telos954 asked: From what I can make of it, racism isn't such a HUGE thing in the GB series. We have instances of people using 'night skin' in arguments (like in the flashback portions of RoT) but there doesn't seem to be segregation or any racially motivated crimes (at least in focus). For the most part, anything similar seems to be more a culture / nationality based thing instead of race. Is this because racism is a smaller problem in the GB universe, or is it just not in focus as much as the other conflicts?
SL: Part of what I’m trying to do with this milieu is neither forget real-world problems nor dwell upon them to the point of reader oppression. Because this is a fantasy environment and a sociology that doesn’t need to spring purely from our actual cultural baggage, I am both allowed to and (imho) obligated to deliver some goddamn wish-fulfillment. While the people of Locke’s world can certainly be vicious, short-sighted, and hateful, I’m squarely opposed to the notion that they need to display perfect analogs of our prejudices. I don’t believe our prejudices are permanent or inevitable.
I have difficulty (to provide just one example) with fantasy milieus that, even in the possible service of trying not to ignore important issues, pound the oppression and sexual violation of women into every crevice of the text. This creates a sharp divergence in the reader experience; for readers like me the message is “you can be a central character in a cool adventure, go be brave!” and for people less forthrightly in possession of a Y chromosome the message is “everyone who looks like you might be raped or abused at every turn, go be nervous and agitated!” You don’t need a fucking fantasy novel to help you feel oppressed. You have the fucking news to do that for you.
Same goes for the issue of skin color in Locke’s world. Sure, I could write sharper elements of racism into the books (and there may be instances of such here and there, don’t take this as a blanket refusal to engage with the subject), but then what’s the subtle message? “People who look like Therins or Vadrans, you’re free to imagine yourselves having adventures in this imaginary world, but people with darker skin– sorry, everywhere you go, even in fiction, I’m going to follow you with the same shit you have to think about on the street every day of your lives!” Ugh. I believe I have a duty to the reader as an artist in general and a fantasist in particular, and if all I do is transpose the exact same set of nerve-wracking things you have to deal with in real life into my story, I’m failing you as a fantasist. I’m reinforcing the notion that there can be no progress for us, no respite for you. “Welcome to fantasyland, marginalized folks… where you’ll find the exact same set of problems you thought you were leaving behind when you cracked open the book!”
I think the frictions I’ve built into the world are suitable and reasonable. The phrase “nightskin” is, in most circumstances, not an epithet. Most people in Therin society smoothly integrate with and are happy to work alongside Okanti or Syresti. Some are not. I don’t doubt that the solicitor Salvard was telling the truth in REPUBLIC when he said that many well-off Esparans admire and appreciate the night-skinned… “many” is not “all.” The fact that the portside community of black Esparans harbors distrust for the city watch testifies to that. So tension exists… but not overwhelming, inescapable tension. Not institutionalized, calcified, centuries-old oceans of racism that poison entire continents.
I want to write a fictional world in which a darker character and a lighter character can be in a scene together and just, y'know, have the scene actually be about shipping rates or cooking dinner or what have you, rather than The Burden of the Darker Character who is Darker and the Writer Will Never Let You Forget It. You don’t need a fucking white fantasist to remind you that racial tension exists. Jesus, were you ever in any danger of FORGETTING? But until I pounded it into the story again, you were perhaps in danger of relaxing and enjoying a fictional world in which some small things are less fraught and shitty than they are in our own. You were, perhaps, settling in to enjoy a human adventure, until I insisted, dark-skinned reader, that even your wish fulfillment should come with an extra set of weights. And so we see how even good intentions, if unexamined, can turn out to be condescending and oppressive… and I say fuck that, whenever I can.
On a final worldbuilding note, I should also mention one more salient feature of Locke’s world. Nobody has ever successfully colonized anybody else on a grand scale. The Syresti are a black people with arts and sciences equal to the Therins, who successfully resisted every attempt by the Therin Throne to invade them. The Okanti used to be on the same plane, but are now in the midst of a diaspora brought about by natural disaster. The Vadrans were able to seize the northern half of the Therin continent, but never could have pressed south to the population centers of the empire (and were too smart to try). We haven’t met them yet, but the cultures on the other side of the world aren’t set up to take anyone’s shit, either.