along is a monster. A sympathetic figure, really, at least in concept. And as has been pointed out before, a teen. None of these things are bad, and could have made for a good, compelling character.
But it didn't work out that way because she as a character basically doesn't exist. Like, at this point there's no sense that she has any real motive of her own. Endless manipulation from every source around her has turned her into a puppet, and this manipulation in turn was never used as a motivation to give her purpose. We see it in action this episode when she tells everyone to fuck off, or more revealingly, she tells Aikuro that he misled her from the start, too. But all of this didn't happen because she realized it; it's just backlash after Ragyo provokes her. That it all ends up being another bout of puppeteering from the villain just drives home how pointless Ryuko is as a character. We joke about how she keeps losing her way, but really, she never found a way in the first place.
I dunno, I'm kinda bummed out because that brainwashing/forced robing montage could actually have meant something at one point. It's a sequence that shows the things she craves, and their lack is piercing stuff. It's about as invasive and tragic as anything that's happened in the show, and yet it's failed to invoke any real sort of sympathy, because we - at least in this subset of viewers who don't give a fuck about her character - just can't bring ourselves to care. Instead we cheer for the wannabe fascist dictator girl who burned down an entire city. Fucking KLK.
I know there's been a lot of talk about the fanservice but really, that doesn't bother me one way or the other except when it's super gross, which it has been occasionally. Other than that it's just resulted in some ugly costumes.
The least common complaints relate to the quality of the cinematography/storyboarding/editing/animation but there's plenty of bones to pick with those as well. Competent storyboarding is pretty damn important in am action series and sometimes this show really pulls it off and other times it falls flat.
Of course, the show pulls through and continues to be entertaining off the back of it's manic energy and it's bizarre sense of humour. This is the energy of the people making the series and it comes through in crazy designs or bizarre sequences or through amazing characters like Mako who steal every scene that they're in. Not a lot of works these days are so clearly the result of a certain passion, at least not overtly, and so it's no wonder that we're attracted to a show that's positively brimming with creative enthusiasm.