poppabk
Cheeks Spread for Digital Only Future
LGBT represent 3.8% of populationLGBTQ characters are not only underrepresented in the media.
LGB represent 4% of regular characters on TV.
How is this under represented?
LGBT represent 3.8% of populationLGBTQ characters are not only underrepresented in the media.
LGBT represent 3.8% of population
LGB represent 4% of regular characters on TV.
How is this under represented?
Of the 881 regular characters expected to appear on broadcast primetime programming in the coming year, 35 (4%) were identified as gay, lesbian, or bisexual. There were an additional 35 recurring LGB characters.
35 out of 881 regular characters, the other 35 are non-regular characters. 35 out of 881 is approximately 4%, which is the same percentage as present in the general population. Which would make LGBT characters accurately represented in terms of numbers.70 / 881 are LGBT.
35 out of 881 regular characters, the other 35 are non-regular characters. 35 out of 881 is approximately 4%, which is the same percentage as present in the general population. Which would make LGBT characters accurately represented in terms of numbers.
4% of regular characters on TV are LGB. 4% of the US population identify as LGBT. The number of LGB in the media seems to accurately reflect the number in society.I legit don't understand what you're trying to say, can you reword?
Okay, so I think what you are getting at is kind of missing the the point. We're not talking about representation as raw numbers, we're talking about representation in nuance and variety of characters, because that is one of the cruxes of art and entertainment media, especially in such a way that stories allow people to view different worlds and different points of view and experiences.35 out of 881 regular characters, the other 35 are non-regular characters. 35 out of 881 is approximately 4%, which is the same percentage as present in the general population. Which would make LGBT characters accurately represented in terms of numbers.
4% of regular characters on TV are LGB. 4% of the US population identify as LGBT. The number of LGB in the media seems to accurately reflect the number in society.
Off topic for a bit but it does remind me of a thread in OT a few days ago, but I do wonder how many gay male representation is predominantly white? Like right now the only non-white gay characters I can think of is Miller on The 100 itself and maybe Jamal on Empire. I'm drawing a blank everywhere else just as much.If you have seen Buffy S6, this ending nearly exactly like the end of that season was a huge issue that the writers saw, and they did it anyway, because they were very dumb.
Killing Lexa isn't the problem, killing Lexa after devoting your first half of S3 to needlessly indulge fan shippers w/ a relationship that shouldn't be happening given you plan to kill her off is. (And then daggering it with the buffy carbon copy.)
Gay male representation is pretty good tho. I suspect that's the big demographic showing up in the LBGT character survey.
Off topic for a bit but it does remind me of a thread in OT a few days ago, but I do wonder how many gay male representation is predominantly white? Like right now the only non-white gay characters I can think of is Miller on The 100 itself and maybe Jamal on Empire. I'm drawing a blank everywhere else just as much.
Anyway don't forget to watch Fear the Walking Dead season 2, starting April 10 on AMC.
In the last 5 episodes how many characters that spoke more then twice died and how many of them were minorities/lgbt+?I guess I don't get the issue here. There's a story to tell, and that story involves all kinds of people dying. I mean, it's not like LGBT or minorities are being offed while straight white people aren't. Everyone is at risk. One of the things I like about this show is the fact that they're willing to kill off key characters. There's almost no plot armor here, although now that we're into S3 and have an S4 confirmed, I suspect we'll see some of that.
Now, the social media fallout here is what kind of throws a wrench into things. Yes, it appeared that Jason was catering to fans... and then pulled the rug out from under their feet. And then was shocked when they got pissed at him. I wasn't paying any attention to the social media, and in fact was several episodes behind so hadn't really been tracking things in here either. I thought Lexa's death was actually handled well. I was happy that she and Clarke had been able to share time together before the reality of their world came crashing back down on them. The fact that the Flamekeeper is the one who kills her is just... well, it's ironic (though also a cliche).
Further, now that I'm caught up, I've become too aware of the social stuff, which means I'm aware that Jason wants to redeem Bellamy. I wish I didn't know that. It basically means Bellamy has plot armor and they're going to pull some serious bullshit with him.
Sigh...
In other words, I was enjoying this show more when I stayed off the internet.
Agents of SHIELD, Sirens, Brooklyn Nine Nine all had/have nonwhite gay characters.Off topic for a bit but it does remind me of a thread in OT a few days ago, but I do wonder how many gay male representation is predominantly white? Like right now the only non-white gay characters I can think of is Miller on The 100 itself and maybe Jamal on Empire. I'm drawing a blank everywhere else just as much.
