Count Dookkake
Member
It wouldn't be fair to try to compare Avatar against characters from a bunch of different movies. Just pick one that you think does a good job.
I think the characters in Avatar are on par with Cameron's past films. It's one of his most serious movies - a lot less comedy relief than his previous films and most movies on that list. I think Indiana Jones sets the bar for lead characters in adventure films, but the goal of that character is different from anything in Avatar.border said:I dunno, earlier somebody said "what popular adventure film can you claim does not have these problems", as if it's really so impossible to make an adventure film with compelling leads.
But just off the top of my head I'd argue that characters are done better in Indiana Jones, Aliens, Lord of the Rings, Star Wars Original Trilogy, Pirates of the Caribbean, Lord of the Rings, Titanic, Jaws, Iron Man, Back to the Future, etc. I'm not interested in judging AVATAR against Fellini or Orson Welles, but I think plenty of medium-to-big budget Hollywood productions have turned out better.
border said:If you're demanding that one be picked, then it'd have to be Indiana Jones then. He's funny, resourceful, and heroic while maintaining the sense that he's a vulnerable everyman. His one-liners never flop -- "Why'd it have to be snakes?" and "No ticket" will live on foreverHe has a set of values but isn't too self-righteous about it.
Completely disagree with you equating cinematography to visual effects but I accept your criticism of calling it a checkbox item. Obviously when it isn't done well it can certainly affect the quality of a movie. My point is my main requirement for a effects laden movie is that the effects be believable, so believable that I don't view it as an effect and concentrate on what I really care about: the story, the writing, and the characters.GhaleonEB said:Movies are first and foremost a visual medium; visuals are the reason we watch movies rather than listen to an audio play. Visual effects are just one type of visual element used to tell a story, like a prop or a background or lighting. Saying it's something to check off is like saying cinematography is something to check off. The Piano is one of my favorite films ever, and the heartbreakingly stunning cinematography is a big part of the reason why. Of that film I could start the sentence, "Cinematography should just be an added topping to a movie, something you checkoff but if you ignore the cinematography in this movie then you're left with...." but that would be exceptionally dim. Visuals are a part of a visual story telling medium, and dismissing it as a checkbox is simply strange. Especially in a film that's over 70% visual effects.
And just as Tarantino's dialogue (to cite your example) is a reason to see his films, Cameron's visuals are one of the main reasons to see his.
But to your last point: We're going to have to agree to disagree, though I feel like I'm agreeing to disagree with someone who asserts the sky is not blue. I can genuinely understand criticism of the films dialogue or characters - I disagree, but I understand and respect that viewpoint. Comparing the implementation of visual effects in Avatar to something from AotC or some Michael Bay excrement is simply wrong, on so many levels. :lol
border said:I don't think Neytiri or Jake is anywhere near Ripley.....as much as I liked some of Neytiri's snarling, I don't think it has half the effect of Get Away From Her You Bitch. And Paul Reiser is a much better as the sniveling Company Man.
I'd argue that the standout performances in LOTR do not really have analogs in AVATAR, which is another reason it's not a good comparison. Arwen and Aragorn have long segments, but the best part of the films are the Hobbits and Gandalf. Some of the periphery characters are really fantastic too though -- Boromir, Faramir, and that insane king played by the dude from Fringe.
I think LOTOR is worth mentioning if only because you feel much more drawn in to Hobbit society in just those first 30-45 minutes than you do throughout all of Avatar. The Na'vi are never more than stoic tribal types -- there's nothing folksy or lovable about them.
Combine said:Jake's preachyness was definitely over the top and unnecessary. The whole scene in front of that tree was not necessary at all. Again, it jarred me out of the experience when that stuff came about. He's definitely not a likable character at that point in the film, almost from then on out actually. I think he had more charm as a cripple![]()
Are you trying to say that that Jake character was a better one than Ford in Indiana Jones. :lolCount Dookkake said:Indiana Jones is a fine comic hero. Unfortunately, much of his antics (particularly the over-the-top stunts and one-liners) all too often remind the audience they are watching a character in a movie and not a real person. Also, he serves no great purpose in the plot. The Nazis would have been melted by God without his involvement.
Next.
ralexand said:Are you trying to say that that Jake character was a better one than Ford in Indiana Jones. :lol
Agreed that it was necessary. It could have been alittle more subtle but this is a movie devoid of subtlety.ryutaro's mama said:Naw, it was necessary...it showed his full transition to being on the side of the Na'vi. Remember, when he first got to Pandora, he was looking to help the military contractors to usurp the Na'vi in exchange for his legs. He thought that was was his cause/reason for for being there.
