animation mistake i think
-
Hey, guest user. Hope you're enjoying NeoGAF! Have you considered registering for an account? Come join us and add your take to the daily discourse.
Kill la Kill |OT|
- Thread starter Crash Station
- Start date
animation mistake i think
Im guessing in a rush they used the wrong track.
They didnt use the nzk version of light your heart up either I think.
Well, this was a fun end. While this probably won't go down anime's hall of fame it was good for what it is, dumb fun.
Like I expected the whole Senketsu/dad thing was just a red herring, or a plot point that was dropped by trigger as they went along, similar to that spacial bullet.
Like I expected the whole Senketsu/dad thing was just a red herring, or a plot point that was dropped by trigger as they went along, similar to that spacial bullet.
Like when was this mentioned before?
It's such utter bullshit and crap writing at it's worst.
so , what happened to this ?
this is from episode 21
I don't get it.
Mentioned directly? Never. But watch the show again and you'll see that it's actually happening even though it's never expressly stated.
Duebrithil
Member
All good things must come to an end ;_;7. I had fun watching the show despite its flaws.
Doesn't Ragyo say in an episode that the closer the subject is to death the more powerful life fibers become, and that that is the reason Souchiro trying to hide Ryuko was pointless?
Doesn't Ragyo say in an episode that the closer the subject is to death the more powerful life fibers become, and that that is the reason Souchiro trying to hide Ryuko was pointless?
Some people were hoping that the gear eyes Satsuki had in this scene were more than just an animation error.
And since Ryuuko had both the human and fiber side in her own body, it naturally follows.
Duebrithil
Member
Exactly. It didn't feel like an ass-pull to me.
SparksterMeta0
Member
XD Oh my god! I just got it!
I liked the series, but it's really flawed. The show's shift in direction in episode 7 created a lot of problems. It felt like the early episodes (particularly 4-6) were building a varied enemy-of-the-week format sort of focused on character development through silly hijinks, with a lot of crazy club designs and stuff. Nudist Beach was presented as a powerful outside force opposing Ragyo and not necessarily allied with Ryuuko. Satsuki clearly wasn't the endgame, but she was absolutely an antagonist who had to be stopped.
Then, with Ryuuko's power clearly well beyond the clubs, they have to move towards bigger things, and as a result, nearly everything from the early episodes gets discarded and a number of episodes in the Election arc are spent in a kind of limbo, where viewers don't really know what's being built towards. Nui eventually shows up to railroad the plot with all the subtlety of a first-time Dungeon Master. They get there and they find a groove that works through the second half of the series, but it means the first part feels really wasted.
The other thing that consistently disappointed me was the action. Nearly every fight boiled down to either two combatants flailing at each other, or one person unleashing a super attack. The rare exceptions (episode 5, the Osaka fight) were real delights, but DBZ-esque non-choreography was a blight on a lot of the most dramatic moments.
Despite all that, and despite all the clothing metaphors leading nowhere intellectually, I still had a good time watching Kill la Kill each week. It's got a lot of style. The art is brash, and even the shortcuts they take often feel energetic. The plot meandered a lot of the time, but everyone making it was having a lot of fun. It doesn't really look like any other show, even compared to Imaishi's other work. Although the clothing metaphors didn't suit the writing, they were great for the art. Kill la Kill's novelty carries it a very long way.
It didn't live up to my stratospheric hype after Little Witch Academia and Gurren Lagann, but at least it created something fresh.
Then, with Ryuuko's power clearly well beyond the clubs, they have to move towards bigger things, and as a result, nearly everything from the early episodes gets discarded and a number of episodes in the Election arc are spent in a kind of limbo, where viewers don't really know what's being built towards. Nui eventually shows up to railroad the plot with all the subtlety of a first-time Dungeon Master. They get there and they find a groove that works through the second half of the series, but it means the first part feels really wasted.
The other thing that consistently disappointed me was the action. Nearly every fight boiled down to either two combatants flailing at each other, or one person unleashing a super attack. The rare exceptions (episode 5, the Osaka fight) were real delights, but DBZ-esque non-choreography was a blight on a lot of the most dramatic moments.
