I still have no idea why people have a problem with Clark turning to the Church for answers. He grew up in the South, people go to church there. A lot.
i only take issue with the blatant jesus over clark's shoulder
I still have no idea why people have a problem with Clark turning to the Church for answers. He grew up in the South, people go to church there. A lot.
That's a weird issue to take with the movie. It helped illustrate how genuinely lost he was, but seeing him unable to find conventional wisdom through the church but forging new territory with the minister on their mutual understandings of their roles in the world was still pretty strong.
I wish it was a little less nail-on-the-head, though.
Because if he was like a robot he wouldnt think of revenge, he did have free will but like Gattaca showed some people can be created to live a purpose, of course when the purpose is finished, a robot will not seek revenge he will get confused and get destroyed or shut down. Revenge is not a robot emotional response it is a response of someone who can be willed into something else.
Donners zod had the same purpose as snyders except donners zod wanted revenge on jor el while snyders wanted to protect krypton way of life
i only take issue with the blatant jesus over clark's shoulder
depictions of jesus in a church? you don't say
Zod in II had revenge as a motive. New Zod did not. He was programmed to protect Krypton and that's all he is doing.
Can't believe how the analogy simply flies over your head. I understand you love the movie, but come on.
Where did I say I found the Donner/Lester version fleshed out? In fact, I stated that they never got into his back story. All I said was that new Zod is, for all intents and purposes, a robot.
Nothing is flying over my head. I understand that Jesus framed in the background is symbolism for Superman being a messianic figure. I didn't find it to be as on-the-nose as you say .. nothing as on-the-nose as spider-man 2 for example.
How about after Jor-El tells Clarkpose?he can save everyone (which he pretty much does the exact opposite of lolz) and Clark does a 10/10 Jesus-on-the-crucifux
Or how about when they specifically call out that Clark is 33 years old?How about after Jor-El tells Clarkpose?he can save everyone (which he pretty much does the exact opposite of lolz) and Clark does a 10/10 Jesus-on-the-crucifux
I did one very stupid thing back then. I kinda went with the crowd on hating this flick because idunno, I was young and new to the internet-geek thing and kinda took shit most people said for granted.
"Revenge" for what? Being imprisoned by Kal's father? All Zod wanted to do was rule. Rule everyone .. Krypton, Earth, the world. Whoever. His motivation is all surface and the character is nothing but an archetype.
"Revenge" for what? Being imprisoned by Kal's father? All Zod wanted to do was rule. Rule everyone .. Krypton, Earth, the world. Whoever. His motivation is all surface and the character is nothing but an archetype.
I mean hell... Returns manages to make Kevin Spacey seem like a bad actor.
Like Singer is over there telling him "Do the shittiest impersonation of Hackman/Lex as possible."I thought I was crazy because it appeared that I was the only one thinking this.
I'm not saying either version of Zod is better. I'm just saying all this talk about new Zod supposedly being so much deeper isn't really the case.
Yeah? And? That changes not one thing about what I said.
Zod in II had revenge as a motive. New Zod did not. He was programmed to protect Krypton and that's all he is doing.
Dull as fuck?!
At least it doesnt have a shitty blue filter that mutes all the colors.
Oh and lens flare and lots of excessively bright backdrop lighting. You gotta have those these days.
Superman Returns is the best looking Superman movie yes. Snyder fucked up Man of Steel's look by going with the trendy "bleak/filter" crap that makes no fucking sense in this case.
edit:
Now THIS is fucking dull cinematography
Then ignore it and look at these
Same thing
Yes it does. Even talking about it simply, his mission was over, he failed so he should have quit but he didn't. Even on that base level he was more than a "robot". He was a real character with real motivations.
Yes, he says it specifically when he finds out who "Superman" is. And then the scene ends with Hackman yelling, "Revenge!" The ruling stuff is all the camp stuff that comes along the way. I'm not saying either version of Zod is better. I'm just saying all this talk about new Zod supposedly being so much deeper isn't really the case. They're equally flimsy IMO. It's just that revenge is a classic motivation that most people can relate to.
Maybe they should try a robot in the sequel.
They can even get Shannon back to make it believable.
Yes... I noticed how big of a change "I'm gonna kill you all" was to "I'm gonna kill you all" at the end.
