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Spin Magazine: "Ok Computer" - Radiohead - best album in last 20 years

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JPRaup

Banned
Ones Ive listened to more than 1/2 the album. I need to get downl... buying.


93. Pearl Jam - Ten
70. Jay-Z - The Blueprint
64. Eminem - The Marshall Mathers LP
61. Weezer - Pinkerton
53. Rage Against The Machine - The Battle Of Los Angeles
45. Kanye West - College Dropout
30. The Notorious B.I.G. - Ready To Die
17. Nas - Illmatic
3. Nirvana - Nevermind
 

Shaheed79

dabbled in the jelly
Damn, why does Low End Theory always get recognized over Midnight Marauders? Both are excellent though so I can't complain. De La in the top 10 hell fukin yeah! I'm not upset at OKC being number one because that album broke all kinds of barriers. I know black folks who wouldn't give 2 shits about any white band who love that album. Nirvana almost brought it home though Radioheads only real competition imo.
 

btrboyev

Member
these lists are worthless...how bands are are out there that spin has no idea exists or even pay any attention to? For example I will write screeching weasel's "My Brain Hurts" as my top album of the last 20 years simply due to how much impact that record had on pop punk in general.
 

DCharlie

And even i am moderately surprised
"shoegazer was such a singles genre"
Catherine Wheel's (vastly under-rated) Ferment album and Chrome album were the best shoegazing albums - they weren't a particularly good singles band IMO. It's a shame they went a bit "Del Amitri" on us following Happy Days.

And no love for:
Boo Radleys : Giant Steps
Underworld : Dubnobasswithmyheadman, Second toughest in the infants, 2 months off,
Orbital : Brown album
Black Grape : It's great when you're straight
Happy Mondays : Thrills Pills and Bellyache
etc etc etc...

these lists are worthless..
Indeed - all we need are our own lists.
Perhaps we should start the OT greatest album list project off?
 

Diablos

Member
Foreign Jackass said:
SP, unique? Come on. Their influences are so evident that every band right now is not ripping them off because they're already ripping off the Pumpkins's own influences. Why rip off copies if you can rip off the original? Pavement has a far more distinguished influence on today's band simply because it sounded like nothing else at the time. Please, I'm a huge Pumpkins fan, but come on, stop using that stupid "indie defense" argument. You're obviously just a fucking Corgan fanboy without any judgment when it comes to the Pumpkins or Corgan. You should stop entering these discussions, you always come off as a fucking fanatic.
Since you don't mind being offensive - if I come off as a fanatic, then you come off as an indie snob. Gee, that doesn't make sense, right? Now you know how it feels.

Everyone is rip off of someone. Don't you people realize this? What made the Pumpkins unique was that they COULD "rip off" countless bands but also remain innovative enough to truly carve something original out of that; it's hard for a band to take on something that was done before, but still tweak it enough to truly make it theirs without sounding like some extremely lame cover band. They took the best elements of their influences and used the best of their (mainly Corgan and Chamberlin's) talents to make it into whatever they wanted. Corgan said it himself (and anyone who disagrees with this statement is clearly in denial), every band is effectively ripping off another band, some just don't want to admit it. On the other hand, some, and to varying degrees, have no problem letting the world know that music CANNOT progress without realizing where what exactly it is you're trying to do came from in the first place. That's the ONLY DIFFERENCE. That, and the fact that the Pumpkins were able to execute their style in such a fashion that is nearly impossible to emulate, which is why you haven't seen any bands do it. Or, some have, but have done a piss poor job (Abandoned Pools, Thursday just to name two). Corgan and Chamberlin are another Page and Plant, Yorke and Greenwood.

So to call Pavement "more unique" than the Pumpkins (or [place your favorite band here]) is ridiculous. Yeah, Pavement had a cool idea, but so did a lot of other bands. At the core, Pavement's just another lo-fi indie pop/rock band with some quirky songwriting and guitar noise. Hell, that's not at the core, that's their discography. It's like specific parts of REM, Sonic Youth and similar bands' discographies put in a blender with a dash of Malkmus' abstract thinking. Genius? Perhaps! But so is what the Pumpkins did. And My Bloody Valentine. And Nirvana. And Soundgarden, and Pearl Jam, and Slint, and Suede, Blur, Radiohead, The White Stripes, I could go on forever as those were random innovative bands that I typed.