Despite all that, and despite all the clothing metaphors leading nowhere intellectually, I still had a good time watching Kill la Kill each week. It's got a lot of style. The art is brash, and even the shortcuts they take often feel energetic. The plot meandered a lot of the time, but everyone making it was having a lot of fun. It doesn't really look like any other show, even compared to Imaishi's other work. Although the clothing metaphors didn't suit the writing, they were great for the art. Kill la Kill's novelty carries it a very long way.
It didn't live up to my stratospheric hype after Little Witch Academia and Gurren Lagann, but at least it created something fresh.
looks like Baron Ashura. lmao
Great ending, good series. The first 15 episodes are kinda all over the place and not in a particularly great way, but they really finished strongly with this last third.
Hopefully there's some kind of continuation in the future, but if not, I'm satisfied with this ending. Though I am wondering just how in the hell
:lol
Hopefully there's some kind of continuation in the future, but if not, I'm satisfied with this ending. Though I am wondering just how in the hell
Satsuki settles into a normal life of shopping and eating ice cream after a decade+ of being treated like a god.
victreeb3l
Member
with what senketsu said in the end, the ending felt like it was about coming of age and that as a girl you could wear whatever you wanted.
I'd say overall the show was all right. It really is hard to top TTGL. I appreciated that the fight scenes weren't overly long which required 3 episodes to get over; although, getting a lot done in one episode every time felt quite a bit rushed - but that's okay since trigger probably didn't want to prolong scenes.
also, its ok. you're with chambro now, protecting humanity till the end.
FUUUCCCCKKKK. I totally forgot about Chamber. My bros ;_;
Yeah, that bummed me out even more than I already was by that scene. They probably didn't know how to transition from that to ED 1 smoothly or there wasn't enough time to use a sufficient amount of the song or something, but I felt they started it too early and could've at least got the chorus of Till I Die in there.
Never posted in this thread before but I must say that the ending was as over-the-top and hilarious as I expected. I loved it.
Mako frikking kissed her and put her on a boy's uniform. Thinking otherwise would be denial.
She also turned into a xenomorph and did other crazy shit in those talks, they aren't suppose to be taken seriously.
I tend to agree, but I can understand the interpretation that it's just another expression of Mako's over-the-top personality.
Mako turned into a xenomorph at one point in the show. They were never supposed to be taken literally.
People taking shipping seriously in a non-romance show is always humorous. Especially anime. Nothing will come out of either parings anyway.
Airing shows will come and go but shipping wars are eternal.
That was the implication, yes
Because backing Ryumako obviously makes you a deranged yuri shipper.
We outright saw Mako ask Ryuko out on a date, while kissing her and intimately holding her hand. NO HOMO THO.
We outright saw Mako ask Ryuko out on a date, while kissing her and intimately holding her hand. NO HOMO THO.
From my understanding of it, in Japan, Mako's way of saying she wanted to take Ryuko on a date is a play on words, as it can be interchangeable to mean "spend time" or some such. Mako's comical slideshows is just what Trigger is always doing with her - puns, wordplays and exaggerated references.
Also, the trio are seen walking towards a corner with Sanageyama, Nonon and Houka being on lookout and Gama wearing a fancy suit and holding a bucket of flowers. Seems to me that they're trying to muster up courage in him to ask someone out, such as, I don't know - Mako?
The ships live - the doors are wide open!
Also, the trio are seen walking towards a corner with Sanageyama, Nonon and Houka being on lookout and Gama wearing a fancy suit and holding a bucket of flowers. Seems to me that they're trying to muster up courage in him to ask someone out, such as, I don't know - Mako?
The ships live - the doors are wide open!
Imaishi's final troll wasn't some shocking ending or incomprehensible stinger.
It was riling up the shipping factions in earnest.
It was riling up the shipping factions in earnest.
Pretty much.
Exactly, I don't know how pointing out the Goddamn obvious makes you a yuri-shipper.
Again, she kisses her and puts her into a boy's uniform.
The GamagoriXMako thing is extremely one-sided, he might be into her but she barely pays attention to him.
Except when he apparently died but she would have cried for anyone that way.
The GamagoriXMako thing is extremely one-sided, he might be into her but she barely pays attention to him.
Except when he apparently died but she would have cried for anyone that way.
