I think I agree with that Matt zoller seitz article tho, the show is at its best with its observations of society. Not the mystery of mr robot, frankly I think ep 9 took a lot of wind out of its sails tbh. That was my least favorite of the season. Thankfully we're all clear on Elliot's identity disorder so that mystery will no longer be a focus. I hope they chill with the Tyler durden dual persona thing tho, its already feeling tired
love the show. but where the fuck is the danish dude and who the hell were the asian guy at the end.
Pretty much, their views are as crazy as Ed Norton yelling at the mirror in 25th Hour (Which is actually what the Mr. Robot monologue at the end of the episode reminded me of), just lacking the power behind it.Really? Most observations seem pretty shallow and misguided to me, which is a thing that works because Elliot and his friends are so fucked up, that you don't really take them at face value.
Wait, so the main arc was about the hack? I thought it was about Elliot/Mr Robot. I loved that they skipped "pressing the enter key" and showed us the aftermath, it was a stroke of genius. I'm way more interested in the characters and how they function in the state of the world than actually seeing the hack. That would've been boring to watch.
Long shot of the limo in darkness made me think of Mulholland Drive.The long shot after the credits reminds me of something and I can't put my finger on it, I want to say Barry Lyndon but that feels wrong.
Wait, so the main arc was about the hack? I thought it was about Elliot/Mr Robot. I loved that they skipped "pressing the enter key" and showed us the aftermath, it was a stroke of genius. I'm way more interested in the characters and how they function in the state of the world than actually seeing the hack. That would've been boring to watch.
Really? Most observations seem pretty shallow and misguided to me, which is a thing that works because Elliot and his friends are so fucked up, that you don't really take them at face value.
For me the show relies almost entirely on the way it's shot and put together, instead of its writing.
A scene like the shoe store one with Angela felt so clumsy for example, the way they bulldozed into that little conflict exposition for her character, by having a weirdly candid store clerk.
And the show has several moments like that, but it also has the cool title cards, with the cool music, and the episodes like the dream one, and so on and so forth, that make it feel special compared to a lot of shit on TV.
You could say this for many other shows, from Breaking Bad to The Knick, but this is on a whole other level for me.
Not even trying to slight it, i don't think writing is necessarily the most important element of a tvshow/movie (otherwise i couldn't love Argento movies, for example) but i guess TV is more reliant on it than a movie is, so the flaws will come out more prominently, sooner or later.
I'm pretty sure whatever happened during the three day time skip will become central to whatever the second season will be about. They didn't skip over the launch to devalue the moment but probably because whatever happened between Elliot and Tyrell was too significant and necessary to keep hidden for the time being.
My silly theory:
The one knocking at Elliot's door at the end is Tyrell. It is later revealed in the season that Elliot probably killed Tyrell with the popcorn gun during the launch, and Elliot's guilt over committing the murder has made him create a Tyrell like persona to cope with it much like with his dad.
That was my first thought.I'm pretty sure whatever happened during the three day time skip will become central to whatever the second season will be about. They didn't skip over the launch to devalue the moment but probably because whatever happened between Elliot and Tyrell was too significant and necessary to keep hidden for the time being.
My silly theory:
The one knocking at Elliot's door at the end is Tyrell. It is later revealed in the season that Elliot probably killed Tyrell with the popcorn gun during the launch, and Elliot's guilt over committing the murder has made him create a Tyrell like persona to cope with it much like with his dad.
Ah, damn. I'm concerned your theory is exactly what they will do, andI really do not want them to go to that well twice.
There has been no indication that they are going to do a Mr. Robot type deal with Tyrell. None whatsoever. Could it happen? Sure, but there's been no sign of that happening yet and maybe in the first 10 minutes of season 2 we'll see that Elliot did kill Tyrell and now he exists only as an hallucination. I would be initially disappointed in that, but I would want to see if they anything different with Tyrell in terms of execution. Honestly though Elliot hallucinating Tyrell due to feeling guilt over killing him (this is all just speculation) seems like a weird idea to me. I mean Elliot and Tyrell didn't have very many interactions this season.
I'm thinking Tyrell is alive and he's going to double cross Elliot to get back into Evil Corp.
Any of what you said is entirely possible. I agree. It's just one of those things where you read someone's theory and think to yourself, damn I could see how they could *think* that's smart but then have it fall flat in execution. We'll see, for sure. I'm trying to keep an open mind, I just don't want them to go to the "he was in my head all along" reveal well again. Once is good, and it was handled pretty well I thought, but more than once is not so good, typically.
I'm pretty sure whatever happened during the three day time skip will become central to whatever the second season will be about. They didn't skip over the launch to devalue the moment but probably because whatever happened between Elliot and Tyrell was too significant and necessary to keep hidden for the time being.
