I intend no disrespect, but Roddenberry's Trek died with it, and holy hell was it better for it..
I sharply agree.
Sharply.
I intend no disrespect, but Roddenberry's Trek died with it, and holy hell was it better for it..
Ultimately, I attribute it to the setting first and foremost, which is amusing given that many folks who have not given it a fair shake find the idea of a "static" scenario to be a tremendous turnoff. (Indeed, this was a big criticism at the time of airing.)
It was ahead of its time and is still very relevant today. I intend no disrespect, but Roddenberry's Trek died with it, and holy hell was it better for it.
You mean people didn't like how DS9 concentrates on relatively the same location?
Wait, Roddenberry's Star Trek died with DS9? How is the series all the better for this?
Roddenberry seems to have started to drink his own Kool Aid during the years between TOS and TNG. Progressive ideas like the multi-cultural bridge crew turned into these lofty peaceful ideals that really weren't anywhere in the original series and were terrible for drama.
If I recall correctly, he wasn't allowed anywhere near any of the TOS movies after the first one, which explains part of the difference between TMP and WOK.
The first season doesn't help matters. When it debuted, DS9 had a shaky pilot that promised a lot of development, followed almost immediately by a whole slew of TNG-lite episodes.
If I have a big complaint about the first season, it's that a lot of the plots (particularly in the first half of the season) feel like they would have worked just as well on TNG. Between that and using the wormhole mainly as a way to bring in the Alien of the Week, it felt like they hadn't figured out how to use the setting yet. I can still enjoy those episodes for their character development, but it wouldn't be clear at this point just how much DS9 would bring to the table that was really new and fresh for Trek.
Some of those S1 scripts were retooled TNG ideas. There was a real fear at the studio that the world wasn't ready for a space show with tons of serialized elements, and it had to be convinced over time.
Yeah, I seem to recall Marina Sirtis complaining about DS9 stealing good TNG stories but I can't find any quotes to that effect right now. Certainly she was no fan of DS9.
Goodness, no. I wish I could find the link (on second thought, wish is a strong word) but she recently criticized it yet again, even.
Hey, nothing but the best for ya, Marina, but if you thought "Move Along Home" was a worthy TNG idea shamelessly stolen by the brigands of Terok Nor, maybe we all need to re-evaluate the strength of the average TNG idea.
Wait what?
What has she said about DS9?
That it stole TNG stories, that it was comparatively dull, that her show was the "real" show... a lot of it seems to stem from her being relatively unhappy with TNG ending when it did. Much of the cast and crew was glad it didn't just speed on into decade-length drivel, that it went out on the top of its ratings threshold and with a reasonable degree of goodwill. Mrs. Sirtis has always wished it kept going, and I hypothesize that this has factored into her perception of DS9.
Huh. I really like that one.
I'm not sure if my idea of good Trek runs contrary to what others find to be good Trek or what, but I hated it. I've hated every episode I've seen in season 7 so far even going down the list of suggested episodes posted before.
I doubt your idea is totally removed from mine. You like strong characterization and ongoing story arcs that are given their just dues, right? Real "space opera" fare? That's me in a nutshell; there are just some assorted one-off TNG-style eps which I also dig.
Yes!
One offs aren't inherently bad either. A good one off example would be The Survivors. Or the episode where there's a malfunction at a Federation monitoring post and an alien civilization thinks they're Gods. Or the one where Data has to convince a planet that is going to die to evacuate. Where the mystery is worth solving and isn't just a bunch of random bullshit.
Sometimes you need them to pad and give the universe texture, but it rarely ever really does. Honestly, I can't blame some people for thinking Star Trek is boring.
I am near the end of S5 of DS9 and while I love nearly every episode, each credits roll is one step closer to never seeing these characters again. Damn. The plot lines are wonderful.
TNG I am watching through simultaneously, but right now I am only halfway through S1, so it is just okay.
Me neither. I hear you. I think part of it may be that you're just so burned-out on TNG, but I'm pretty much with you on all this. My perfect Trek would be something even more serialzied than DS9 that is still eager to hop in and tell several one-off world-building stories that are worth a damn every season.
<3
Do what I do and find friends to introduce to Trek every few years.I've converted like 20 just in my area! It gives me the excuse to rewatch DS9 every once in a while, and to do so with fresh eyes beside me.
It is hard going from the peak of DS9 to the worst seasons of TNG, though.Love this show so much.I mean the Cardassians just joined the Dominion! What the fuck!
Yeah, I don't like Riker at all. Always smiling, brown-nosing bore. But he does good in that episode and that one with the play.
snip.
I watched the first 3 episodes of the original seires with my wife. After we were finished, our conversation went something like this:
Her "We're not going to watch all of them are we?"
Me "Fuck no"
Her "Thank christ"
Although we may try the first episodes of other series when we hit a show drought again some day.
Lower Decks - Top 5 best TNG episode. This is the bulk of what TNG should have been. The amount of unused characters such as Ogawa is downright criminal and it's a shame it took them all of this time to put personality to paper and actually give her a story. Same for the others. TNG is a case of a show that doesn't take full advantage of its setting. It had a huge benefit over TOS in a narrative sense in that it's a peace keeping vessel with families and children and nurseries on board. But rarely are these areas explored. Instead of exploring the mundanity of the 24th century, TNG wallows around and kicks rocks inside Holodecks, giving us crappy Sherlock Holmes episodes. TNG has a setting unique from TOS, and never takes fully advantage of that until this episode. If the direction were more of a ship-wise story, BSG-style, that told to tell of people on the Enterprise no matter of station or rank or even whether or not they were in the Federation, the story would be better off. As it is, mostly stands as wasted potential. Lower Decks shows a more human, and character-based TNG that hints at potential that was never truly realized.
A shame.
Riker hate? What? Love me some Riker, every captain needs someone they can trust to do the right thing.
I still don't get why people say skip S1 of DS9. It may have a clunker or two but it's also got one of the best episodes in the entire series.
Riker hate? What? Love me some Riker, every captain needs someone they can trust to do the right thing.
The Lower Decks could hold the key to Trek's future.
IMO, this is the tone, writing, and type of setting that the new series should strive for.
I'm currently on my 3rd (or 4th, can't remember) run through of DS9, my favorite Trek.
Loving it as much as always. Just finished off the 2 parter that introduces the Maquis near the end of S2. Great stuff. I love every character for a different reason, they really are well written.
I think I'm on my sixth or so? I know people who make it a yearly thing, though, and they haven't missed a year. That's too much DS9 even for me. >_>
First Born - First episode of Star Trek to make me cry. A+ episode.
Maybe not A+, more like B+. But definitely better than The Pegasus and other episodes.
I'm not exactly why people dislike Alexander so much.
He tends to be a cliche and a plot device more than a character. And the kid who plays him isn't a very good actor. Most of what makes "Firstborn" work to the extent it does is the actor who plays adult Alexander, James Sloyan.