The same level of logic applied to the Colbert racism scandal. "IT HAPPENED IN FRONT OF MY EYES SO IT MUST BE!"
I just expected it, given how campy/fan service
the show has always been.
Although tbh, I didn't need anyone to get together by the end. I sort of just wanted more from the characters beyond the final fight (just because I wasn't that invested in the life fiber plot, and they already set up Ryuko + Senketsu to be the ultimate solution.)
Blargonaut
Banned
Just finished up, loved it! Had a real coming-of-age vibe throughout the whole thing, and Senketsu's speech during the
part confirmed it for me.
I really loved the initial episodes up to the
, those had an over-the-top but somehow still grounded, everyday sort of feel to them (like a glimpse into living in KLK's universe).
Personally, among my favourite shows I rank it as:
1. Gurren Lagann
2. Space Dandy
3. Samurai Champloo
4. Kill la Kill
5. Planetes
Honestly, my only critique is that the entire plot felt waaaaaaay too rushed, but that's to do with episode length and amount more than anything. I wish Trigger could redo all of KLK, but with all these 24 episodes' story spread over 2 seasons instead: season 1 about Ryuuko dealing with Satsuki and Honnouji Academy, and season 2 being the whole takedown of Ragyo, REVOCS and the Life Fibres. Go into more detail with Hououmaru, Tsumugu and Nudist Beach.
Maybe call it Rekill la Kill.
oribital re-entry
I really loved the initial episodes up to the
destruction of Osaka
Personally, among my favourite shows I rank it as:
1. Gurren Lagann
2. Space Dandy
3. Samurai Champloo
4. Kill la Kill
5. Planetes
Honestly, my only critique is that the entire plot felt waaaaaaay too rushed, but that's to do with episode length and amount more than anything. I wish Trigger could redo all of KLK, but with all these 24 episodes' story spread over 2 seasons instead: season 1 about Ryuuko dealing with Satsuki and Honnouji Academy, and season 2 being the whole takedown of Ragyo, REVOCS and the Life Fibres. Go into more detail with Hououmaru, Tsumugu and Nudist Beach.
Maybe call it Rekill la Kill.
Did you really just go there? Fucking seriously?
Just finished up, loved it! Had a real coming-of-age vibe throughout the whole thing, and Senketsu's speech during thepart confirmed it for me.oribital re-entry
I really loved the initial episodes up to the, those had an over-the-top but somehow still grounded, everyday sort of feel to them (like a glimpse into living in KLK's universe).destruction of Osaka
Personally, among my favourite shows I rank it as:
1. Gurren Lagann
2. Space Dandy
3. Samurai Champloo
4. Kill la Kill
5. Planetes
Honestly, my only critique is that the entire plot felt waaaaaaay too rushed, but that's to do with episode length and amount more than anything. I wish Trigger could redo all of KLK, but with all these 24 episodes' story spread over 2 seasons instead: season 1 about Ryuuko dealing with Satsuki and Honnouji Academy, and season 2 being the whole takedown of Ragyo, REVOCS and the Life Fibres. Go into more detail with Hououmaru, Tsumugu and Nudist Beach.
Maybe call it Rekill la Kill.
None of those others are better than Planetes. None.
I'm outta here.
what a weird list.
anyways, I thought the ending was pretty good. very Go Nagai, as stated earlier. I thought that
Senketsu's death
all in all, pretty good show... worth watching.
Blargonaut
Banned
Just my own ranking XD I really like Planetes, it's one of the big reasons I'm taking engineering. I'm a huge fan of random strangers/friends going on crazy adventure-type shows, and the ending of Planetes
kind of depressed me
Come to think of it, Gurren Lagann's ending
also depressed me... :/
She also thinks Life Fibers are Xenomorphs. The slideshows are exaggerations based on word plays and definitions. What kind of date is rushing along to hang out and bringing your friend's sister along for that matter?
Ironically, the first time any sort of fuel was added to the Gama and Mako shipping was on Mako's own accord - Mako was the one who got upset at Gama for not taking care of his own well being and sleeping habits in Episode 4.
Ironically, the first time any sort of fuel was added to the Gama and Mako shipping was on Mako's own accord - Mako was the one who got upset at Gama for not taking care of his own well being and sleeping habits in Episode 4.
Similar threads
- Locked