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Rottenwatch: AVATAR (82%)

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Well, I'm glad some people liked it. I still can't get past its flaws and clumsy pacing. Definitely the bottom of my Cameron list, T2 being the top.
 
JzeroT1437 said:
The ending was a breath of fresh air after the hour and a half of fluff that was given as an excuse for "development" at the beginning.

Ok, let me jump in here now. I am going to use your avatar for the argument. I LOVE Wall-E to death. I think it is a masterpiece. But you could simplify it's story even more than Avatar's to make it sound stupid and insipid. You could call that half hour opening without dialogue pointless without "development" or most of the movie if you REALLY wanted to nitpick.

But with Wall-E, it was the combination of how ALL the elements came together that made it magical. The story (simple yet effective), the visuals, and the sound.

Take another undisputed masterpiece of cinema, Jaws, and you can call that a simplistic and stupid story. Shark terrorizes local beach during the summer, three men vow to kill it. But the way that the story is presented is what makes it effective.
 
JzeroT1437 said:
They were horrible, dude. Did you see either?

Blah,blah,blah...more opinions.

The FACT is AVATAR is scoring high in exit polling meaning it will probably have decent WoM and legs. The problem with your opinion here is you are unwilling to be tolerant of the other people here who hold opposing views.
 
PhoncipleBone said:
Because the top critic scores remove all the fanwank sites. But of course, it also removes the Haterade sites as well.

Which makes me think, how do they classify Armond White?

He's a category unto himself. An institution, even.
 
PhoncipleBone said:
Ok, let me jump in here now. I am going to use your avatar for the argument. I LOVE Wall-E to death. I think it is a masterpiece. But you could simplify it's story even more than Avatar's to make it sound stupid and insipid. You could call that half hour opening without dialogue pointless without "development" or most of the movie if you REALLY wanted to nitpick.

But with Wall-E, it was the combination of how ALL the elements came together that made it magical. The story (simple yet effective), the visuals, and the sound.

Take another undisputed masterpiece of cinema, Jaws, and you can call that a simplistic and stupid story. Shark terrorizes local beach during the summer, three men vow to kill it. But the way that the story is presented is what makes it effective.

The difference is those films actually developed their characters past "Marine Grunt bad guy", "Chief's daughter", etc, etc. The reason Wall*E succeeds is its characters--by the film's end I care about them, much in the way Ebert did about Avatar. I never found anything to latch onto in this film though--just a bunch of flimsy stock characters with cliche lines.
 
tino said:
I am not least bit surprised by the debate. When Titanic was released, the good/bad movie debate was much more intense. I am glad I was around in rec.arts.movies.current-films , with my webTV terminal!!! Goof times, young 'un, good times.

Definitely, it's practically the same movie from a high level. Astounding effects, weak script, and 20 minutes too long.
 
ryutaro's mama said:
Blah,blah,blah...more opinions.

The FACT is AVATAR is scoring high in exit polling meaning it will probably have decent WoM and legs. The problem with your opinion here is you are unwilling to be tolerant of the other people here who hold opposing views.

That's not true at all. You guys were the ones completely recontextualizing my Michael Bay comparison and throwing it against me. All I've done is defend my opinion here. This film commits all kinds of cardinal sins of filmmaking. It's heavy in exposition, self-indulgent, cliche and has an underdeveloped story. There's not enough substance to justify its two hour forty minute runtime.

I'm glad you guys liked it, but to suggest it doesn't have its problems or deny why other people wouldn't like it is asinine.
 
GhaleonEB said:
I still don't know if it's realistic, but the arrows were just HUGE compared to humans, so they was clearly a large amount of mass - and force - behind them. They were going about 2/3 of the way through people. It was like getting hit by small tree trunks.

Size does not equal mass, though. Wood is not a very dense substance.....a child can probably pick up a stick the size of Avatar's arrows.

