Dabookerman said:It was only split into three because you know.. people would complain about it being too long.
They'd also complain about the second and third acts being terrible in relation to the first if that was the case.
Dabookerman said:It was only split into three because you know.. people would complain about it being too long.
Fellowship is cool and all but let's not go overboard here.Solo said:They'd also complain about the second and third acts being terrible in relation to the first if that was the case.
Solo said:They'd also complain about the second and third acts being terrible in relation to the first if that was the case.
Oh OK good, that's kind of what I thought but then I couldn't find anything to back it up.Dan said:The current plan is for The Hobbit to be spread across two films, filled in with other source material. It's definitely no longer going to be The Hobbit and a LOTR bridge film. That was scrapped sometime around Guillermo del Toro coming on board, IIRC.
GCX said:Fellowship is cool and all but let's not go overboard here.
Dabookerman said:Oh yes. Terrible. Perfect word to describe the second and third acts in any context. God what were people thinking. The majority of people who saw them must have been outright stoned to have loved them.
Solo said:Reading comprehenson FTL. I didnt call TTT and ROTK terrible. I called them terrible relative to FOTR.
Terrible. Perfect word to describe the second and third acts in any context
Solo said:TTT and ROTK already make LOTR unable to be the best trilogy ever.
I think we can add Toy Story to the list of great trilogies now.Amir0x said:Please. I'm not going to play any games with your tastes here, because frankly I don't care about people with bad taste.
For me...
The Godfather trilogy has two of the greatest movies ever made in it, but the third movie is completely bust. Star Wars is fucking terrible. Indiana Jones is amazing, but it's no longer a trilogy - it's a quadrilogy, and the fourth movie was atrocious. Back to the Future is a classic, and one of the better trilogies... but not quite LOTR's consistent high marks.
As a trilogy, LOTR is the best.
PhoncipleBone said:I think we can add Toy Story to the list of great trilogies now.
Old Star Wars trilogy disagrees with you. LOTR takes a good second place.Amir0x said:As a trilogy, LOTR is the best.
Tststs! Not good! ;DAmir0x said:For me...
Star Wars is fucking terrible.
Foliorum Viridum said:ROTK is a bit weaker at the end because it just doesn't want to stop, but other than that I'd find it hard to order them.
Solo said:They'd also complain about the second and third acts being terrible in relation to the first if that was the case.
Foliorum Viridum said:I don't think it's the best trilogy ever, due to the Three Colours Trilogy and The Vengenace Trilogy both being better in my eyes, but all three LOTR films are about the same level of quality I think. ROTK is a bit weaker at the end because it just doesn't want to stop, but other than that I'd find it hard to order them.
I figure well see a lot of DelToro come through in the script and art direction; since that was pretty much done. After all they were just waiting on the studio problems to end to begin shooting.mello said:I'm still pretty damn upset that we'll no longer see Guillermo directing, I think it would have been a fantastic experience to see his vision carry through to what Jackson started. He really has a unique take on the fantasy genre, and we'll no longer get to see what he would have done with The Hobbit. While I think Jackson taking over is fantastic news, and assurance of a great feature film, it won't stretch far from what he accomplished with LotR.
On the topic of best trilogy, there really cannot be no arguing with the TRUE fact; LotR is the best film trilogy ever made. It's the most consistent, and I think the majority of other great film trilogies lack this in some respects.
Nazgul_Hunter said:I figure well see a lot of DelToro come through in the script and art direction; since that was pretty much done. After all they were just waiting on the studio problems to end to begin shooting.
jett said:Indeed, FOTR is so much better than the other two it's ridiculous. TTT was one of the if not the biggest cinematic disappointment I've had. I was completely indifferent to ROTK.
I'd probably consider Oldboy the weakest. I linked to them just because they're not really mainstream films, btw. I wasn't trying to seem elitist or anything.Amir0x said:
^ I like both "trilogies" a lot. However, I am talking specifically about trilogies which are directly related in story, not just in theme. Even though I'd say LOTR trilogy is easily better than Vengeance Trilogy, considering one of the films is mediocre at best and the other is only merely good, not great. Old Boy is just straight up great though imo.
Fellowship of the Ring is clearly the best of the three films, but all are spectacular. The Two Towers and ROTK simply don't work on their own, and they're not supposed to - they're form fitted for all three movies being one. It's amazingly consistent trilogy. People who think The Two Towers and Return of the King represented some huge dip in quality are entitled to their opinion, despite being batshit insane. The acting, writing, directing are all the same high quality. ROTK and TTT have some editing issues, clearly. But they're all the highest possible calibre for a movie trilogy.
This. Unless you've seen the definitive version of each film, it really make no sense to criticize the movies as a whole.Branduil said:TTT and ROTK are only problematic when you watch the theatrical versions. The Director's cuts allow their true quality to shine and eliminate most of the issues present in the shorter cuts.