My silly theory:
The one knocking at Elliot's door at the end is Tyrell. It is later revealed in the season that Elliot probably killed Tyrell with the popcorn gun during the launch, and Elliot's guilt over committing the murder has made him create a Tyrell like persona to cope with it much like with his dad.
- Matt Zoller Seitz for NY Mag: Why Mr. Robot Is Not a Great Show (Yet)
Here’s the thing, though: As much fun as this sort of thing is, and as much comfort and joy as it might give “fan theory” junkies who see movies mainly as puzzles to be solved and conquered rather than engaged with as emotional and aesthetic objects, I could not be less interested in the outward manifestations of Elliot’s breakdown and denial — not because I don’t care about Elliot (I do care very much, mainly because of the hilariously dry narration and Malek’s uniquely tortured performance), but because all this is the least original thing about Mr. Robot.
I have no idea how the show’s cultural and technological jokes and references will date (probably quickly, and badly; that’s how this sort of thing tends to go), but I love them.
I don't see any way Tyrell is going back to Evil Corp. He already ruined his chances with the CEO (if not with the outburst, then surely the pathetic begging that followed), and he's still the primary suspect in the murder.
That Joanna scene, good lord. There are no words. Watching her quietly become the most terrifying character on the show has been a ride. Really, for a show with a young and misanthropic male protagonist and a central theme that could have easily fallen into the traps of angry misogyny or myopic masculinity, I think they've done a surprising job of keeping the female cast interesting and subtly delineating character development for everyone. Angela's understated (and underappreciated) character arc is a prime example of this, but Krista, Joanna, Darlene - all some of the more memorable people here.
I don't see any way Tyrell is going back to Evil Corp. He already ruined his chances with the CEO (if not with the outburst, then surely the pathetic begging that followed), and he's still the primary suspect in the murder.
Poor Shayla, forgotten already
That Joanna scene, good lord. There are no words. Watching her quietly become the most terrifying character on the show has been a ride.
I don't see any way Tyrell is going back to Evil Corp. He already ruined his chances with the CEO (if not with the outburst, then surely the pathetic begging that followed), and he's still the primary suspect in the murder.
Too corny.I'm pretty sure whatever happened during the three day time skip will become central to whatever the second season will be about. They didn't skip over the launch to devalue the moment but probably because whatever happened between Elliot and Tyrell was too significant and necessary to keep hidden for the time being.
My silly theory:
The one knocking at Elliot's door at the end is Tyrell. It is later revealed in the season that Elliot probably killed Tyrell with the popcorn gun during the launch, and Elliot's guilt over committing the murder has made him create a Tyrell like persona to cope with it much like with his dad.
I was heartened when Esmail said on a podcast he wasn't particularly interested in Vera's story. He said something to the effect that people responded to Vera being a strong character and he felt that he's capable of making strong characters in future and there's no reason to hold on to this character or that just because they're established.
Yep. As a programmer, the encryption of the data instead of deletion immediately jumped out at me. I guess there's a chance it was done to sound more menacing to the audience, but I doubt that given the relative accuracy of the tech in other episodes.I'm willing to bet he has the encryption key, will save ECorp in some terrible bargain, and get backstabbed after he hands over the key.
Well, step 3 may take some seasons. But 1&2 are happening.
There's really no need to encrypt some data instead of scrambling or wiping it.
Yeah, Joanna doesn't have a soul.Joanna Wellick will simultaneously haunt and enchant my dreams from now on . Christ Jesus at that scene with Elliot.
The best Joanna moment of the season was when she drinks the glass of wine when no one's looking at the dinner party.
Did we ever get a translation of what Joanna said to Elliot?
Finale was pretty good, biggest dissapointment was that Angela didn't get killed off.
Is Tyrrell's wife the most terrifying character on television?
Joanna Wellick will simultaneously haunt and enchant my dreams from now on . Christ Jesus at that scene with Elliot.
The Beautiful Face of Evil
I agree with this, but it's gonan be tough to keep Christian Slater around, if they don't find a balance in the Elliot/Mr.Robot rapport.It's one of the more entertaining things about the show for me. I'm alrwady over this mr robot is Tyler Durden stuff and I hope we see less of what that was in the cyber cafe
That Joanna scene, good lord. There are no words. Watching her quietly become the most terrifying character on the show has been a ride. Really, for a show with a young and misanthropic male protagonist and a central theme that could have easily fallen into the traps of angry misogyny or myopic masculinity, I think they've done a surprising job of keeping the female cast interesting and subtly delineating character development for everyone. Angela's understated (and underappreciated) character arc is a prime example of this, but Krista, Joanna, Darlene - all some of the more memorable people here.