Movies that work on as many levels as possible

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jadedm17

Member
Im gonna say Breaking Bad even though its a show just because it fits so perfectly; As an increasingly hard to please cynic who can nitpick anything i have to say Breaking Bad is perfection in every scene. Sure, some things are pretty over the top, but it fits and every scene you learn something and every character choice makes complete sense to their motivations. I can never say enough good about this show.



You're asking for the wrong thing, OP. You should instead be asking where you went wrong and why you don't trust directors. You gotta be willing to suspend your disbelief, man.

This, to a point.
 
r/iamverysmart

Sorry that you can't find movies that can match your massive intellect, OP. Guess you'll have to find a new hobby, like following fellow verysmarters on Twitter. Here's a link to get you started. NdGT Twitter
 

Chichikov

Member
FYI - when most people say that a movie works on many levels, they usually mean something else.

Anyway, you seem to want movies that are realistic as possible, such movies exist, but generally, most movies don't strive to such levels of realism. There is of course a range to this, it goes from films that are completely fantastical to pretty grounded yet still existing in a "movie world".
Whether that's a good or a bad thing, well, I don't have a definitive philosophical answer, but if I would make a list of my 100 favorite movies, there would not be too many movies that went for realism above all (though there will be some).

Edit: oh, I think Dogme 95 was an attempt to go after what you're talking about. I also think it's a complete failure from a cinematic perspective and it produced nothing but awful films, but maybe you should give it a look.
 

Iceman

Member
I mean, not even Shakespeare's going to be good enough for OP. That was written for the dirty masses.

With that said, I'd suggest a recent example that would satisfy you would be Manchester by the Sea. It goes for a fly on the wall approach to a very realistic depiction of grief. Seeing as how you appreciate Spotlight, OP, you're not above drama associated with tragedy, and this work of fiction falls neatly in line.

Super depressing though.
 

clemmy

Member
Off the top of my head: Y tu Mama Tambien, City of God, Fargo and There Will Be Blood might fit the bill? Very truthful characters in those films I think.

I'd say Baraka > Samsara though!
 

PantherLotus

Professional Schmuck
I want to, but I'm far too intelligent to suffer foolishness in movies when it doesn't need to be there. Maybe the masses will swallow that slop, but I won't.

LOL you are trying so hard. If you were as intelligent as you profess you'd understand the basic cultural expectations around discussing your own intelligence. It's a real challenge for the MENSA set, and is as useless as a strong bicep without an equally strong tricep. Shorter: IQs over 140-150 are mostly useless to society.

Probably should've saved some points for charisma, constitution, and dexterity. As is you'll live a wasted, unhappy life and you'll never know why. Enjoy!
 

Grizzlyjin

Supersonic, idiotic, disconnecting, not respecting, who would really ever wanna go and top that
And now you arrive at my point. Aside from a few films in the criterion collection (more or less), movies, like video games, are for those with sophomoric intellects. From a young age I've been cursed with a high IQ. I'm simply too intelligent to consume any media outside of plays, classical music and literature.

I read this in a mid-Atlantic accent.

So you're asking for a couple of different things. Holding up with regards to race, culture, etc will be few and far between because accepted feelings on that evolve over time. So somebody might have written what you're looking for 100 years ago, but none of us have ever heard of it. Maybe it never even got published.

Plot holes happen. Sometimes you need contrivances so the story works.

Also, our understanding of science is constantly evolving as well. What might have been accurate a decade ago could be totally wrong now. I don't think you can fault a film for that.
 
That's not what "to work on many levels" in terms of movies means, OP.

Such a narrow set of priorities ends you with structurally faulty, unevenly acted, wrongly paced, uninspiredly photographed movies with unbalanced emotional beats or lacking them.

In the end, that's how making a feature work on many levels works, and the structural points you thought they hinged on was actually just paint to protect it from rust.

That said, you should check Amour and A Separation.
 

daveo42

Banned
Maybe fiction isn't for you because it tends to be fantastical in one way or another. It's fucking fantasy. Suspension of disbelief comes with the territory. If you can't do that even a minor amount and enjoy the spectacle, maybe stop watching film all together. No one is forcing you to do so.

Primer. Samsara. Badlands. The Arrival (aside from some occasional idiotic moments, like the first time the professor is asked to translate the alien's voice on the spot in her office). Attempt to disabuse me if you can, but it will only make you look that much ignorant.

Having not seen Arrival yet I might be way offbase here, but that description of what is asked sounds pretty fucking realistic if you've ever dealt with, well, normal people. You're the expert and you should know everything on the spot because we hired you to be that kind of expert, so deliver is fairly common in real life.
 

butzopower

proud of his butz
I haven't seen it, but sounds like you want Stanley Kubrick's Barry Lyndon.

Primer is a real great movie, especially considering of the like 88 minutes they shot film for, 86 were used.

Also you sound like a total prick. Did you make this thread to ask for recommendations or to bait people into an argument? If the later, why be so disingenuous about it?
 

TissueBox

Member
Interesting request OP, I know many people will pro'lly find it fruitless but I like to humor the idea myself sometimes. Taking it seriously, I'mma just throw random names I think qualify closely...

Fresh (1994)
It's a Wonderful Life

Dissect these GAF!! (Half-serious, but it has been a while since I've seen these so. :p)
 
FYI - when most people say that a movie works on many levels, they usually mean something else.