At this point though I'll note that the arrow argument is not really a criticism of the film, just a point of interest for physics/science dorks. Bullets have an advantage in terms of velocity, but arrows have an advantage in mass and size (in terms of area within which force is applied, smaller size is better). I'm kind of interested in what sort of mass and size it would take for an arrow to outperform a bullet, but am once more too lazy to research and run numbers. It'd be easier if I knew the surface area of an arrowhead versus the surface area of a bullet head, but naturally you'd kinda have to estimate the size of a Na'vi's areahead since they are nearly twice the size of humans.
 
JzeroT1437 said:
That's not true at all. You guys were the ones completely recontextualizing my Michael Bay comparison and throwing it against me. All I've done is defend my opinion here. This film commits all kinds of cardinal sins of filmmaking. It's heavy in exposition, self-indulgent, cliche and has an underdeveloped story. There's not enough substance to justify its two hour forty minute runtime.

I'm glad you guys liked it, but to suggest it doesn't have its problems or deny why other people wouldn't like it is asinine.

The Michael Bay comparison is out of line, though. That entire battle sequence made spatial sense, and the characters were discernible. You understood what was happening and why. That's more than Michael Bay can ever hope to accomplish.
 
border said:
Size does not equal mass, though. Wood is not a very dense substance.....a child can probably pick up a stick the size of Avatar's arrows.


Alien wood. Them trees is dense with spirits.
 
JzeroT1437 said:
That's not true at all. You guys were the ones completely recontextualizing my Michael Bay comparison and throwing it against me. All I've done is defend my opinion here. This film commits all kinds of cardinal sins of filmmaking. It's heavy in exposition, self-indulgent, cliche and has an underdeveloped story. There's not enough substance to justify it's two hour forty minute runtime.

I'm glad you guys liked it, but to suggest it doesn't have its problems or deny why other people wouldn't like it is asinine.

Us guys?

Haha...that's funny. When I gave my unsolicited take on the film, I pointed out things I didn't like (found laughable) but it didn't impact my overall enjoyment of the movie.

You sound 100% negative.
 
Tobor said:
The Michael Bay comparison is out of line, though. That entire battle sequence made spatial sense, and the characters were discernible. You understood what was happening and why. That's more than Michael Bay can ever hope to accomplish.

This is probably true. The explosions were still Michael-Bay-esque. That whole tree sequence was riddled with explosions. Though the action that circulated around it distracted from it, at times.
 
ryutaro's mama said:
Us guys?

Haha...that's funny. When I gave my unsolicited take on the film, I pointed out things I didn't like (found laughable) but it didn't impact my overall enjoyment of the movie.

You sound 100% negative.

That's because I didn't enjoy it. The only times I felt even the slightest attachment to the characters were when Jake "tames" his banshee. It felt like a waste of nearly three hours of my time.
 
JzeroT1437 said:
Inglourious Basterds. If it doesn't win, it will certainly be in the running for best pic.

I honestly have no idea what the Academy will do with Inglorious Basterds. Christoph Waltz for Supporting Actor is a shoe-in, but it is difficult to say beyond that. I think it has a much better shot at the big awards than Avatar does, though. Problem is that it was released months ago, and so many nominations go to December films.
 
JzeroT1437 said:
That's not true at all. You guys were the ones completely recontextualizing my Michael Bay comparison and throwing it against me. All I've done is defend my opinion here. This film commits all kinds of cardinal sins of filmmaking. It's heavy in exposition, self-indulgent, cliche and has an underdeveloped story. There's not enough substance to justify its two hour forty minute runtime.

I'm glad you guys liked it, but to suggest it doesn't have its problems or deny why other people wouldn't like it is asinine.
really? i think it was the suggestion that people who enjoyed avatar were 'mindless voyeurs' that caused issue.
i appreciate all forms of cinema and i was still able to be swept up by this one.

and michael bay wishes he could direct something as coherent as that final scene.
are explosions a michael bay trademark now? the film you claim as cameron's best - terminator 2 - is full of them. the truck chase, the cyberdyne building, the helicopter...
 
border said:
I honestly have no idea what the Academy will do with Inglorious Basterds. Christoph Waltz for Supporting Actor is a shoe-in, but it is difficult to say beyond that. I think it has a much better shot at the big awards than Avatar does, though. Problem is that it was released months ago, and so many nominations go to December films.


