MikeHattsu
Member
School Days 03
Fucking lol. You couldn't have been dating her for more than a week you muppet.
When there's no sexy time, Makoto doesn't care.
School Days 03
Fucking lol. You couldn't have been dating her for more than a week you muppet.
Hanayamata 10
Cute episode, but I really can't think of much to say. Next episode looks to bring some conflict, though.
Edit: Oh, I thought of something. Naru in a button-down shirt is the cutest thing ever!
Layzner #7, well, sort of.
The question, though, is why? What caused this enormous shift? I can offer guesses, but I'm not really sure. My best bet is that the Cold War was taking its toll on people in Japan at the time, if not, really, on the world itself. It had carried on for decades and, contrary to its name, there were quite a few casualties across the world! Super Robots were born as a part of the zeitgeist that demanded a power to grant the feeling of security in a land caught directly between the two powers wielding nuclear flame against one another. And no country knew the terror of nuclear power better than Japan. As the war drug on, then, that same zeitgeist began to question these forces altogether, and this shifted into anime in the form of a questioning by writers of giant robots, which had become the equivalent of Super Heroes and Nuclear Power in one fell swoop.
And the feeling of hatred for the Cold War seems almost transparent. Votoms had Gilgamesh and Balarant. Gundam had Zeon and the Federation. Macross had Mankind and the Zentradi, and Layzner opened with the Soviets and Americans nuking one another before moving on to Humanity and the Gradosians. Each show had its major powers locked in a struggle where the world's survival and governance was the stakes. Each had a powerful anti-war message, and the endings were of varied condemnation of mankind's power to avert such war. VOTOMs has Chirico exit history "until an age without war." ZZ Gundam ends with Judau leaving the inner Solar System in disgust over the unwillingness of mankind to achieve peace. Macross has Zentradi and humans fighting in the ruins of Earth well after the supposed peace has been attained.
The problem I have with this explanation is mostly that I don't really know anything about Japan's role in the Cold War, or the actual feelings people had at that time about the war. If this were about how Americans felt and American works, I would be confident that the Cold War and especially the Vietnam conflict had figured in, but since I don't know how any of this truly effected the Japanese, I'm not as confident in my statements. This caveat given, however, I do feel some measure of surety in my assessment, and hope it stands up to the scrutiny of you, my peers.
Putting my Arjuna stanning hat on, so please feel free to ignore me...
Isn't that exactly why we use words? To communicate? To stop us from feeling isolated? Have you ever been to a country on your own where you can't speak the language? It's incredibly isolating.
I got confused and thought you meant episode 7 (The Invisible Words), but of course Episode 8 deals with very similar themes which I had forgotten. I will have to revisit that at some point to check exactly what Chris says; he never says anything like that in ep 7.
Hanayamata is definitely in the running for the cutest eyecatches this season, though.
SAO 17
Flying is easy, landing is hard.
So Leafa turns out to beCreepy guy is doing creepy stuff in the game as well, and the reveals his evil plans. And Oberon and Titania, eh?Suguha. And I guess she doesn't know that Kirito is her brother at this point?
Look at this shit. Asuna is barely in SAO II yet she ranks over Sinon as number #1.
Look at this shit. Asuna is barely in SAO II yet she ranks over Sinon as number #1.
Makes sense to me. Now, tell me if this seems right:
After, this "robot war is hell" style was reaching its peak in the mid-90s, there was something of a backlash, which primarily took two forms. First, the revival of old-school super robot shows, like GaoGaiGar, Gurren Lagann, Star Driver, the currently-airing Captain Earth, etc. Second, and more interesting in my view, is the synthesis style, which tries to uses the same military setting as early Gundam and the like and tries to maintain some level of moral ambiguity, but also treats the main characters more like super robot heroes, who are able to overcome not only the enemies of the moment but the problem of war itself with their special skills.
Here I'm thinking of shows like Gundam SEED and 00, maybe even going back to Wing, Code Geass, Valvrave, stuff that tends to end on an upbeat note to the effect that the problem of war has been to some degree solved.. You know what show I would say most perfectly captures this sense of synthesis between old-school heroism and modern moral ambiguity? Majestic Prince, of all things. I don't even think it's that great, but it does strike that balance very well.
Firstly: Good post.
Secondly: What did you think of Gundam Unicorn?