When I first started watching Fear the Walking Dead, I honestly did not recognize her. I knew the actress that played Lexa would be in that show, but I had never seen her outside of her costume in The 100. I don't think I picked up on it until late in Episode 1 or 2. lol
Not even popular by that metric, it performs middle of the pack and doesn't look like it sells as well international as the others.Enough to start the ritual killing for the network its on
See, the points you make at the start of your post I also entirely agree with. I think it's just fantastic storytelling. I think when evaluated entirely on its own, "Thirteen" was a really good episode altogether.Good discussion and I appreciate the perspectives. I don't mean to derail this thread, so if this should go elsewhere (maybe it's own off topic thread), then let me know and I can start up something that way.
Here are some points I feel need to be made in the whole Clexa discussion:
1. Lexa started making decisions that were influenced by her emotions for Clarke.
2. Lexa has one of two chips embedded in her neck, and no one was going to know that until she died.
3. Clarke loved Lexa.
4. Clarke is going to be changed by Lexa's death and the chip's existence.
Conclusion: Lexa had to die to reveal the chip. Lexa had to die to put Clarke on a different path.
To me, there comes a point where someone like Jason needs to decide whether he's telling a story (which will include tragic and sometimes meaningless deaths) or whether he needs to be aware that he's writing a story in which he owes some responsibility to a character's gender/sex/sexual orientation as a symbol to his audience. He is both writing a story hundreds of years in our future (where gender/sex/sexual orientation is less important than in our world today, because the world is more about survival), but he is engaging in our world, with us as an audience, and therefore needs to be aware that the story he tells and the characters he creates (and un-creates as it were) can have an impact on his show's popularity. I would much rather have the story be told, quite frankly, regardless of its tragedy, regardless of what those watching feel should or shouldn't have happened.
I viewed Lexa's death as tragic. I thought it was wonderful that she and Clarke finally had some moments together that were truly peaceful for them both. I think Lexa's death was intended to be almost pointless, someone in the wrong place at the wrong time, killed at the hands of her much trusted advisor accidentally. Almost like a child being shot in a drive-by shooting. These things happen. So much love and promise and potential snuffed out because of anger and hate. They happen today, they happen in our future, they happen because we're human. This didn't happen because she was a lesbian/bi. And again, it had to happen to put Clarke on her path.
I'll shut up now. Sorry for the wall o text.
See, the points you make at the start of your post I also entirely agree with. I think it's just fantastic storytelling. I think when evaluated entirely on its own, "Thirteen" was a really good episode altogether.
Obviously the problem comes when you view it in the light of the wider context of television, then you see for instance the method and framing of how Lexa is killed and the context surrounding that, the only thing you can say (especially if you have a specific past experience with say that scene in Buffy) is literally how tone-deaf can you be in that situation.
Yes, it makes absolute complete sense Lexa might die that way in the context of the show where children in a tribal society are literally asked to kill their way to the top and you have a situation where a leader is trying to hold together an uneasy coalition in her court when everything, including tradition, is asking everyone to choose a path of least resistance, etc. etc. This makes good drama, this has happened before if you've studied history, but that's not the problem.
When you move that situation into real life though, what you see as "wow, Lexa's death was tragic wasn't it?" it just adds to the pile of "well, there's another one telling us lesbian romances end in tragedy" and that starts to reinforce that notion that in some ways, that love is wrong or something. Especially when f/f romances are seemingly underrepresented or treated with as much nuance and care. And when we still exist in a world where some women are still closeted and are afraid to come out for fear of retribution, being disowned, etc., it seems a little disheartening.
I never watched Buffy (please don't hurt me) so I'm missing the tone-deafness aspect. And yes, there's a point where the reality of the world your audience lives in is going to collide with the fiction of the universe your characters live in. I'm just not sure it should have been done any other way. I know there are some who believe the two scenes (the lovemaking and the death scene) should not have been back-to-back, but I believe again that was done on purpose.
Also, wanted to point out that Black Sails has at least three very strong-willed lesbian/bi characters, and all of them are in positions of power, in a very male-dominated pirate universe. And if you're not watching Black Sails, you should be. Fantastic show.