Over time, he finds another cause worth fighting for.
come on, the tree scene was horrible and totally unnecessary. plus, it came after he had already taken sides with the na'vi.ryutaro's mama said:Naw, it was necessary...it showed his full transition to being on the side of the Na'vi. Remember, when he first got to Pandora, he was looking to help the military contractors to usurp the Na'vi in exchange for his legs. He thought that was was his cause/reason for for being there.
Over time, he finds another cause worth fighting for.
Then spell it out for me. We're discussing Avatar vs. Indiana Jones.Count Dookkake said:Are you trying to tell me that you can't read? :lol
Count Dookkake said:Indiana Jones is a fine comic hero. Unfortunately, much of his antics (particularly the over-the-top stunts and one-liners) all too often remind the audience they are watching a character in a movie and not a real person. Also, he serves no great purpose in the plot. The Nazis would have been melted by God without his involvement.
ralexand said:Agreed that it was necessary. It could have been alittle more subtle but this is a movie devoid of subtlety.
we're talking about the 'talking to the tree' scene right? not the one where he rallies the na'vi around him with the big speech? i'm referring to the one where he hooks up his hair-thing to the tree and talks to it. horrid. :lolryutaro's mama said:How subtle should/could he have been? He was still an outsider trying to convince the Na'vi to trust him and at the point you are talking about, time was running out.
We're going to have to agree to disagree. I think there are a handful of bad lines in the movie, including the one you mention. But I think Cameron is an under-rated writer (which encompasses more than dialogue), and despite some clunky dialog (which exists in most of his movies) I think Avatar is strongly written. I also don't think he sacrificed story or characters for effects and action.ralexand said:As what has already been noted in this thread you don't have to sacrifice story and characters because of effects and action. Cameron did an amazing job of this in movies like Aliens and the original Terminator. The reality though is that Cameron just isn't a very good writer. Like that posted review noted would any competent writer include a line "Shock and Awe" especially after being beating your audience over the head with a sledgehammer about how this is supposed to be an indictment of rightwing conservative beliefs.
While I generally agree with your broad point, the bolded is an odd statement to make about a film that is being hailed as incredibly immersive; it's so successful in part because it's created such a believable world presents it in such a compelling way.border said:Well, I thought we were going to compare and contrast the merits of the specific characters. If you are just going to look for the most cynical way to dismiss whatever I name, then there's no point. I would however argue that if "reminding the audience that they are watching a movie" is a bad thing, then taking up the defense of a 80% CG film full of aliens is not congruent. People like heroes and archetypes, but they just like some archetypes better than others. You don't need a hero that's completely realistic, just one that's likable and relatable but still admirable.
border said:If you're demanding that one be picked, then it'd have to be Indiana Jones then. He's funny, resourceful, and heroic while maintaining the sense that he's a vulnerable everyman. His one-liners never flop -- "Why'd it have to be snakes?" and "No ticket" will live on foreverHe has a set of values but isn't too self-righteous about it.
By contrast Jake is just more bland, more preachy and very nearly becomes a god of sorts. Less relatable, less likable, more serious and more bound to his morals.
Scullibundo said:Bad comparison to make. The Na'vi are supposed to be the direct opposite of hobbits. We're first introduced to them as being dangerous and lethal. Of course they're not going to be coming across as folksy or lovable. They're characterised as strong-minded, where as the inhabitants of Hobbiton are primarily a weak bunch.
That's the one I'm talking about, where he "talks to the tree" and to Ewya. Not his "rally around me" inspirational speech, which I actually didn't mind at all.julls said:we're talking about the 'talking to the tree' scene right? not the one where he rallies the na'vi around him with the big speech? i'm referring to the one where he hooks up his hair-thing to the tree and talks to it. horrid. :lol
julls said:we're talking about the 'talking to the tree' scene right? not the one where he rallies the na'vi around him with the big speech? i'm referring to the one where he hooks up his hair-thing to the tree and talks to it. horrid. :lol
border said:Well, I thought we were going to compare and contrast the merits of the specific characters. If you are just going to look for the most cynical way to dismiss whatever I name, then there's no point. I would however argue that if "reminding the audience that they are watching a movie" is a bad thing, then taking up the defense of a 80% CG film full of aliens is not congruent. People like heroes and archetypes, but they just like some archetypes better than others. You don't need a hero that's completely realistic, just one that's likable and relatable but still admirable.
i get why it's there, but it just feels like it's directed at the audience. "see? see what you're doing to earth? stop it!" (and its the lead in to the disney-scored explosion of rhinoceroses later on.ryutaro's mama said:OK, I thought you were referring to the scene where he is speaking beforethe destruction of the Hometree
Yeah, the one you're talking about is a little preachy but remember, this scene is important because it shows that Jake himself now believes. The same mumbo jumbo that he laughed at in the beginning of his journey was now very real to him and it signifies he is now 100% Na'vi. The humans aren't his people any longer.