Thirdly: Okay, here's what I think for real yo. While your argument makes a certain amount of rational sense I don't know if there's enough evidence to support your claims.
You have an idea that a number of real robot show plots were inspired by Cold War events, but you can you plot down those plot elements exactly and be sure that they can't have been inspired by other conflicts e.g. World War II? What about them makes them a clear Cold War allegory, and not just a discussion of war in general?
Moreover, there are other plausible explanations for the shift in tone. For example, Tomino had experience with earlier robot shows and he wanted to make a story for teenagers rather than children. This necessitated more complicated, and darker, stories. Other creators at the same time had grown up watching those earlier shows and so they just wanted to explore those ideas at the same time as Tomino. Perhaps they saw the (eventual) success of his work and wanted some of that for themselves. Etc etc.
Finally, if we accept that what you say is correct, that the Cold War had an influence over the Japanese mindset, then surely there must be evidence of this same phenomenon in other Japanese media released at the same time e.g. films, books, manga etc. You'd need to examine works from the same period to see if this shift can be spotted in those as well.
So, I'm not saying that you're wrong or that your argument doesn't make sense, just that you would need to find a lot more evidence to strengthen it.
Sinon got robbed!
...Although I still do like Asuna pre-character-assasination.
Hi.
Look at this shit. Asuna is barely in SAO II yet she ranks over Sinon as number #1.
Best news. This is my favorite part of the Fate/ universe, so I can't wait to see it continue. Also for the season 2 part 1 finale later today.Sure enough, since it couldn't make it through the entire series, the final episode of Illya Zwei announced that a continuation, Illya Zwei Herz, is coming next year.
http://prisma-illya.jp/portal/archives/1423
Welcome back! We love you!Sinon got robbed!
...Although I still do like Asuna pre-character-assasination.
Hi.
Sure enough, since it couldn't make it through the entire series, the final episode of Illya Zwei announced that a continuation, Illya Zwei Herz, is coming next year.
http://prisma-illya.jp/portal/archives/1423
Welcome back.Sinon got robbed!
...Although I still do like Asuna pre-character-assasination.
Hi.
SAO 18
Oh, and lots of plot. Suguha plot.
Yeah this looks pretty descriptive of SAO's second half, I'd say.
I vicariously hate SAO part 2 through others experiences with it.
I don't find anything really wrong with the 1st half of SAO. It just got dumb in the 2nd half.
Eventually I need to start the second season, I guess, but I've been so busy with shows that are good for the human soul that I haven't been able to bring myself to watch it yet.
Sinon got robbed!
...Although I still do like Asuna pre-character-assasination.
Hi.
Look at me get name dropped like I know something.
The first half isn't as obviously bad as the second, but it still has some horrid things happening. Specifically Asuna, alleged badass general, let's Kirito fight Heathcliff for her freedom rather than 1) telling Heathcliff she isn't property and she can leave when she damn well pleases and 2) doing that herself since she's supposed to be a badass warrior general lady.
Honestly Asuna's character is simultaneously my favorite and most hated from that show. At times she's like, the only human on there, like when she broke down because she wanted her relationship with Kirito to be -real- and not just in video games. But at other times the show has this perverse need to continue to remove and marginalize her.
Imagine if Princess Leia were introduced as a Jedi Knight and after hooking up with Han she became continually less relevant and you have Asuna.
Look at this shit. Asuna is barely in SAO II yet she ranks over Sinon as number #1.
Sinon got robbed!
...Although I still do like Asuna pre-character-assasination.
Hi.
SAO 19
Video games are bad for you.
Kirito also turns into a blood-thirsty monster in this episode so I guess his personality is all screwed up now.
All Leafa-chan knows is she wants Kirito's dick regardless of which world and which laws of decency prevent it.
Sinon got robbed!
...Although I still do like Asuna pre-character-assasination.
Hi.
All Leafa-chan knows is she wants Kirito's dick regardless of which world and which laws of decency prevent it.
Prisma Illya 2wei 10 + Final Thoughts
Layzner #7, well, sort of.
While I'm not sure it succeeds with this episode, at least it tried. Also, new OP is meh.
Are those Gundam Seed characters?
ftfy
Are those Gundam Seed characters?
Prisma Illya 2wei 10 + Final Thoughts
and I'm not sure when the next season is even going to debut.