So I don't buy what makes Pavement "more unique" than anyone else. All of these bands are extremely unique in their own way. I'm curious, by the way. Where are all these extremely popular bands that sound like Pavement, guys? Modest Mouse is the only band I can think of, but I always thought they had the better idea anyway.

Siamese Dream was completely different than anything that came out at the time for what the band was competing with. Everything was really grungy or you had your underground indie stuff from bands like Pavement or SY. I'm not kissing Corgan's ass here, I'm trying to make a point, people. Siamese Dream took elements of classic and 80's rock, and combined it with early 90's rock. It's the record so many 80's rockers always wanted to make, but couldn't because they were too corny. It's the record so many 90's rockers wanted to make, but couldn't because they lacked the confidence and talent. It's the album that so many classic rockers could envision from a production standpoint, but could never do because of limits in how records were produced. Pink Floyd said Siamese Dream restored their faith in rock music - need I say more? COME ON. Corgan knew exactly what to do to perfectly execute an array of approaches to his music that no other band to this very date has done in the world of rock, alternative rock, and even indie rock. It's ahead of it's time, in terms of songwriting, execution and production.

And quite honestly, there's no need to even compare Pavement and the Pumpkins since everyone thinks I'm such a kissass. They were two completely different bands with completely different approaches to music. So, to be fair, I'll compare Pavement to other bands I love. Radiohead, Sonic Youth, Pixies and My Bloody Valentine all put Pavement to shame, and I'm shocked that Pavement ranked higher than them (the only exception being Radiohead). If you want to use one of those bands and say that you find their work to be far more innovative and interesting than the Pumpkins discography, I would definitely respect that opinion. But Pavement? Come on, people. There are so many bands (even if you completely exclude the Pumpkins) that deserve to be ranked higher than Pavement on these lists.
 
Swervedriver is another underrated band from that era..

I'm not saying that it's all bad, quite a few great albums came from that scene, but none of them compare at all to Loveless. then again, not much from any genre compares to Loveless, so whatever. If only some of the other shoegazer bands expanded on that Loveless sound (.. if that's possible.. how exactly do you expand upon it? It's dead center between outright noise and uber melodic pop music... one person said it "like the cocteau twins through a vaccum cleaner" and I think that's pretty apt :lol ), instead of just choising facets of it. Slowdive, Lush, etc. all went the fey, airy, reverb drenched routem whereas Sweredriver, Siamese Dream-era Smashing Pumpkins, etc. took a cue from the more noisy elements, but what makes Loveless so special is that balance. Gorgeous Wilson-esque melodies buried under heaps of feedback and swirls of noise, so much so that everything just blends together... you can't tell what's a guitar, what's a vocal.. is that a flute? , etc. Ah.. Loveless... I think I'm going to listen to it tonight.
 

Dead

well not really...yet
DCharlie said:
Catherine Wheel's (vastly under-rated) Ferment album and Chrome album were the best shoegazing albums - they weren't a particularly good singles band IMO. It's a shame they went a bit "Del Amitri" on us following Happy Days.

And no love for:
Boo Radleys : Giant Steps
Underworld : Dubnobasswithmyheadman, Second toughest in the infants, 2 months off,
Orbital : Brown album
Black Grape : It's great when you're straight
Happy Mondays : Thrills Pills and Bellyache
etc etc etc...


Indeed - all we need are our own lists.
Perhaps we should start the OT greatest album list project off?
Giant Steps is such a great album, though I prefer Everything's alright forever. You're right about Catherine Wheel though. First 2 albums are just fantastic but ...yeah
Star Power said:
Swervedriver is another underrated band from that era..
I think some Swervedriver comp came out not too long ago still need to pick that up heh.
 

DCharlie

And even i am moderately surprised
"Swervedriver is another underrated band from that era.."

How is 99th Dream ? i never got round to picking it up.

The previous 3 albums all kicked ass.

"Last Day on Earth" is such an awesome song.
and Sandblasted will always bring back great memories.
 

Diablos

Member
Star Power said:
Swervedriver is another underrated band from that era..

