The most obviously tacked-on movie endings ever (Spoiler tags).

I agree about the Mist as well. Although i didn't feel it was a tacky ending. Just a really stupid one.

Also, could you post the movie you are talking about in a spoiler tag? My curiosity to know what movie is it is stronger than my will to watch it without spoiling it somehow. :P

The Invitation. Similar to OP's issue where something maybe unexpected happens, but in this one they leave it there and let your imagination take over.
 
Suicide Squad -
Deadshot getting to spend time with his daughter and Flag showing him a modicum of respect was well done. But the wrap-up for the other characters was poor. Boomerang just yells, Croc has BET (Eugh), and Harley gets her Expresso machine. Then Joker storms to rescue her. Even if there was a more abusive aspect to their relationship that was cut out, nothing about them works in the movie. She didn't decide to leave him, the helicopter was shot down. She thought he died. It wasn't like she chose the team over him. So then he comes to get her (again) as some big end of movie tease, but it just feels tacked on so a popular character can close out the movie. The movie should have just closed out with Deadshot or Waller.

War of the Worlds -
The son surviving and the whole family waiting at the end. Microbes being what stops the aliens at the end didn't bother me. What bothered me is that the son somehow survived and was sitting pretty with the family. And they're all just chilling in the house like nothing is happening. One dude was in a sweater vest or some shit. It's just way too hard to swallow. It felt like a focus tested happy ending that they decided to go with.

These two for me two, specially war of the worlds.

But the part that really ticked me off from suicide squad:
Encahntress' alter ego surviving
there was absolutely no reason for that to happen and it kills the momentum of the finale. Also it's pretty bullshit
she and the joker turned out to be alive in the end, but best character, Diablo, stays dead.
i mean the last part makes sense, but if all the others got bullshit happy endings, it's crappy that he didnt.

Oh yeah, not a tacked on ending, but that "Oh shit we havent had Killer Croc do anything, add a scene in a flooded tunnel!" sequence was incredibly obviously tacked on as an after thought.

Army of Darkness: it's obvious the happy US ending was tacked on.

The original Bad Ending is equally tacked on and disjointed, it just happens to be 10x funnier.

Another shitty tacked on ending: the revised "will smith goes down guns blazing" happy ending to i am legend. Such bullshit, the original ending in the bonus content was so much more better.
 
Godzilla (1998)

I hate those last second "sequel?!" endings.

War of the Worlds -
The son surviving and the whole family waiting at the end. Microbes being what stops the aliens at the end didn't bother me. What bothered me is that the son somehow survived and was sitting pretty with the family. And they're all just chilling in the house like nothing is happening. One dude was in a sweater vest or some shit. It's just way too hard to swallow. It felt like a focus tested happy ending that they decided to go with.
If the family
had a puppy it would have shown up there as well, lol. It really was a happy end overkill.
 
The fact that
witch is something that is right out of a loony toons cartoon sketch, complete with flying on a fucking broom. The whole talking goat is satan part....leaves nothing to the imagination. They couldn't even come up with their own idea for the witch or the abilities. Watching them float around a campfire at the end while giggling like idiots broke all the tension the movie created, after hearing the goat speak broke all the immersion created by those two little brats, which was genuine...until it actually started speaking. It was nonsense and banal.

Its like it was heavily based on established folklore or something, how dare they not be original!
 
It would have been a hundred times better with a one sided conversation with the goat, only hearing her....and then walking into the woods with the goat by herself.

Since the goat was shown to be antagonistic, it would have been up to the audience to wonder if what happened was real or part of her delusions.

I don't know if you've ever a goat, but they absolutely ARE antagonistic. His death could have been seen to be an accident - or "natural" - I was knocked off my bike not three weeks ago by a startled billy goat (which was friendly once I got up off the ground and off my bike).

I was suggesting that you (and by extension she) hear the voice make the reasonable offer, not that you see the pirate boots.

However, the scene with the baby and the pestle at the start kinda breaks any illusion that everything is in their heads, so the movie is already set up for the ending it got.
 
Lord of the Rings Return of the King: The thread.

When I had to piss so bad my kidneys were about to explode a la Grandpa Simpson and thought "thank God it's over!"