Having her death come immediately after the love scene is a slap in the face. It was a moment for Clarke, Lexa, and Clexa fans to be happy, to have their ship validated. It has nothing to do with "MY SHIP IS BETTER THAN YOURS, SUCK IT BELLAMY", and everything to do with the fact that at that moment, a strong, dynamic, and influential f/f pairing was made canon on national television. It was a moment of change for the lesbian and bisexual community. It was beautiful, it meant something, and it gave hope to the LGBTQ community that, yeah, maybe, this was going to start to change things for them.
All of that was destroyed five minutes later, when Lexa died tragically in Clarke's arms. I've said before that it was a beautiful scene and that hasn't changed in regards to Clarke and Lexa's interactions and dialogue, and the acting each actor displayed. Like...holy shit. Have you seen the amount of micro expressions Alycia uses? How, with her last ounce of strength, Lexa tries to smile at Clarke? It's incredible. She truly gave her all. But...in short, having the two scenes immediately following each other is disgusting. It's insulting, honestly. At least put them in different episodes, Jesus Christ.
The problem lies in the one-two punch of killing her after confirming their love for each other, therefore making the ship mean nothing, and also how she was killed using one of the laziest and tropiest tropes in the universe. A stray bullet? Are you serious? Clarke's actions also don't make sense. She's a gifted healer, who was able to save Jasper after he had been speared through the chest. His wound was WAY more serious than Lexa's, and yet, here he is. Alive and well and annoying the shit out of me. Did Clarke not think to cauterize the wound, considering there were, like, 20 billion candles around them? No. Instead she lazily holds a rag to her torso and does nothing.
But, I digress. If Lexa had to die, fine. I get that ADC was going to another show. It had to happen eventually. But...make her death a reflection of her life. It can be tragic and sad and still mean something. Let her die in battle, fighting for the peace she struggled to maintain. Let her die protecting Clarke, instead of having her literally go "Hey guys, what's happening in here..." as she's hit by a stray bullet. She literally just walks into the room.
Anyway. I'm tired of being emotionally drained by this fucking show. I've been fighting this battle in here for almost a month now and I'm tired. But...ai gonplei nou ste odon, I guess.
So who is next to die/ get killed?
I apologize for bringing up what is obviously a painful subject. As I mentioned earlier, I wasn't really tracking the thread when these things happened, so I was several episodes behind before catching up and getting back into the thread. I honestly didn't understand the backlash/reaction, based on my own perspective of it which I've documented.
I truly appreciate and respect the perspectives you and Sober (and others) have shared.
Ontari's love interest is gonna be Roan.
Wait, they're siblings? I just thought Ontari was just trained or something by Nia.They're siblings...what kind of Lannister tea...
Wait, they're siblings? I just thought Ontari was just trained or something by Nia.
EDIT; although they probably are, and knowing me I zoned out whenever it got mentioned.
Ontari's father is going to turn up as she and Roan blossom into a heartwarming courtship. Then her father reveals that before she was ever born he spent a night with Queen Nia...one that resulted in a son. After all we don't know who Roan's daddy is....actually I don't think they ever specified
Roan clearly wants Clarke, he ain't going for Ontari.
Apparently he can't... ������
Between the American Gods casting and all the behind the scenes drama, I saw this coming a mile away.
Also, wanted to point out that Black Sails has at least three very strong-willed lesbian/bi characters, and all of them are in positions of power, in a very male-dominated pirate universe. And if you're not watching Black Sails, you should be. Fantastic show.
Also, wanted to point out that Black Sails has at least three very strong-willed lesbian/bi characters, and all of them are in positions of power, in a very male-dominated pirate universe. And if you're not watching Black Sails, you should be. Fantastic show.
she doesn't like Roan for what happened to his mom. She will take Murphy as some concubine. Roan doesn't like Ontari either, he will die for defending Clarke in some way.Ontari's love interest is gonna be Roan. And Murph.
The Vampire Diaries did kill of two lesbians, belonging to a group of eight bad people introduced at the start of the season, seven of which are now dead. The only one remaining is still alive because she basically took the role of a pregnant cast member.
Just got internet back, about to watch 3x09. Pray 4 me.
Agreed.I loved season 1 & 2 to the point that it became my favourite TV show currently airing, yet season 3 has done everything to undo that.
The 100 got Arrow-ed.
The 100 atleast has the guts to kill of two loved main characters within 2 episodes in a row.
...meanwhile in another show...