I'm not saying that it's all bad, quite a few great albums came from that scene, but none of them compare at all to Loveless. then again, not much from any genre compares to Loveless, so whatever. If only some of the other shoegazer bands expanded on that Loveless sound (.. if that's possible.. how exactly do you expand upon it? It's dead center between outright noise and uber melodic pop music... one person said it "like the cocteau twins through a vaccum cleaner" and I think that's pretty apt :lol ), instead of just choising facets of it. Slowdive, Lush, etc. all went the fey, airy, reverb drenched routem whereas Sweredriver, Siamese Dream-era Smashing Pumpkins, etc. took a cue from the more noisy elements, but what makes Loveless so special is that balance. Gorgeous Wilson-esque melodies buried under heaps of feedback and swirls of noise, so much so that everything just blends together... you can't tell what's a guitar, what's a vocal.. is that a flute? , etc. Ah.. Loveles... I think I'm going to listen to it tonight.
There's no need to defend Loveless. The album speaks for itself. To date there's nothing that sounds like it, and I mean that in the most literal way possible. Where MBV fails for me is that the rest of their discograpy is extremely weak IMO. But that's ok - after all, they DID make Loveless. There's no denying early Pumpkins (Gish and maybe like, 10% of Siamese Dream) was influenced by My Bloody Valentine. Gish reminds me of a MBV psychedelic/metal album.
 

Jak140

Member
You know, in spite of the complaints, Spin actually pulled off a pretty damn good list here. I'm not a fan of some of the albums listed or the order (Loveless should definately be higher, if not #1) and there are a few questionable ommissions, but they really covered all the bases for the most part (classical, jazz, and international music aside of course, but they are a mainstream magazine). I'm impressed that they managed to mix different genres and some of the better mainstream albums with more indie releases so well.
 
Star Power said:
Swervedriver is another underrated band from that era..

I'm not saying that it's all bad, quite a few great albums came from that scene, but none of them compare at all to Loveless. then again, not much from any genre compares to Loveless, so whatever. If only some of the other shoegazer bands expanded on that Loveless sound (.. if that's possible.. how exactly do you expand upon it? It's dead center between outright noise and uber melodic pop music... one person said it "like the cocteau twins through a vaccum cleaner" and I think that's pretty apt :lol ), instead of just choising facets of it. Slowdive, Lush, etc. all went the fey, airy, reverb drenched routem whereas Sweredriver, Siamese Dream-era Smashing Pumpkins, etc. took a cue from the more noisy elements, but what makes Loveless so special is that balance. Gorgeous Wilson-esque melodies buried under heaps of feedback and swirls of noise, so much so that everything just blends together... you can't tell what's a guitar, what's a vocal.. is that a flute? , etc. Ah.. Loveless... I think I'm going to listen to it tonight.
Have you heard Mercury Rev's first two albums? I think you'd be into them going by the things you like about Loveless. The big difference is that the music is more trippy than it is pretty.
 

Truelize

Steroid Distributor
Siamese Dream is the best album of the past 20 years. But both Ok Computer and Appetite for Destruction were pretty freakin good too.
 
enjoy bell woods said:
Have you heard Mercury Rev's first two albums? I think you'd be into them going by the things you like about Loveless. The big difference is that the music is more trippy than it is pretty.

Nope, I've only heard a few songs from their more orchestral, dream pop stuff. I'll definitely check them out. Any specific songs?
 
Hey Diablos, Is this worth $20?

lpsmashingsiamese3.JPG

lpsmashingsiamese2.JPG


mind you, I already have a copy. Is it very rare?
 

Truelize

Steroid Distributor
Diablos said:
Thank you.

I hadn't even read through any of the thread yet. But it's nice to know I'm not the ony one out there that was amazed by what the Pumkins used to do.
Siamese Dream was so different than everything that was out at that time. And it still stands out amongst todays music choices. Just last week I convinced a 15 year old I teach at church to check them out and he thought the album was awesome. He called them "chill rock". Not a bad way to sum up that album really. And Chill Rock sure stood out during the early 90's.

Star Power: that has got to worth $20 to any Pumkins fan. What is that? Is that just the vinyl? Looks nice.
 

Diablos

Member
Star, these pics remind of a recent Corgan journal entry.
lpsmashingsiamese3.JPG


Billy actually did the artwork with his ex-wife Chris, right after they got married, on their honeymoon, heh.

billy5593vc.jpg
 

Substance

Member
I think I speak for the entire galaxy when I say.... Where is PAUL SIMON'S GRACELAND??

Heh, Odd thing is I have yet to even listen to Graceland. I'm just hoping it is really great when I purchase it....
 
