I completely agree that Arjen's sound doesn't usually evolve or branch out much. It almost always has that "space" sound to it, and if you are super familiar with his music then a lot of it can be predictable.
That being said, I think Lost In The New Real is one of his most focused albums ever. Since he focuses on a different style for each song this time around, the songs are much more digestible and the album has better pacing as well as a smoother flow. I really appreciate the Beatles influence on this album, and I'm not even a huge Beatles fan. I can tell that Arjen is very passionate about this project, which is part of what makes it sound fresher than previous efforts.
I disagree about the chorus's, for the most part. There are only a couple of songs that didn't really hook me with the chorus, but most of the time there are excellent instrumentations with interesting chord/note instrumentations.
I don't think Arjen will go down in history as one of the greats in the same way that the other musicians you mentioned will, but he has a very particular niche that he dominates. Plus, if you haven't heard anything from him before (which I'm assuming a lot of people in this thread haven't), Lost In The New Real is one of the best places to start.
Yeah, you can tell he did kind of nerd out a lot with it, and he put a lot of his influences and stuff he grew up with in there. Despite finally coming around to 01, I will say that yeah this project is a lot fresher sounding than that.
I think the choruses bothered me because a lot of them seemed to just be the song title repeated. I mean it's not like he hasn't done that before, but for some reason I really noticed it on this release.
And yeah, he likely won't go down with them. He does have his niche and he does it well, and he does it passionately. I don't ever mean to discredit the guy, since he does some great stuff. He could probably use to widdle things down a bit, though. I think on a lot of his releases he's got about a cd, maybe a cd and a half worth of great ideas, but he gives us 2 cds worth.
This probably would be a decent place to start, but I still think his crowning accomplishment is The Human Equation. That album had so much variety in style, and everything was just top notch, and the singers he chose were some of the best of any of his albums. He just can't beat that.
Speaking of Steven Wilson I still haven't gotten to his most recent solo project. I know I mentioned him and PT several pages back and you gave quite a nice write up on why Wilson is so awesome, and I apologize for never getting around to responding to it. My appreciation for Porcupine Tree grows every time I listen to them though, and I'm going to be following them much closer in the future.
You definitely do need to check out Grace for Drowning, especially if you like PT that much. Him and Townsend are kind of the metric I use for truly great and transcendent musicians. Not only do they blow you away with what they're doing, each project is something completely and utterly different. Wilson's pretty guilty of having some of the same sort of filters and techniques throughout some of his projects, though. He'll have some PT-isms strewn about some of his other projects, but he does so damned many completely different styles that it's really not a large percentage.