Then another 30-40(?) minutes happened.It just kept going with stuff that felt unnecessary.

So effing true. The pullout from the ceremony at Gondor was the end. Everyone in the cinema started flexing ready to get up... and then more. Yes it was in the books but it added nothing to the movie. Think how bad from a characterisation standpoint it is to show one of your characters meeting a completely new character and then marrying them in the 10 minute tail-end to a 3 hour film that's the last in a heavily serialised trilogy. Save it for the Director's Cut and the Tolkein fans.
 
Unless we assume the director is a liar, the only thing that was reshot in the ending was when the mailbox fell over and you saw the address, everything else was there from the beginning.

[edit]

My post is in reference to Cloverfield.
 
I don't know if the final portion of 10 Cloverfied Lane is as effective as the the buildup before it, but the tension and release is really quite great. I think it ended the right way.
 
What? That ending is the whole point of the movie. The Witch isn't about
a family being terrorized by a witch, it's about how and why girls becomes one.

This would have been a good movie. It was a build up that jus hit the wrap it up light.
"And now she's a witch!" CREDITS.
HOT garbage that one, with a spoon fed ending. The rest was left up to imagination. Then they blew their wad all over the audience at the end.
 
The Lost World: Jurassic Park (1997)

While I admit that if the escape from Isla Sorna was the actual action climax, it would've been anticlimactic, nothing compares to the bullshit San Diego ending. Nothing about it makes any sense.

For starters, Spielberg expects me to believe that Peter Ludlow would actually try to bring a T-Rex into the mainland. This is beyond stupid for three reasons. The first is that Ludlow came to the island to collect some of the least dangerous dinosaurs he could. Second, the park hadn't even been fully completed yet, meaning that he'd keep a dangerous T-Rex on premises until the park was completed. And third, didnt he just come off an island where he experienced near death almost every step of the way? Having just gone through the horrors of Isla Sorna should've made him even more cautious about which dinosaurs to bring if he was still considering such an absurd idea.

My next problem is with the transport of the T-Rex in the first place. Did the crew really just keep the T-Rex inside the ship without any harnesses or additional security measures? I understand that the creature was tranquilized beforehand, but did they really just leave it unrestrained?

Then there's the matter of the deaths of the ship's crew. What. killed. them.

We see their bodies all over the ship, yet no sign of what exactly did the damage. Could it have been the T-Rex? Absolutely not, as it would've had to have somehow locked itself back into the ship after the killings for that idea to make sense. Could it have been dinosaurs from the island as the ship departed? Absolutely not, as that would mean that the ship somehow found its way to its exact destination without any living person steering it. So then the last question would be: Could some dinosaurs have killed the crew right before they arrived in CA? This makes little sense as well as that would mean that the dinosaurs somehow did not get noticed by the crew until nearly arriving in CA, and even if that were the case, where the hell did the dinosaurs go? Did they manage to take down an entire ship full of people without any of them being killed? If some were killed, where are their bodies? Where did the dinos go after killing the crew? Wouldn't they have stayed on the ship to continue feasting? The movie gives no explanation to any of this, leaving a huge plot hole.

Lastly is the execution of the T-Rex rampage in San Diego. It's so rushed, and of so small a scale. Everything is shot tightly, never giving the full scale of a dinosaur running loose in a majorly populated area. We see a handful of people running away, a bus being knocked over, and a dog being eaten, but nothing that shows a real mass panic. It all feels so empty.

That entire ending is just one huge wtf sequence.
 
This is a major spoiler for an obscure Italian giallo film, but right at the ending of Who Saw Her Die? there's an obvious "we have to avoid too much controversy by adding a single line of dialog...

(This spoiler reveals who the killer is:)
right at the end someone runs on screen to yell something to the effect of "hey everyone we just got news that he wasn't a real priest after all!"

So the producers chickened out at the last second for sure.
 
So effing true. The pullout from the ceremony at Gondor was the end. Everyone in the cinema started flexing ready to get up... and then more. Yes it was in the books but it added nothing to the movie. Think how bad from a characterisation standpoint it is to show one of your characters meeting a completely new character and then marrying them in the 10 minute tail-end to a 3 hour film that's the last in a heavily serialised trilogy. Save it for the Director's Cut and the Tolkein fans.
She wasn't completely new.
That was the Hobbit Sam was crushing on at the beginning of Fellowship, but was too much of a pussy to go talk to.
 