White Man said:


IT'S TRUE. I'M NOT CRAZY.

C'mon, look at the amount of strong singles as compared to the number of excellent albums... there's quite a large gap. I mean, "Sunshine Smile" is a fucking spectacular song, but the rest of that Adorable album, while not bad by any means, surely isn't up to par. Same goes for "Pearl" as compared to the rest of that Chapterhouse album. etc.
 

Koopa

Member
Corgan and Chamberlin are another Page and Plant, Yorke and Greenwood.

I’m sorry, you drew the proverbial line of insanity to even have the insolence to force this notion upon subjected people. I, as much as it pains me, I no longer count anything you say with regard to personal statement of which is including any mention of the Led and or Zeppelin in past and present tense that can be quoted as fact pertaining to your skewed thinking.

Now to commence the thoughts at hand, aided by a few bowls of hash.

At the core, Pavement's just another lo-fi indie pop/rock band with some quirky songwriting and guitar noise.

... (Takes another rip for calming measure... stay on target... stay on target)

So I don't buy what makes Pavement "more unique" than anyone else. All of these bands are extremely unique in their own way. I'm curious, by the way. Where are all these extremely popular bands that sound like Pavement, guys?

But where are these extremely popular bands that sound like Smashing Pumpkins?

Because no one would ever copy that shit. Hahha!!!

Let me check my inbox.

Nope. Nothing.

Can someone forward me the memo that stated that to be unique, hordes of people needed to follow your certain musical ambition to be known as a great band? If needed, I can name a hundred bands nowadays that sound somewhat the same, between the constant whining and bitching about how there parents don’t understand the teenage issues of the day and how the metro sexual pretty boy, wont pay attention to you because you have black hair, not the blonde pretty locks that you are subjected to understand from age 1 to age 18?

I just don’t get it Diablo's. I mean you’re so quick to dispatch the fact that Pavement was nothing but low fi/indie rock. While SP and Corgan were musical pioneers in terms of lifting other peoples styles and making them there own.

WTF!!! DID YOU JUST FUCKING WATCH MR. BASEBALL!!!

>>Insert image of Tom Sellick<<

At a certain point people need to accept the fact that 99% of the albums released in the past 20 years have very little room for originality in terms of production and presentation of a lyrical substance and musical aptitude.

We as humans had to accept:

1. The world is not round.
2. Earth revolves around the Sun.
3. You cannot fall off the end of the planet.

Siamese Dream was commercial coup. I can't deny the 4.x million sold, mainly because it was shoved down the throats of unsuspected listeners who needed something other than music that had a despondent tone.

Its nothing but marketing that was forced behind it and the obvious fleecing of musical dignity to create a commercial album that would impel William Corgan into a false sense of musical royalty.

I’d rather be the Prince of Indie rock, then a pauper that doesn’t even have jurisdiction over the strings by which people dangle him by.

Billy Corgan has no function and I could really give a fuck.

IM DONE WITH THE SP vs. Pavement and SM vs. Corgan
 
Substance said:
I think I speak for the entire galaxy when I say.... Where is PAUL SIMON'S GRACELAND??

Heh, Odd thing is I have yet to even listen to Graceland. I'm just hoping it is really great when I purchase it....

Graceland is wonderful. I don't like the title song, but it's okay. As for the rest of the album...let's just say that about half of Paul Simon's "Greatest Hits" album is Graceland songs.
 
Diablos said:
I honestly don't know. Distantmantra, where art thou? :D

Trulize: Awesome.

Nope, the red vinyl Siamese Dream was going for $50-$75 during the post-MICS craze, but in truth it is not that rare. I couldn't give you a good estimate on price anymore, but don't expect to get big money for it.

Diablos, do you know how much any of the following items are selling for now? I just moved into a new place in Seattle and I was going through some stuff.

I Am One 7"
Siamese Singles UK 7" boxset
Earphoria (original radio promo version)
Pisces Iscariot 12" + bonus 7"
Live at the Metro CD (the one handed out after the final show, I remember these were on ebay for $200+ in early 2001)
 

Eminem

goddamit, Griese!
Kabuki Waq said:
not even one Tool album in the top 100? this list sucks ass.

:lol :lol indeed

and for many more reasons than that.



Any list like this that excludes both Tool and Alice in Chains is a complete fucking joke. How can you not have at least one CD by both of them in there? Inexcusable. AIC always has been superior to Nirvana. Nirvana was more influential blah blah blah, so fine, put them higher. But for fuck's sake, at least give a mention to AIC.
 