This. Also, even considering OP's 95% trolling, his criteria is dumber and more arbitrary than what is commonly meant by "working on all levels" (a film that succeeds in both text and subtext). ((See: Robocop)).
 

PantherLotus

Professional Schmuck
You can pick any film apart, even the best films ever made. That's because they're art -- an imperfect medium for telling stories and expressing emotion. The challenge posed to the audience is to willingly suspend your disbelief in exchange for the director's promise that he or she will treat that willingness with respect.

So when Gladiator, set in 2nd century AD, accidentally includes stirrups (not invented until centuries later and when they came on the scene, changed warfare entirely), the audience can look past that because the director otherwise respected that suspension with a well-crafted, emotional tale regardless of historical accuracy. But had it been a pistol, or a machine gun, that would have been too far.

Just think you cannot approach art looking for it to work on "all levels." Imagine sitting in an ancient Greek theater, upset because it's just a couple people wearing masks that totally don't look accurate. LOL. Way to miss the point.
 

DashReindeer

Lead Community Manager, Outpost Games
After my initial negative reaction to this thread, I'm actually sad that OP seemingly disappeared. I wanted him to continue to mock us for engaging with him on a topic he created. Trolling is the basest form of humor. Was hoping he genuinely believed the things he said.
 

TissueBox

Member
Just think you cannot approach art looking for it to work on "all levels." Imagine sitting in an ancient Greek theater, upset because it's just a couple people wearing masks that totally don't look accurate. LOL. Way to miss the point.

Yeah this is exactly true. Once you pick apart 'art' for the sake of finding the work with the fewest seams, that is no longer caring for art, but for logical function as it pertains to you. It's more a personal thing.

That said as long as that's understood, then hey. There are folks who only look for certain things in movies and games unrelated to the overall artistic merit of them for instance, a certain infallibility may just be another one of 'em.
 
there is some insane irony in wanting movies to work on "as many levels as possible" and then demanding they actually only work on a few very harshly defined levels
 
And now you arrive at my point. Aside from a few films in the criterion collection (more or less), movies, like video games, are for those with sophomoric intellects. From a young age I've been cursed with a high IQ. I'm simply too intelligent to consume any media outside of plays, classical music and literature.

fucking lol, and i say that as someone with an extremely high iq, as if that matters.
chill the fuck out and get off your high horse. and badlands? really? where the characters do that because... they got bored and have the depth and characterisation of mopey teenagers? okay.

on topic tho: check out anything by Charlie Kaufman and any of Paul Thomas Anderson's films.
 
I want to, but I'm far too intelligent to suffer foolishness in movies when it doesn't need to be there. Maybe the masses will swallow that slop, but I won't.


And now you arrive at my point. Aside from a few films in the criterion collection (more or less), movies, like video games, are for those with sophomoric intellects. From a young age I've been cursed with a high IQ. I'm simply too intelligent to consume any media outside of plays, classical music and literature.

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Sephzilla

Member
After my initial negative reaction to this thread, I'm actually sad that OP seemingly disappeared. I wanted him to continue to mock us for engaging with him on a topic he created. Trolling is the basest form of humor. Was hoping he genuinely believed the things he said.

I think this was pretty clearly a troll / tag fish thread
 

noquarter

Member
And now you arrive at my point. Aside from a few films in the criterion collection (more or less), movies, like video games, are for those with sophomoric intellects. From a young age I've been cursed with a high IQ. I'm simply too intelligent to consume any media outside of plays, classical music and literature.
Wow, I thought Ignatius J. Reilly was a fictitious character, great to see he really exists. If you have the stomach for it, mind telling the story about your bus trip out of town?
 

VAD

Member
I would say The Prestige. The movie is about a magic trick and is a magic trick itself.
Arrival is also meta and a very good film.
 
the end of Holy Mountain has the main guy reveal that it's just a movie and they should go off to real life. that's about as real as you're gonna get.

the rest of the movie might struggle to meet OP's criteria.
 

TheXbox

Member
Inception. At first, they're in one dream. Then they're in a dream inside the dream. And so forth. Levels.

not sure if OP can handle it tbh, it requires a certain level of intellect to appreciate
 

EGM1966

Member
Kubrick is the man for you OP. Pretty much anything from Paths of Glory forward (well maybe not Spartacus he wasn't happy with script on that one).

Mad Max The Road Warrior too. It's even more realistic than the somewhat fantastical Fury Road (although Fury Road holds water well too).
 

daviyoung

Banned
you're talking about simple plot holes more than films that work on different levels, ie subtextual, contextual and intertextual plot and narrative devices

I wouldn't worry about the plot holes though, your giant head is big enough to block even the most gaping ones in the most turgid of blockbusters
 
Honestly?

Titanic_poster.jpg


It hits so many notes.

It's a period piece. It's an epic. It's an action adventure film. It's a drama. It's a romance. It has comedic elements. It's got top-tier special effects. It's a tear-jerker. It appeals to both young and old.

It's no wonder it did so well in the box office.
 
Recently re-watched Die Hard (again), and, baby, that film is solid! There's certain things you *may* take issues with, usually involving explosions, but from a story telling point of view, there's hardly a wasted scene. The characters all act logically, and it's just a good time. Heartfelt, too, if you're open to that kind of thing.

Yippee ki yay, mister falcon.
 
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