I would think that the most obvious place would be at Beorn's house, but I've been wrong before.thefro said:Will be interesting where they decide to split the thing up, because there's not a good break point in the book like in the LOTR. Maybe after they get to the Lonely Mountain would work... you can blow up the stuff with the Wood Elves and have Gandalf doing some shit at the same time that's exciting.
Nope. Strider's still kissing his horse, there are still elves at Helm's Deep, the Ents are still morons, and Denethor's still completely mis-characterized.Branduil said:TTT and ROTK are only problematic when you watch the theatrical versions. The Director's cuts allow their true quality to shine and eliminate most of the issues present in the shorter cuts.
According to Smith, Nickelodeon saw the story strictly as children's entertainment, and insisted that the Bone characters be voiced by child actors and that the film had to include pop songs by the likes of Britney Spears and N'Sync.
Omg. o_o That would have been terrible! :lolSalazar said:I am so glad Jeff Smith refused to let Nickelodeon make a Bone film.
Cautionary fucking tale, right there.
elrechazao said:A movie that has a shit plot, bad acting, but cool costumes and effects is a shit movie.
And Peter Jackson still can't resist swooping and swirling the camera through the sky in every third shot.Freshmaker said:Nope. Strider's still kissing his horse, there are still elves at Helm's Deep, the Ents are still morons, and Denethor's still completely mis-characterized.
Yeah. read about that. Here is more.LegendofJoe said:It seems like the Hobbit is back in the news again. Unfortunately, it's not good news.
According to Variety the FIA (international federation of actors) is seeking to take advantage of the imminent production of the Hobbit as an opportunity to force unionization of actors/actresses in New Zealand. They're calling for all unionized actors to boycott the film in support of their 'abused' brethren in NZ.
On the bright side however, considering the timing of this move, and the recent news that PJ is making talent scouting trips for the movie, it seems like production is FINALLY about to be green-lit. I just hope Spyglass or the NZ government can broker a quick deal with the SAG and FIA to get things moving.
Deadline said:A "Member Alert" went out yesterday afternoon from the Screen Actors Guild advising actors not to accept work on the non-union production of The Hobbit. (See below.) It's part of an international showbiz labor effort begun by New Zealand Actors' Equity and its umbrella The Media Entertainment and Arts Alliance headquartered in Australia to go public with a campaign confronting Peter Jackson, the director and producer of the long planned and high profile back-to-back Hobbit movies and filmmakers Three Foot Seven, MGM, and Warner Brothers. NZ Actors' Equity is calling a meeting of actors on Tuesday to bring The Hobbit filmmakers to the negotiating table for a contract providing minimum guarantees on wages and working conditions, residual payments, and cancellation payments to actors engaged on the production. Now, the International Federation of Actors (FIA) is supporting the NZ Equity/MEAA campaign, and last month issued letters to The Hobbit production company Three Foot Seven, Warner Brothers, and MGM seeking a union-negotiated contract to cover all performers on the production. That's why SAG and AFTRA are now involved as well as Actors' Equity, Equity (UK), and equivalent organisations in Australia, Canada and South Africa.
Equity has been trying since 2006 to negotiate minimum guarantees contracts across the film and television industries in New Zealand, but can't get that country's producers organisation SPADA to take part in talks. SPADA says it did agree to a meeting skedded 18 months ago, but nixed an Equity condition that reaching a collective agreement was a requirement for the discussions.
Yesterday afternoon, Three Foot Seven's lawyers issued this statement: "3 Foot 7 has received legal advice that it is not lawful under New Zealand law for 3 Foot 7 to engage in collective bargaining with MEAA or any other labour organisation, regarding performers who are independent contractors. Under the New Zealand Commerce Act it would be unlawful to engage with an Australian union on these matters."
What happens next is anybody's guess. But news reports say Three Foot Seven has been trying to resolve the situation behind closed doors and is pissed it's now being played out internationally.
Branduil said:The unions=Smaug.
I can't see beyond the ugly spectre of an Australian bully-boy, using what he perceives as his weak Kiwi cousins to gain a foothold in this country's film industry. They want greater membership, since they get to increase their bank balance.
The conspiracy theories are numerous, so take your pick: We have done better in recent years, with attracting overseas movies -- and the Australians would like a greater slice of the pie, which begins with them using The Hobbit to gain control of our film industry. There is a twisted logic to seeing NZ humiliated on the world stage, by losing the Hobbit to Eastern Europe. Warners would take a financial hit that would cause other studios to steer clear of New Zealand.
-- Seriously, if the Hobbit goes east (Eastern Europe in fact) -- look forward to a long dry big budget movie drought in this country.
PhoncipleBone said:Ugh. This is just getting worse.
As much as I hate to say it, they should just can these movies before it becomes the Duke Nukem Forever of Hollywood.
Dead said:They need to shitcan these movies imo. Its nothing but a clusterfuck.
Dead said:If it ever came to shooting the movie outside NZ, they might as well not even bother to be honest.