Collider: What was it like working with Rian Johnson after knowing the character (Kylo Ren) and now working a new director? What was that experience like?
ADAM DRIVER: Maybe this is just me thinking of myself, but Im surprised [because] in their shoes Id be way more stressed out than [J.J. and Rian] seem to be. Rian is coming into something that we kind of set up and he just took it to the next level in a really great way. He wrote it, too, and Rians writing is so clear. I learned a lot of things about my character through his writing. Some things we talked about before and some things we didnt. He was working on [the script] while we were still working on the first one. To understand what J.J. was doing and take ownership from there is kind of a remarkable thing. And hes the most polite, unassuming guy and he was appropriately territorial about some things but would still be the first to admit when somethings not working. A lot of times you need to rise to understand what the script is, and perhaps Im beginning to be unclear, but hes a great person to work with.
Collider: Thats all I ever ask, how was the script?
DRIVER: Its great. Its similar to how The Empire Strikes Back has a different tone. For that people always go oooh, its dark but I dont know that it necessarily is. Its just different in tone in a way that I think is great and necessary but also very clear. He trusts [that] his audience is ready for nuance and ambiguity. Hes not dumbing anything down for someone and thats really fun to play.