Eh--SAG threw it up for a ton of awards, which means it's in Hollywood's mind. Variety even ran it in the Variety Film Series in San Fran a few weeks ago. It's out there--I just dunno if it will win. I honestly hope it does.
 
JzeroT1437 said:
This is probably true. The explosions were still Michael-Bay-esque. That whole tree sequence was riddled with explosions. Though the action that circulated around it distracted from it, at times.

You could easily tell that it was a tree, and that missiles were headed towards it. Far more complicated than Bay is capable of.

Bay would have done a slow motion pan around Jake as missiles whizzed towards something, then the tree would have flipped end over end.
 
Tobor said:
You could easily tell that it was a tree, and that missiles were headed towards it. Far more complicated than Bay is capable of.

Bay would have done a slow motion pan around Jake as missiles whizzed towards something, then the tree would have flipped end over end.
don't forget some kind of Aerosmith/Linkin Park backing track.
 
julls said:
really? i think it was the suggestion that people who enjoyed avatar were 'mindless voyeurs' that caused issue.
i appreciate all forms of cinema and i was still able to be swept up by this one.

and michael bay wishes he could direct something as coherent as that final scene.
are explosions a michael bay trademark now? the film you claim as cameron's best - terminator 2 - is full of them. the truck chase, the cyberdyne building, the helicopter...

You're yet again twisting my words. It may help if you guys took the time to actually contextualize my comments. I said people who went to the film for the sole experience of being shown around the alien world of Pandora are nothing but voyeurs--which would be accurate. All you're doing is "viewing" a new world. It was in response to a comment which states that exact idea.

The explosions in T2 are well crafted pieces of action cinema. The explosion of "Hometree" was as clumsy as watching two Transformers shoot missiles at one another--there was no focus to the whole thing.
 
OuterWorldVoice said:
Alien wood. Them trees is dense with spirits.

Obviously their arrows are made of impossibilium, a substance naturally occuring in the trees of pandora. Its density is greater than that of dark matter! Of course that doesn't explain why a couple hundred missiles can bring down some lame giant tree, but whatever ;)
 
If it matters at all to this silly battle/Bay discussion, I'll remind people once again that a lot of the last battle sequence and most of the explosions in the film were done by ILM.
 
JzeroT1437 said:
That's because I didn't enjoy it. The only times I felt even the slightest attachment to the characters were when Jake "tames" his banshee. It felt like a waste of nearly three hours of my time.


OK, you didn't enjoy it.

The end?
 
Tobor said:
You could easily tell that it was a tree, and that missiles were headed towards it. Far more complicated than Bay is capable of.

Bay would have done a slow motion pan around Jake as missiles whizzed towards something, then the tree would have flipped end over end.


Hahaha--you're probably right. Still, the whole explosion of Hometree felt uneventful. It may have been the need to focus on the battle around it, but I didn't find it impressive in the least.
 
JzeroT1437 said:
Eh--SAG threw it up for a ton of awards, which means it's in Hollywood's mind. Variety even ran it in the Variety Film Series in San Fran a few weeks ago. It's out there--I just dunno if it will win. I honestly hope it does.
I would give Best Actress to Melanie Laurent over Zoe Saldanna easily....though I honestly can't think of many standout female performances this year. I'm not sure that Laurent would qualify as a Lead Actress though, since Basterds is pretty much an ensemble film.
 
JzeroT1437 said:
This is probably true. The explosions were still Michael-Bay-esque. That whole tree sequence was riddled with explosions. Though the action that circulated around it distracted from it, at times.

