Boss Riovane
Member
I didnt realize it wasnt known. I got a good chuckle. 25 celebrities you didnt know were black. Yeah....
I really hate sites that make you click through every single one for them hits.
Gardena.
And I don't think I like fried chicken much at all. The last time I can remember enjoying chicken outside of wings was when I had baked chicken.
Gonna have to look for some recipes.
She be one holding the secrets as to why that kid look they way they do.
"I done told that girl not to be doing that stuff when she with child. Now look at her. Got a baby only me and Jesus can love."
A south bay resident? That doesn't surprise me for some reason.
I didnt realize it wasnt known. I got a good chuckle. 25 celebrities you didnt know were black. Yeah....
Nakazato, how were you out here for less than a year and still managed to visit two Popeyes locations ~20 miles away from each other.
Man gaining weight is hard.
Imma have to eat 5 boxes of popeyes to gain atleast a lb.
Just eat a tub of crisco.... You'll gain weight.... and might have a stroke in the process
DO NOT EAT CRISCO
lmao, thats just as bad at the gallon of milk a day stuff.
Now that would kill me.
Didn't even know about Carol Channing, but if you couldn't tell Maya Rudolph is half black you need eyeglasses.
I'm averaging this right now. Using milk for the meal mixes and to take my meds. Went to the store and bought 4 gallons of milk the other day, one of them is gone already.
Man, I was gonna try that, but I'm lactose intolerant.
I'm just gonna see if I can down 2 dozen a day.
He might be a a water type, but he is hot fire.
"Men At Work is hiring, and they need a diversity staff writer."
This was a line my agent said to me by way of greeting, earlier this summer. Not a staff writer. A diverse staff writer. My skin color, not my ability to convince Breckin Meyer and the nice people over at TBS that I can pound out 32 pages of jokes, would have been the key factor in getting me that coveted first staff writing job.
There's this thing in Hollywood, a "diversity staff writer." Most every writing room has onean entry level, non-white staff writer, explicitly hired due to their race. (If you're really lucky, being gay or a woman might just suffice, in lieu of not being white.) The diverse staff writing position, colloquially referred to as a "diversity hire," isn't just a vague, subtle effort to break up the litany of white, male faces that make up a majority of the working writers in television. In corporate America, minorities often have to deal with vicious whispers amongst white co-workers about how they got where they are as a token hire"They had to hire a black guy." Perversely, Hollywood's genuine attempt to remedy the overwhelming whiteness of the industry has instead led to a place where networks pat themselves on the back for hiring a token writer by institutionalizing those sotto voce complaints. We are called, on paper and to our faces, diversity hires.
Though the requirements vary from program to program, the basic principle is the same: We, the network, are going to make you, the executive producer, hire one lower-level staff writer who is diverse. To get you to comply, we'll provide the salary for said writer. Fair solution, right? In the Hollywood economy, all aspects of the cost of producing a television showfrom writer and actor salaries to the actual shooting and editing of each episodeare paid for by the studio behind the show, not the network. While the network is actively involved creatively, its financial responsibility comes from licensing the show from the studio and distributing it. It will then tack on some extra cash earmarked solely for a diversity hire, so that the studio budget can instead go towards everything that's "integral" for the show to function. (This always includes a robust craft services budgetit's mandated by the Writer's Guild of America that the writers' room alone have catered lunch and snacks on hand every day.) Showrunners don't have to worry about wasting their studio budget on a token hire that may not be so great in the room, a young colored writer gets a shot at the dream, networks proudly get to proclaim their commitment to diversity, everyone wins! Except that it's not great. At all.
It's a specific position earmarked solely for an entry-level diverse writer, with funds allocated specifically for said hire by the networkfunds that do not come out of the show's own budget. Diversity staff writing programs currently exist at almost every major broadcast network, and at some cable networks.
To understand why these diversity programs exist, it's crucial to understand that complaints about the domination of white males in the television business aren't just some generalized rant from minorities. Out of CBS' six new shows this season (The Millers, Mom, The Crazy Ones, We Are Men, Hostages and Intelligence), each one was created by a white male. Fox's new shows? Another six for six in terms of white male creators. ABC's seven new shows were all led by white male writers, though two comediesSuper Fun Night and Trophy Wifeboast female creators. NBC, with the most new programming this season, comes in with 12 new shows, all created by white males. Which means that now, even in 2013, not a single new show was created by a diverse writer. Sure, Shonda Rhimes has broken ground with Scandal, but a quick look around the television landscape shows that in the decade since Rhimes created her first ABC hit, Grey's Anatomy, her success still hasn't done much to change the status quo. And if diversity isn't a priority for network executives in how they develop their programming, it should come as no surprise that a similar lack of diversity has trickled down through writers' rooms, rendering them almost as colorless as their creators.