It just showed how deep the character was. Much more than a robot for certain, since a robot would've stopped after he had failed. Imagine how cool though it would've been if the robot was unstoppable and the only way Superman had of stopping him was to end all Kryptonians? That would've brought an interesting question to Superman.
Maybe they should try a robot in the sequel.
Yes it does. Even talking about it simply, his mission was over, he failed so he should have quit but he didn't. Even on that base level he was more than a "robot". He was a real character with real motivations.
Sounds more like a robot going into meltdown mode if you ask me. And I wouldn't call it a "mission" either. He saw it as a duty, not a mission. That's what he was made for.
Yes... I noticed how big of a change "I'm gonna kill you all" was to "I'm gonna kill you all" at the end.
It just showed how deep the character was. Much more than a robot for certain, since a robot would've stopped after he had failed. Imagine how cool though it would've been if the robot was unstoppable and the only way Superman had of stopping him was to end all Kryptonians? That would've brought an interesting question to Superman.
Maybe they should try a robot in the sequel.
I don't think the villain needs to "change" or to have an arc, necessarily; we just need to understand his motivations clearly, and understand exactly why, from his perspective, he feels he is right.
Take Khan. He doesn't undergo a character change, but is a great villain. We understand his motivations, we see his anger, his heartache, his pecs, and his desire for revenge, because he is given the time needed to build his character.
I think Shannon did a fine job with the material he was given; however, compared to a villain like Khan, it felt like Zod had a sliver of screentime. We have several instances where his motivations are stated and glimpses into his psyche, but the movie feels like it isn't really interested in developing that or exploring his character. We get shades of a genocidal monster, as well as his love for Krypton and his people, but they feel like more of an afterthought. I really wanted to see more of Zod.
I thought Perry was about to leaveJenny, hence his tearful eyes; he was saying sorry.
didn't look like that in my theater. Rfeturns looks like most of it was filmed in a back lot.
I thought that briefly but it's not like he had anywhere to go.
What exactly are you people asking for here? For me, an effective villain has a base "want" or "goal". Something that I can latch onto so I at the very least know the what and the why. Having some well thought out backstory that explains all motives can be poorly handled. Look at Joker vs Talia in the Batman movies. Talia had aaaaallllll this backstory and she was still completely ineffective as a villain. I didn't give a shit. Joker had ZERO backstory and he was a much more effective villain because I saw his "want" and could immediately get behind it and root for/against him because it was very clear. He was about as cardboard as you could get. Sometimes filling your story with "stuff" doesn't work and furthermore, sometimes it isn't even needed .
What are you talking about fillin up story? And the fact you even tried to compared to Joker is almost offensive.
Joker was funny, he was violent, he lied/or not about his past twice and the relationship he had with Batman developed along with the movie, as did his expression on his views of the world.
The character just came to life with each scene that followed. He was baiting and switching people... Zod has nothing like that. Zod was just this dudebro that was going to kill everyone no fucks given, no questions made.
All you need from a villain is a "goal", well good for you my man. That's every villain ever. Does anybody know a Villain who has no goal? Just walks around and casually destroys stuff and shit.
I'm glad for you though, it certainly widens the range of stories you'll like. Or not I don't know.
He simply had a series of plans that he carried out. His "views" didn't change. He lied about his past so that makes him a good character? His violence and comedy made him more fleshed out? LMAO
C'mooonnnnn...
I reference little things and you simply try to discredit them with LMAO which is incredibly mature on you.
Joker had more screen time, we got to learn more about him. He changes throughout the movie. He actually has a relationship with Batman that is developed along the movie, AND changes. He's not a simple stupid empty character like Zod.
Not only was Joker a much better written character, he was 10 times more compelling. Or don't you understand that?
Because if you don't understand how Joker makes Zod look like a 5 year old wrote him, then I got nothing else to say man.
Sounds to me like you just want every villain to be joker.
Really that's what I said? I brought up Joker?
Jesus Christ.
Sounds to me like you just want every villain to be joker.
Really that's what I said? I brought up Joker?
Jesus Christ.
Well bring up another compelling villain.
Yep. and to pass his opinion as the only one to holds weight.
Comic book movies? Loki, Ras Al Ghul, Magneto... just from the top of my head.
Zod in II had revenge as a motive. New Zod did not. He was programmed to protect Krypton and that's all he is doing.