Matt_09

Member
That list is a load of shit. Where is The Holy Bible (Manic Street Preachers), all U2 albums and why is GNR Appetite for Destruction so low? Should be in the top 10 at least.

All Hail:


B000001FS3.03.LZZZZZZZ.jpg
 
Matt_09 said:
That list is a load of shit. Where is The Holy Bible (Manic Street Preachers),

The Holy Bible was not released in American until the 10th Anniversary edition finally hit the streets a couple months ago.

I know some of you have a difficult time understanding this, and hell, it bums me out too fan since I'm a fan, but the Manic Street Preachers mean nothing in the United States.
 

Matt_09

Member
distantmantra said:
The Holy Bible was not released in American until the 10th Anniversary edition finally hit the streets a couple months ago.

I know some of you have a difficult time understanding this, and hell, it bums me out too fan since I'm a fan, but the Manic Street Preachers mean nothing in the United States.


:) I know the Manics mean nothing in the US and that doesnt bother me at all, but i didnt realise the Holy Bible was not release at all. I thought it did have a restricted release in the US but I guess I was wrong. I didnt read the entire thread, just the list and then i posted so if its mentioned earlier on, oops.
 
Matt_09 said:
:) I know the Manics mean nothing in the US and that doesnt bother me at all, but i didnt realise the Holy Bible was not release at all. I thought it did have a restricted release in the US but I guess I was wrong. I didnt read the entire thread, just the list and then i posted so if its mentioned earlier on, oops.

THB was going to be released in the US, but then Richie disappeared, which shelved their US tour and the album. I was very surprised that the 10th Anniversary edition got a domestic release.
 

Nameless

Member
-Stankonia is Outkast's worst album. Its in no way bad, but its far from their best. ATLiens>Aquemini>>>>Spearkerboxx/Love Below>>Stankonia.

-Ready to Die should be top 10 if not top 5, and its a sin that Life after death isn't on there.

-Slim Shady LP should be on there considering its better than The Marshall Mathers LP.

-Where the fuck is East 1999 Eternal by Bone Thugs N Harmony!!???!!???

-Where is "The Score" by the Fugees???!!!!!???

-Kanye West's "College Dropout" is a good CD, but in no way should be on that list, considering the CDs they left off.

-WHY is The Blueprint up there by Jay Z, but Reasonable Doubt is not..

-I'm not the biggest 2pac fan, but All Eyes on Me, or Me against the World should be atleast at the lower part of the list..

-The fact that a missy elliot album is up there destroys the list period.

-D'Angelo's Voodoo is on there but not R.Kelly's 12-Play.

-No Doggystyle by Snoop!!??!!

-AND WHERE...THE FUCK...IS THRILLER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I know Michael Jackson isn't the most popular guy in the world righ tnow..but the for the love of goodness..Thriller should be on there SOMEWHERE..

When it comes to Hip-hop and R&B they seemingly picked albums at random..
 
Diablos said:
Your argument against Pavement is completely empty. You don't like them. Ok. But what you're using as arguments for them being non-important are just opinions. You couldn't argue yourself out of a high school debate. I love both bands, both were important, both in their own ways. I do believe Pavement's Slanted and Enchanted and especially Crooked Rain, Crooked Rain were more influential to today's bands and songwriters than Siamese Dreams ever was. It might have something to do with the fact that Siamese Dreams is technically harder to produce than both Pavement's highly influential albums, but if you take a serious look at it, most Pavement copycats suck at it too. Nobody can top Malkmus at his own game.

Oh, and please, never try to convince anyone that Billy Corgan can write good lyrics. Malkmus owns his ass at this game. And Malkmus solo records >>>>>>>>>>> Billy Corgan solo record + Zwan.
 

john tv

Member
I'm surprised, actually. I agree with a LOT of the picks in that list.