Yeah I liked Worthington too. There is something really likeable about the guy. He executed the material he was given. I can't fault him at all nor the female lead. Only character that really bugged me was Rodriguez but that might have more to do with her as a person. She's definitely not as awesome of the badass woman in Aliens.Dead said:I thought Jake was a perfectly likable and solid lead. Worthington is just innately likeable and has charisma to boot imo, I know some will disagree, but I think Cameron picked the right guy.
He brings a lot of charm to the role, the naive and almost child-like sense of personality that Jake has when he becomes a Na'vi is what makes his relationship with Neytiri, as she nurtures him, engaging.
Hes definitely no Han Solo, but Id argue he is a more likeable and engaging character to follow than Luke was in a New Hope. Much less any of the characters in Pirates of the fucking Carribean.
I liked Rodriguez more in this than any other thing shes been in thanks to her actually smiling for onceralexand said:Yeah I liked Worthington too. There is something really likeable about the guy. He executed the material he was given. I can't fault him at all nor the female lead. Only character that really bugged me was Rodriguez but that might have more to do with her as a person. She's definitely not as awesome of the badass woman in Aliens.
julls said:i get why it's there, but it just feels like it's directed at the audience. "see? see what you're doing to earth? stop it!" (and its the lead in to the disney-scored explosion of rhinoceroses later on.)
i think the 'speech' scene is enough to show he's switched over.
Count Dookkake said:The question is whether or not the criteria actually matter in the particular genre (or sub-genre) and in the particular work.
Titanic ran for 10 months. Avatar has only ran for 2 months so far. Overall Titanic has sold more.Blablurn said:is there any source which compares titanic and avatar in terms of sold tickets. a friend told me titanic still sold double the amount of avatar. but i don't believe this.
I'd argue that using the benchmark for a memorable adventure movie lead is just as disingenuous as using the "what did you expect, Citizen Kane?" line of argument you've been combating.border said:That's what I'm getting at though, isn't it? There are similar films that have had far better leads......it's not about comparing Avatar to Citizen Kane.
Knowledge of the character is not so much important as him being kinda fun, likable, powerful but not incapable of error. Sully just seems too rigid, too serious, too powerful. It's hardly a competition to pit Jake against a character as human and well-realized as Indiana Jones, but it was demanded that it be done. You can make a case that he's a serviceable or above-average character (if Shia LeBeouf is really the baseline for today's average), but in twenty years I doubt that people will remember Worthington's performance as fondly as they do Ford's.
border said:I actually had written that it's problematic how Jake goes from clutz to unstoppable death god in under 3 months of training, but deleted it just because I thought it was a can of worms not worth opening. By contrast Indiana Jones is never really elevated beyond what he starts out as, a likable everyman who knows his capabilities and occasionally bites off way more than he can chew (with amusing results).
I'd agree that weighing Jake against Indiana Jones is somewhat disingenuous since it's an unwinnable fight, but if you follow the conversation I was essentially forced into picking one character for comparison. Naturally I picked the most formidable opponent one, but I am more than happy to discuss other alternatives.
Luke Skywalker vs. Jake might be a more apt comparison since they are both kinda blank and boring to start with. Still I kinda like Luke better just because there's a pathos to the character. That moment in ROTJ when he cuts off Vader's hand, then stares at his own robo-hand and realizes what he's done....still gets me more than anything Sully does. But hey, ROTJ was a second sequel and maybe we'll see more out of Jake in subsequent Avatar films.
ANH was pretty black and white, and yeah, comparing the character in a first film to a character at the end of a trilogy is beyond ridiculous.border said:Luke Skywalker vs. Jake might be a more apt comparison since they are both kinda blank and boring to start with. Still I kinda like Luke better just because there's a pathos and struggle to the character that you don't really get with Jake. That moment in ROTJ when Luke cuts off Vader's hand, then stares at his own robo-hand and realizes what he's done....still gets me more than anything Sully does. Star Wars and LOTR are both interesting in that they present the possibility that in doing something you believe to be right you might succumb to a far more sinister influence. That grey area is interesting, whereas Avatar seems much more black and white. It's not hard for Jake to fight the opposing army because they're such incredible douchebags, and there's no danger that his own hatred and desire for power might overcome him. But hey, ROTJ was a second sequel and maybe we'll see more out of Jake in subsequent Avatar films.