The differences in the programs show just how half-hearted some of these attempts at diversity are. A few networks have established highly selective, intense workshops for diverse writers, and only staff their diversity positions with graduates of that process. Others only establish a budget for a diverse hire, but anyone diverse, regardless of whether that network has a diversity workshop, can be considered for a writing job come staffing season. At Fox, a writer can qualify for the diversity staff writer stipend for multiple seasons, not just their first season, which on the surface seems to ensure job security. But salary minimums are mandated by the Writer's Guild of America, and are tiered based on level, with staff writer being the lowest. Which means that Fox can guarantee a person of color a job to return to in future seasons, but also cleverly hold a person down at the level of diverse staff writer, even though they may be far too qualified to remain there. If a showrunner wants to promote a writer out of the diversity hire slot, that writer's salary will be now be coming out of the show's budget, rather than a separate network stipend, and pulling funds away from other aspects of production. CBS doesn't have a diversity staff writer budget at all, though they do have a robust young writer's initiative, which is colorblind.
...
The majority of advertising agencies work like this too. Unless its a minority owned shop that then usually have to compete for projects that have been earmarked for "minorities". On the flip read this
http://www.businessweek.com/article...nment-factory-produces-low-budget-tv-shows#p1
that shows how a black man is getting his right now by creating cheap content for Networks. Its basically the same thing. in the media you got to create your own if you want to be sucessful 9 times out of 10
man that shit is depressing. every time i check out the staff pages for the agencies i have applied to i die a little inside.
i have friends that work at 2 of the biggest agencies in my town and they are the only black people on the staff. however you get in the door i guess. i damn sure wouldn't complain if it was me.
Beyond Two Souls only need one more good writer to make the shit pop. That and someone to make the devs realize what creativity could've done in the gameplay side...
It was really, really close to being a new standard. Its merely good. But oh well. Still having fun.
First person whose opinion I agree with that has had something positive to say about the game outside of people I know "offline". Anyone else dig it?
Just beat it. Its absolutely worth a redbox. Its like... the perfect redbox rental imo.
The soundtrack could've been a little better, some of the chapters are either too long or too meh, the 'riding' segments are a bit dry
But I really, really enjoyed the game and I'm glad I played it. Somewhere, between Remember Me, Heavy Rain, and Beyond Two Souls is a perfect blend that's going to make brains melt. The end of BTS is probably the best part of the game. It just hurts me deep down that they don't have more puzzles in this type of game. Even simple ones - this is as point and click as it gets. The fights are sloppy, no point debating that, but its still fluid and not restart heavy at all. The game just has a great flow to it and you're consistently involved though. Game always has your attention in some shape or form. The tense moments are exactly that but damn the game could've used that tempo throughout.
Really enjoyed this game though and I recommend it to everyone.
Just beat it. Its absolutely worth a redbox. Its like... the perfect redbox rental imo.
The soundtrack could've been a little better, some of the chapters are either too long or too meh, the 'riding' segments are a bit dry
But I really, really enjoyed the game and I'm glad I played it. Somewhere, between Remember Me, Heavy Rain, and Beyond Two Souls is a perfect blend that's going to make brains melt. The end of BTS is probably the best part of the game. It just hurts me deep down that they don't have more puzzles in this type of game. Even simple ones - this is as point and click as it gets. The fights are sloppy, no point debating that, but its still fluid and not restart heavy at all. The game just has a great flow to it and you're consistently involved though. Game always has your attention in some shape or form. The tense moments are exactly that but damn the game could've used that tempo throughout.
Really enjoyed this game though and I recommend it to everyone.
Gaf acts likes it's the worst game ever made in the history of gaming.
David Cage's writing is on the level of SyFy movie of the week and if you have to part money for it, do it through Redbox only
The game isn't long enough, nor does it have the replayability to be warranted as a 60 dollar game imo. If I can't put 30+ hours into a game, its not worth 60 bucks in 2013.
Fuck yes, that been my mindset on all games.
I rarely pay $60 for a game these days.
I ain't stole shit.
Damn the Walking Dead Season 2 ep1 is TOUGH on black women lol.
The game isn't long enough, nor does it have the replayability to be warranted as a 60 dollar game imo. If I can't put 30+ hours into a game, its not worth 60 bucks in 2013.
I waited til the whole Walking Dead season 1 was out before I went in, think I'm gonna do the same for this one. Only thing I've seen of it is a screenshot of Clem mean mugging with some blood in her face, lookin' like its hard out in the streets.
David Cage's writing is on the level of SyFy movie of the week and if you have to part money for it, do it through Redbox only
Like self aware Sharknado SyFy or like it's a studio's first time learning how to use CG bad
Ever go to the club.......and be bored out of your fuckin
mind let me jus take my ass to sleep