My favorites include:

93. Pearl Jam - Ten
85. REM - Automatic For The People
84. Soundgarden - Superunknown
74. Portishead - Dummy
66. Outkast - Aquemini
64. Eminem - The Marshall Mathers LP
60. De La Soul - De La Soul Is Dead
55. The Chemical Brothers - Dig Your Own Hole
52. Beastie Boys - Licensed To Ill
51. Nirvana - In Utero
49. Lauryn Hill - The Miseducation Of...
48. Radiohead - Kid A
47. Eric B. & Rakim - Paid In Full
45. Kanye West - College Dropout
44. Green Day - Dookie
43. B.D.P. - Criminal Minded
42. Jane's Addiction - Nothing's Shocking
40. Run D.M.C. - Raising Hell
38. A Tribe Called Quest - The Low End Theory
35. Dr. Dre - The Chronic
33. Ice Cube - AmeriKKKa's Most Wanted
30. The Notorious B.I.G. - Ready To Die
23. Outkast - Stankonia
21. Public Enemy - Fear Of A Black Planet
20. Wu Tang Clan - Enter The Wu Tang (36 Chambers)
19. Hole - Live Through This
18. Guns N Roses - Appetite For Destruction
12. Beastie Boys - Paul's Boutique
11. U2 - Achtung Baby
10. N.W.A - Straight Outta Compton
7. De La Soul - 3 Ft. High And Rising
3. Nirvana - Nevermind
2. Public Enemy - It Takes A Nation...
1. Radiohead - OK Computer
 

Jak140

Member
Seriously, ignore Diablos. This is the same guy who made threads bitching about Loveless and Sonic Youth, but now preaches their virtues like the gospel. I wouldn't put any weight behind most of his opinions--his thoughts on Pavement included.
 
Jak140 said:
Seriously, ignore Diablos. This is the same guy who made threads bitching about Loveless and Sonic Youth, but now preaches their virtues like the gospel. I wouldn't put any weight behind most of his opinions--his thoughts on Pavement included.
I know, but I want to make him realize it. He used to piss on the Pumpkins too, before checking out their music. It wasn't even a year ago, too.

I remember a thread by Diablos about what, 8 months ago, that was like : OH MY GOD, THE PUMPKINS ARE GREAT, WHY DIDN'T ANYONE TELL ME ABOUT THEM, and then going on raving about 1979, Tonight, tonight and Today like there was no tomorrow. A month later, Corgan was the greatest songwriter on the planet. And now we must care about his shitty, reversing-revolving everchanging opinion on bands that we've been listening to for fucking YEARS? Come on, this guy's a problem that needs to be solved, and I'M UP TO THE TASK.
 

Jak140

Member
Foreign Jackass said:
I know, but I want to make him realize it. He used to piss on the Pumpkins too, before checking out their music. It wasn't even a year ago, too.

I remember a thread by Diablos about what, 8 months ago, that was like : OH MY GOD, THE PUMPKINS ARE GREAT, WHY DIDN'T ANYONE TELL ME ABOUT THEM, and then going on raving about 1979, Tonight, tonight and Today like there was no tomorrow. A month later, Corgan was the greatest songwriter on the planet. And now we must care about his shitty, reversing-revolving everchanging opinion on bands that we've been listening to for fucking YEARS? Come on, this guy's a problem that needs to be solved, and I'M UP TO THE TASK.
:lol Well as long as you know what you're getting into.
 
Nameless said:
-AND WHERE...THE FUCK...IS THRILLER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I know Michael Jackson isn't the most popular guy in the world righ tnow..but the for the love of goodness..Thriller should be on there SOMEWHERE..

Thriller was released in 1982, making it 23 years old. Not eligible for this list. I'm sure it would be very high up there. If they were going to go back that far, they could have dipped into 1980, which would (sort of, depending on your location) qualify The Wall, which would probably be in the top five. I'm predicting that based on their obvious love of Radiohead, which is a band heavily influenced by Pink Floyd.
 

6.8

Member
Foreign Jackass said:
I know, but I want to make him realize it. He used to piss on the Pumpkins too, before checking out their music. It wasn't even a year ago, too.

I remember a thread by Diablos about what, 8 months ago, that was like : OH MY GOD, THE PUMPKINS ARE GREAT, WHY DIDN'T ANYONE TELL ME ABOUT THEM, and then going on raving about 1979, Tonight, tonight and Today like there was no tomorrow. A month later, Corgan was the greatest songwriter on the planet. And now we must care about his shitty, reversing-revolving everchanging opinion on bands that we've been listening to for fucking YEARS? Come on, this guy's a problem that needs to be solved, and I'M UP TO THE TASK.

what? Diablos has been a Corganbot for longer than that. In fact, he's been so for as long as I remember him posting at GAF. :(
 
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