I don't know if you've ever a goat, but they absolutely ARE antagonistic. His death could have been seen to be an accident - or "natural" - I was knocked off my bike not three weeks ago by a startled billy goat (which was friendly once I got up off the ground and off my bike).

I was suggesting that you (and by extension she) hear the voice make the reasonable offer, not that you see the pirate boots.

However, the scene with the baby and the pestle at the start kinda breaks any illusion that everything is in their heads, so the movie is already set up for the ending it got.

I was under the assumption
that the girl Killed and ate the baby because she heard thats what witches do, and in her mind thats what she saw herself as ...an old hag like witch. Is a much more terrifying thing than...loony toon witch and talking goats.
 
The ending is great because it's the ultimate "Reality Ensues" moment.

Price thinks he has finally come into the comic book story he's wanted to be in. He is the archemesis to a hero who represents what he is not. He thinks it'll be a comic book relationship where they fight each other over and over. Instead Dunn just turns him in to the police. Incredibly uneventful that a text scroll is perfectly fine. Quite tragic.

Unbreakable is great.

I don't think Elijah had any illusions about his relationship with Dunn. What makes the ending so great is that Elijah also completed his arc. Elijah grew up frail, thinking he was a mistake. He felt lost in the world so he set out to find his complete opposite. Because he found Dunn, Elijah knows his place.
 
Another shitty tacked on ending: the revised "will smith goes down guns blazing" happy ending to i am legend. Such bullshit, the original ending in the bonus content was so much more better.
I never saw the alternate ending, but remember how lame the theatrical one was. Found the whole movie to be pretty good in spite of the monster CG being kinda iffy, but that ending...

What happens in the alternate one?
 
I was under the assumption
that the girl Killed and ate the baby because she heard thats what witches do, and in her mind thats what she saw herself as ...an old hag like witch. Is a much more terrifying thing than...loony toon witch and talking goats.

It didn't sell any of this really well..which is why I felt rushed at the end to get to something it didn't really hit home. It didn't spend much time in the realm of being psychological. But a lot in literal and visual.
 
I was under the assumption
that the girl Killed and ate the baby because she heard thats what witches do, and in her mind thats what she saw herself as ...an old hag like witch. Is a much more terrifying thing than...loony toon witch and talking goats.

No, the antagonist in that scene had a deliberately saggy old body.
 
It didn't sell any of this really well..which is why I felt rushed at the end to get to something it didn't really hit home. It didn't spend much time in the realm of being psychological.

I know, I was deliberately overthinking it. Which was what also ruined the movie, but I went in with high expectations over all the praise it got...when I saw that it was exactly as seen...i was supremely dissapointed and then the ending just ruined it entirely.
 
The Witch -
The ending was definitely attempting to sell the long-since deligitmized tropes of witches and Satanism and all that, in the way that early American colonists would have seen it. They weren't trying to be ambiguous or "is it all in her head?" or anything. I think ambiguity would have been a LOT more cliché than out-and-out supernatural.

In the context of the film, Satan is real. God is real. Souls are real. Establishing that their religious terror is legitimate is important to the film.
 
Taxi Driver.

Mate, what?

It's not supposed to end with the
shootout, which I'm guessing is where you'd cut it? The resolution of the film is that a) his actions are branded heroic, and that justifies the possibility for b) Travis to do it again, because he's a timebomb waiting to go off. Hence the final rear view mirror scene.

If that film ended any earlier, the point wouldn't be made.
 
I know, I was deliberately overthinking it. Which was what also ruined the movie, but I went in with high expectations over all the praise it got...when I saw that it was exactly as seen...i was supremely dissapointed and then the ending just ruined it entirely.

Pretty much. I was ready for something that I had to pay attention to.


and wtf happened to the twins?? Did they get taken by the witch? That blew a non so psychological hole in the roof of the barn?
 
I liked The WItch ending,
I don't understand why so many people think it's so clever to leave a movie opening ended and to just imply what's happening rather than to show the audience what went down. Everything in The Witch would've felt pointless without that ending.
 