Having a sequence "riddled with explosions" isn't exactly what is meant by "explosions being Michael-Bay-esque".. I never thought the explosions were too much or unnecessary in this movie.. but hey - that is my opinion, and i'll have to live with being a moron and mindless voyeur
 
Tobor said:
"I Don't want to Miss a Thing" would have been perfect for the "I see you" scene. /tear
"what i've done" for after the
betrayal
scene where jake would sit on a cliff staring into the sun, steeling his resolve.
 
border said:
I would give Best Actress to Melanie Laurent over Zoe Saldanna easily....though I honestly can't think of many standout female performances this year. I'm not sure that Laurent would qualify as a Lead Actress though, since Basterds is pretty much an ensemble film.

All I can say is Christoph Waltz had better get best supporting character. If that happens I can deal with it losing Best Picture--though I would love to see QT walk away with the gold for once.
 
JzeroT1437 said:
Still, the whole explosion of Hometree felt uneventful. It may have been the need to focus on the battle around it, but I didn't find it impressive in the least.

I think so too. I remember thinking that despite all the film's technical wizardry, nothing really has the impact of when The Titanic broke in half as it sank.....even though it was intended to have just as much effect as that scene in Cameron's other most-recent opus.

It reminds me of the "Order 66" sequence of Revenge of the Sith, where a bunch of people mewled that it was the big emotional punch of the film and I was like, "What, watching a bunch of nameless Jedis get shot in the back by faceless Stormtroopers made you cry?" I guess it works for some people and not as much as others. I don't feel like enough was done to establish HomeTree's signficance and make you emotionally attach yourself to it.
 
JzeroT1437 said:
Hahaha--you're probably right. Still, the whole explosion of Hometree felt uneventful. It may have been the need to focus on the battle around it, but I didn't find it impressive in the least.

What was impressive to me was the polar opposite reactions to the tree's destruction.

The military Mercs (no connection to the land) were happy to be a step closer to their overall mission objective while the Na'vi were devasted to see their ancestral home and heritage destroyed.
 
ryutaro's mama said:
What was impressive to me was the polar opposite reactions to the tree's destruction.

The military Mercs (no connection to the land) were happy to be a step closer to their overall mission objective while the Na'vi were devasted to see their ancestral home and heritage destroyed.

So you were impressed because one side won and the other lost?
 
ryutaro's mama said:
What was impressive to me was the polar opposite reactions to the tree's destruction.

The military Mercs (no connection to the land) were happy to be a step closer to their overall mission objective while the Na'vi were devasted to see their ancestral home and heritage destroyed.

So, apart from a team of 5 people, all the other humans were one-dimensional characters.
 
ryutaro's mama said:
What was impressive to me was the polar opposite reactions to the tree's destruction.

The military Mercs (no connection to the land) were happy to be a step closer to their overall mission objective while the Na'vi were devasted to see their ancestral home and heritage destroyed.
NO REALLY
 
ryutaro's mama said:
Yeah that's exactly what I said.

Well I don't know what else you could mean. It's not like the "mercs" would be remorseful over winning their battle, given their background in the film, and one can hardly expect any race of people to be excited about losing their homes.

I don't really see what's compelling about two groups of people completely and utterly fulfilling basic expectations about victory and loss.
 
cartoon_soldier said:
So, apart from a team of 5 people, all the other humans were one-dimensional characters.
Sure they were. All their motivations were 1 dimensional as well- GREED.

That was the only reason the non-researchers were even there.
 
When Avatar was over, I wasn't thinking it had reached a level of deep meditation on conflict and genocide. I was thinking I saw an awesome spectacle of filmmaking, which is probably how it was intended.
 
ryutaro's mama said:
Sure they were. All their motivations were 1 dimensional as well- GREED.

That was the only reason the non-researchers were even there.

Well ya won me over. That's great writing if I ever seen it.
 
JzeroT1437 said:
Well I don't know what else you could mean. It's not like the "mercs" would be remorseful over winning their battle, given their background in the film, and one can hardly expect any race of people to be excited about losing their homes.

I don't really see what's compelling about two groups of people completely and utterly fulfilling basic expectations about victory and loss.

sigh...it was the way Cameron shot the scene that was impressive. He presented the reactions and buildup to he tree's collapse (and the aftermath) in a satisfying way for me, to the point where I had an investment in what was happening.
 
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