A point worth repeating a thousand times, because I believe it was the key to its enormous success. Instead of a homogenised story and world, one cousin removed from things movie audiences already had, Jackon and co offered up something wholly complete and new, and executed on that damn near flawlessly. They believed in the source material, and it shone through bright enough to create an entire generation of new fans who'd never seen, or read, anything like it.
If you called this show "Artasia" and renamed the characters and places, you'd be forgiven for thinking it was just another generic Tolkien knock off to throw on the pile, instead of being from the ur fantasy literature itself. It feels so generic and unspecific, that it's as if every plotline was designed to appeal to a specific demographic, to bring in the broadest audience as possible. Given the record-breaking cost, I'm betting it seemed like a necessity to the show's clearly-out-of-their-depth runners, but Jackson's trilogy proves it very much isn't. A production of this scale, shackled with such limited focus, is a fucking Greek tragedy for the ages.