I liked The WItch ending,
I don't understand why so many people think it's so clever to leave a movie opening ended and to just imply what's happening rather than to show the audience what went down. Everything in The Witch would've felt pointless without that ending.

No no no. It could have had a myriad of endings. One that went with the narrative it built up would have been fine.
witches are real. Have one approach the girl.. anything. There was no tempting/rescue of her by the real witches, or... goat.. or rabbit.. and I didn't see where her life was so horrid that she was up to sell her soul to the devil and be a witch. Just didn't get that trade agreement in theduration of the film.she wasn't weird or crazy and cared about her brother.
 
No no no. It could have had a myriad of endings. One that went with the narrative it built up would have been fine.
witches are real. Have one approach the girl.. anything. There was no tempting/rescue of her by the real witches, or... goat.. or rabbit.. and I didn't see where her life was so horrid that she was up to sell her soul to the devil and be a witch. Just didn't get that trade agreement in theduration of the film.she wasn't weird or crazy and cared about her brother.

She was a young girl in the middle of nowhere without a means to go back to civilization, she was going to die on that farm without a family and if she somehow got back to civilization, she'd be shunned or killed for having ties to the occult. What she knew as a life was completely over.

I thought her decision made sense in the context of the movie.
 
She was a young girl in the middle of nowhere without a means to go back to civilization, she was going to die on that farm without a family and if she somehow got back to civilization, she'd be shunned or killed for having ties to the occult. What she knew as a life was completely over.

I thought her decision made sense in the context of the movie.

That would have a much more impact as an ending
than flying naked women over the moon. It was like I was getting beat over the head with "SEE IT WAS ALL WITCHES....OOOOOH SPOOKY!" over and over again at the end
 
I never saw the alternate ending, but remember how lame the theatrical one was. Found the whole movie to be pretty good in spite of the monster CG being kinda iffy, but that ending...

What happens in the alternate one?

You can see it here, a summary in the spoiler:

In the very last scene, instead of blowing himself up to kill the ghouls, Will smith realizes they didn't come to kill him, but they came to rescue the female ghoul he had been experimenting on, they take her and leave the humans alone as Will Smith realizes the ghouls had a beef with him not because they were monsters, but because he had been routinely kidnapping, experimenting and killing them, he was the monster.
 
The Lost World: Jurassic Park (1997)

While I admit that if the escape from Isla Sorna was the actual action climax, it would've been anticlimactic, nothing compares to the bullshit San Diego ending. Nothing about it makes any sense.

For starters, Spielberg expects me to believe that Peter Ludlow would actually try to bring a T-Rex into the mainland. This is beyond stupid for three reasons. The first is that Ludlow came to the island to collect some of the least dangerous dinosaurs he could. Second, the park hadn't even been fully completed yet, meaning that he'd keep a dangerous T-Rex on premises until the park was completed. And third, didnt he just come off an island where he experienced near death almost every step of the way? Having just gone through the horrors of Isla Sorna should've made him even more cautious about which dinosaurs to bring if he was still considering such an absurd idea.

My next problem is with the transport of the T-Rex in the first place. Did the crew really just keep the T-Rex inside the ship without any harnesses or additional security measures? I understand that the creature was tranquilized beforehand, but did they really just leave him unrestrained?

Then there's the matter of the deaths of the ship's crew. What. killed. them.

We see their bodies all over the ship, yet no sign of what exactly did the damage. Could it have been the T-Rex? Absolutely not, as it would've had to have secured itself back into the ship after the killings for that idea to make sense. Could it have been dinosaurs from the island as the ship departed? Absolutely not, as that would mean that the ship somehow found its way to its exact destination without any living person steering it. So then the last question would be: Could some dinosaurs have killed the crew right before they arrived in CA? This makes little sense as well as that would mean that the dinosaurs somehow did not get noticed by the crew until nearly arriving in CA, and even if that were the case, where the hell did the dinosaurs go? Did they manage to take down an entire ship full of people without any of them being killed? If some were killed, where are their bodies? Where did the dinos go after killing the crew? Wouldn't they have stayed on the ship to continue feasting? The movie gives no explanation to any of this, leaving a huge plot hole.