Scullibundo said:Yeah I don't think you can call Jake a clutz based on him trying otherwordly things for the first time. He's definitely not a clutz by any human measure.
The film also establishes in the very first scene that Jake enters his avatar that he's unusually adept at using it, breaking into a full sprint and demonstrating a high level of coordination despite no training. In contrast the guy with the hundreds of hours of simulated link time was staggering about like a drunken monkey during his first link. So while cocky and imperfect, it's established early on that he's got a lot of potential in his avatar, more so than his peers, making the end point of his journey more plausible from the get-go.Scullibundo said:Yeah I don't think you can call Jake a clutz based on him trying otherwordly things for the first time. He's definitely not a clutz by any human measure.
Everything is relative.ryutaro's mama said:But he is like a baby.
You can categorize his status at the beginning however you like, but he goes from being a Na'vi noob at first to being greater than their greatest warriors in a pretty short span. By contrast, Indiana Jones is never really elevated that far beyond what we initially see him to be capable of. Luke Skywalker becomes a Jedi, but not the greatest of them all. The only reason he survives the trilogy is because of his own father's mercy and redemption -- otherwise he just would've gotten zapped to death by the Emperor's lightning bolts. Jake's only vulnerability is the link to his human body, and without that to worry about he probably would have made short work of robo-Quarritch.Scullibundo said:Yeah I don't think you can call Jake a clutz based on him trying otherwordly things for the first time. He's definitely not a clutz by any human measure.
So he is invincibleborder said:You can categorize his status at the beginning however you like, but he goes from being a Na'vi noob at first to being greater than their greatest warriors in a pretty short span. By contrast, Indiana Jones is never really elevated that far beyond what we initially see him to be capable of. Luke Skywalker becomes a Jedi, but not the greatest of them all. The only reason he survives the trilogy is because of his own father's mercy and redemption -- otherwise he just would've gotten zapped to death by the Emperor's lightning bolts. Jake's only vulnerability is the link to his human body, and without that to worry about he probably would have made short work of robo-Quarritch.
GhaleonEB said:So while cocky and imperfect, it's established early on that he's got a lot of potential in his avatar, more so than his peers, making the end point of his journey more plausible from the get-go.
Dead said:So he is invincible
The only extraordinary thing that Jake did was tame the Leonopteryx. What is wrong with the hero of the story doing something extraordinary? Other Navi have tamed it before as well, so it is not something that could never ever be done by anyone else.border said:Ignoring the plausibility issue, I think it's just more about where they end up. Jake achieves perfection, and does what no one else could ever hope. Corollary characters from the other franchises discussed maintain their vulnerability throughout the story and do not achieve the same heights.
border said:Ignoring the plausibility issue, I think it's just more about where they end up. Jake achieves perfection, and does what no one else could ever hope. Corollary characters from the other franchises discussed maintain their vulnerability throughout the story and do not achieve the same heights.
At no point is Jake (in avatar form) ever made out to be a more capable warrior than the average Na'vi. He's not faster, not stronger, not, well anything more than the other Na'vi warriors. He's is fast learner, and demonstrates some leadership and balls by hopping on the big bird. But otherwise, he simply adapts to being a Na'vi - nothing more. There's not a scene in the movie where he's shown to be "greater than their greatest warriors", ever.border said:You can categorize his status at the beginning however you like, but he goes from being a Na'vi noob at first to being greater than their greatest warriors in a pretty short span. By contrast, Indiana Jones is never really elevated that far beyond what we initially see him to be capable of. Luke Skywalker becomes a Jedi, but not the greatest of them all. The only reason he survives the trilogy is because of his own father's mercy and redemption -- otherwise he just would've gotten zapped to death by the Emperor's lightning bolts. Jake's only vulnerability is the link to his human body, and without that to worry about he probably would have made short work of robo-Quarritch.
border said:You can categorize his status at the beginning however you like, but he goes from being a Na'vi noob at first to being greater than their greatest warriors in a pretty short span.
How is it a lucky coincidence?border said:Not invincible, just less vulnerable than other characters discussed. I mean, the only way they can make him seem remotely vulnerable is by orchestrating the ridiculously incredible and lucky coincidence that Quarritch happens to land next to his doublewide.