Dragoon En Regalia
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If there's one episode I think got meddled with the most after Osumi got fired (or when the ratings didn't look too good coming-in), it's this one. A simpler premise indeed, though there's one interesting I noticed about the character relationships here:Lupin III (1971) 12
Last of the Osumi episodes and it was a fun one. It was a bit more whimsical than I expected from his episodes what with the apparent running gag of the Elder being untied and tied back up and Lupin's snowmobile accident. It was rather impressive how so much was done with so little regarding the setting. I think everything took place either in the cave, the cabin, or the snowfield. Fujiko & Lupin interaction in the cave was top tier too. Great stuff.
Whereas the crime organization is almost-always seen working together and in each other's presence the whole time, Lupin and the gang are distanced both physically and mentally, drifting into each other across a vast winter wonderland. It's an effective way to symbolize the underlying conflicts of interest between each party involved, and it's even more significant when the leader of the crime job willingly honors his organization's code, killing himself needlessly upon failing to retrieve the statues. Meanwhile, those without dignity and a shred of trust between each other live on to do battle, whether in the midst of an inhospitable blizzard in Hokkaido (or wherever, Osumi didn't care for real-life settings that much), or even in the gang's hotel room. The episode's got that interesting contrast between the yakuza mentality of doing criminal business, and a distinctly-Western way at getting the job done. In the end, though, a smart elder living a "primitive lifestyle" slips everyone up.
So, it's not at all simplistic an episode. But it starts out fast and ends faster. Things can pass you by without time to digest interesting new information.
Well: it's only going to appeal to you if you haven't given up on the main arc already. I think the middle section of the series has definitely had the most trouble in making certain that viewers are still interested in both the episodic stuff and the main plot itself, and that's the main flaw with the execution overall. I stuck with the show, and it's doling out great episodes and plenty-enough consistency to end well. For me, this episode was just outright-fun and surprisingly-interesting.Lupin III: A Woman named Fujiko Mine 10
Uhh-huh.
On one hand, it could have been boring. On the other hand, I didn't leave very satisfied. It was notable, but I didn't feel more than a bit more "enlightened" by it, even if it was on details that I didn't care to know. That being, the episode did not add weight to the plot for me, merely some details.I almost forgot that all paths end to Fujiko until "she" reminded me again that it's "her" story.
5 and 6 are still awesome episodes, though. Never did understand why Duckroll liked 7, and 3-4 are middling.