Lastly is the execution of the T-Rex rampage in San Diego. It's so rushed, and of so small a scale. Everything is shot so tightly, never giving the full scale of a dinosaur running loose in a majorly populated area. We see a handful of people running away, a bus being knocked over, and a dog being eaten, but nothing that shows a real mass panic. It all feels so empty.

That entire ending is just one huge wtf sequence.

If I remember correctly one of the first drafts of the script also had raptors getting loose aboard the ship that killed the crew. They were cut so the main focus would be on the trex.
 
IIRC return of the king felt like it ended about 8 times before it actually ended. It's like Peter Jackson just couldn't bear to let go.
 
Huh? It was a great ending.

"How much fuel do we have"

"Not much"

"alright"

But that entire sequence leading up to him getting to the helicopter felt overly hammy. I think it was the music and knowing what the original plan for that ending was.
 
The fact that
witch is something that is right out of a loony toons cartoon sketch, complete with flying on a fucking broom. The whole talking goat is satan part....leaves nothing to the imagination. They couldn't even come up with their own idea for the witch or the abilities. Watching them float around a campfire at the end while giggling like idiots broke all the tension the movie created, after hearing the goat speak broke all the immersion created by those two little brats, which was genuine...until it actually started speaking. It was nonsense and banal.

The movie is steeped in historical details, both about the time period and about the myths of witches during that time. It was impressively accurate to both.
 
You can see it here, a summary in the spoiler:

In the very last scene, instead of blowing himself up to kill the ghouls, Will smith realizes they didn't come to kill him, but they came to rescue the female ghoul he had been experimenting on, they take her and leave the humans alone as Will Smith realizes the ghouls had a beef with him not because they were monsters, but because he had been routinely kidnapping, experimenting and killing them, he was the monster.


This ending should've stayed in the original. Really puts a spin on the hero not really being as much of a savior as he thinks himself to be, despite knowing full well it's damaging his mental health trying to "cure" this thing.
 
You can see it here, a summary in the spoiler:

In the very last scene, instead of blowing himself up to kill the ghouls, Will smith realizes they didn't come to kill him, but they came to rescue the female ghoul he had been experimenting on, they take her and leave the humans alone as Will Smith realizes the ghouls had a beef with him not because they were monsters, but because he had been routinely kidnapping, experimenting and killing them, he was the monster.
It's so lame that they completely ruined the entire theme on order to get generic action ending instead. It would have been far more memorable movie on its own, instead of just another will smith film.
 
It's so lame that they completely ruined the entire theme on order to get generic action ending instead. It would have been far more memorable movie on its own, instead of just another will smith film.

And for extra suckiness that put a religious bent on it with that woman saying God meant for her to save him, and when they reach the safe zone what's dead centre? A small-town church, because that's the most important thing to have when all infrastructure has been razed to the ground.
 
The Ninth Gate. Great movie, right until the end where it's just... uh.... wot

And yeah Return of the King extended edition, I wouldn't call it tacked on so much as simply interminable
 
Hangar 18. One of my guilty pleasure movies.

The original cut the audiences didn't like the ending, and rather than reshoot, they just tacked on a voice-over

The Ninth Gate. Great movie, right until the end where it's just... uh.... wot

The Ninth Gate is weird because it's based entirely on the sub-plot of a book (The Dumas Club), ignoring completely the main plot.
 
The ending is great because it's the ultimate "Reality Ensues" moment.

Price thinks he has finally come into the comic book story he's wanted to be in. He is the archemesis to a hero who represents what he is not. He thinks it'll be a comic book relationship where they fight each other over and over. Instead Dunn just turns him in to the police. Incredibly uneventful that a text scroll is perfectly fine. Quite tragic.

Unbreakable is great.

Yup. Perfect ending to a great movie.
 
The ending to The Forgotten was a rewrite, from what I can recall. The ending takes the obvious route with the conspiracy, which was a disappointment and confusing to me. The alternate ending on the disc was much better.

Another bad ending was 28 Days Later, which has a very abrupt tonal change at the end, and doesn’t do a very good job at resolving the plot, in my opinion.
 
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